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Jonah Mixon-Webster urgently considers the poetics of space and body, of race and region, of sexuality and class in the present day within the architecture of the current collective crisis and imagination. To take up space in an experimental way, through lyric, sound, and conceptual art, this collection activates the contentious trope of “The Real Nigga” as zombie (embodiment of the thing already dead), linguistic substrata (the basis and site of identity through language formation and synthesis), and as precursor for colonizing archetypes.