With attention to the Japanese occupation, the Korean War and its aftermath, The People’s Field reflects on the sounds, ideas and histories of the Korean peninsula. Of her selection, contest judge Jenny Yang Cropp writes, “Kwon’s manuscript contains a paradoxical experience of both movement and stillness, history and the eternal present. These poems, short and spare, carry the intensity of distillation but resist the epigrammatic as they show us a rich and complex landscape that asks for and earns reading after reading.”