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Katy Haas

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Cotton Xenomorph fiction, poetry, art online

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OF NOTE using the arts as a tool for social change online
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DAME "where women go for the stories people are talking about" online

Allium Press of Chicago

January 09, 2018
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The Whetting Stone

January 08, 2018
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What do you do when the person who promised to stay with you for better and worse, sickness and health leaves? What if they leave by taking their own life? What do you do with the subsequent feelings of betrayal, sadness, and guilt? If you’re Taylor Mali, you write poetry about it. The Whetting Stone, winner of the 2017 Rattle Chapbook Prize, encapsulates Mali’s grief in the aftermath of his wife’s suicide in 2004.

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"where time, they say, ends. Whereas for extending, whereas what you might call a leaking or a wandering. Incalculable lang, incalcable list—what’s spun down the hole. No pulling or leaping up. Blackness, only the din of our existence. Wishing-rod defunct. Hear my voice without echo, always defunct. A stone in hand. A crown in laughter."
— from “One falls past the lip of some black unknown”

Most American

January 08, 2018
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“One thing we ought not forget in this America is how our impulse to forget is so strong.” Rilla Askew, Most American

From where I sit right in Shawnee, Oklahoma, I am 41 miles from Rilla Askew, a professor at the University of Oklahoma and author of Most American: Notes From a Wounded Place, a collection of essays on race, violence, history, and Oklahoma. Six months ago, I would not have expected this proximity and would have read this novel from a distance out of curiosity, but disconnected from the Oklahoma Askew memorializes in these pages and connects to the larger American drama.

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