In Gephyromania (literally, an addiction to or an obsession with bridges), Tolbert’s choice isn’t between female and male, lover and self, or loss and relief, but rather to live (willingly, intentionally) in the places where those binaries meet. Questions arise: Is a bridge simply an attempt to connect one (seemingly) stable body back to itself? Whose body—which embodiment—is absent when we say “I miss you”? And who is adored when we say “I love”? Sensing the parallels between a lover who leaves and his own female body as it chooses (as he chooses for it) to recede, the poems in Gephyromania explore the spaces between, among, across, and even within bodies.