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Denise Hill

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cleaverThe cover image for issue 19 of Cleaver Magazine online is mixed media/map entitled “He had an Awkward Relationship With The Truth” by Emily Steinberg.
foliate oakPhotographs by street photographer J. Ray Paradiso are featured on the cover screen for the online Foliate Oak Literary Magazine.
hamilton arts lettersCatherine Heard's work can be found on the cover of Hamilton Arts & Letters Magazine 10.1 as well as featured in an online portfolio. Her work "work interrogates the histories of science, medicine and the museum. Simultaneously attractive and repulsive, her works delve into primal anxieties about the body."
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carveThe fall issue of Carve Magazine features the winners of the 2017 Raymond Carver Contest as selected by Guest Judge Pinckney Benedict:

First Place
"Richard" by David J. Wingrave in Warsaw, Poland

Second Place
"Laughing and Turning Away" by Patrick Holloway in Rio Grande do Sul, Brazil

Third Place
"Homecoming" by Zachary Lunn in Raleigh, NC

Editor’s Choice
"The Anatomy of Todd Melkin" by Catherine Malcynsky in Chester, CT
 "Windfall" by Edward Hamlin in Boulder, CO

Read these winning stories online here. For a full list of semifinalists and information about the contest, visit Carve online.
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haydens ferry reviewThe Virginia G. Piper Center for Creative Writing is seeking a Senior Editor for Hayden’s Ferry Review, a semi-annual international literary journal edited by the Creative Writing Program at Arizona State University.

In addition to general management and editorial duties, the Senior Editor will also be responsible for directing a special translation project and academic database using literature previously published in Hayden’s Ferry Review.

Applicants should have a Bachelor’s degree in Journalism or a related field and five years related experience; an MFA in Creative Writing, bilingualism, and experience working in a university setting and web development are preferred.

Salary range $41,976 - $50,000 DOE.

To view the full job description and apply, visit http://bit.ly/2hNxTGU or search openings at https://cfo.asu.edu/applicant by job title “Senior Editor” or requisition number “36507BR”. A pdf of the job description is also available at http://bit.ly/2fRlVLQ.

Individuals with any questions should contact the Piper Center at 480.965.6018 or pipercenter.info-at-asu.edu.

The position will close Wednesday, November 1st, 2017.
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gettysburgHalloween, detail by Bo Bartlett, is seasonally appropriate for the Autumn 2017 cover of The Gettysburg Review. More of Bartlett's work is also featured in a full-color portfolio inside the publication.
bellevue literary review"Finding Home: Family & Connections" is the theme of Bellvue Literary Review's Fall 2017 issue, with cover art and internal portfolio by father and son Paul and John Paul Caponigro.
massachusetts review The Massachusetts Review "back-to-school" fall 2017 issue features "He Who Is as if Death Were Not," an archival pigment print on German etching paper from Ayana V Jackson's series To Kill or Allow to Live in the issue.

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broken circleI can't imagine having one successful author in the family, let alone two, and then the two of them writing - not one book together, but a series? J.L. Powers and M.A. Powers, brother and sister, have embarked on just such a journey together with the release of the first in a series of supernaturally themed YA novels. Broken Circle published by Akashic Books' YA and middle-grade imprint, Black Sheep. I have long been a fan and follower of Jessica Powers, her previous YA publications reflecting her wide range of interests as well as abilities: The Confessional  (Knopf, 2007), This Thing Called the Future  (Cinco Puntos, 2011), Amina  (Allen & Unwin, 2013), Colors of the Wind  - a children's picture book about Blind Artist and Champion Runner Geroge Mendoza with artwork by Mendoza  (Purple House, 2014). This is her first venture into the supernatural, which Claire Kirsch of Publisher's Weekly describes as "a mix of contemporary characters and setting with a mythological world."
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puerto ricoPuerto Rico En Mi Corazon is a collection of broadsides of contemporary Puerto Rican poets, in English and in Spanish. Edited by Raquel Salas Rivera and Erica Mena, published by Anomalous Press, 100% of sales will be donated directly to Taller Salud to assist Puerto Rico in recovering from Hurricane Maria. Including poems by Yara Liceaga, Raquel Albarrán, Luis Diaz (Intifada), Gaddiel Francisco Ruis Rivera, Nicole Delgado, Raquel Salas Rivera, Kadiri Vaquer Fernández, Martín Espada, Hermes Ayala, Ricardo Maldonado, Gegman Lee Ríos, Kenyatta JP García, Claritza Maldonado, Lara Mimosa Montes, Vincent Toro, Cindy Jimenez Vera, Luis Othoniel, Erica Mena, Abdiel Echevarria, and others.
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selbyAnastasi Selby's story was selected as the winning entry for the 2016 Boulevard Short Fiction Contest for Emerging Writers. "Certain Fires" appears in the fall issue (#97). The story focuses "on fighting wildfires in California and the sexual tensions of mixed-gender crews." Selby worked as a firefighter on three hotshot crews for the USFS in California and Colorado as well as a helicopter crew member for the Park Service in Alaska. She began her fire career in 1999, in Eugene, Oregon, and ended it in 2010, in Fairbanks, Alaska. (From jaselby.com)
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boulevardBoulevard's fall symposium on campus protests includes essays by Jim Craig, Megan Giddings, Ena Selimovic, Andrew Weinstein, and Robert Zaller responding to the question: "Have the recent campus protests - ranging from demonstrations to the use of safety spaces - against mainly right-wing speakers contributed to a dumbing down of American colleges, or are they effective and necessary?"
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spatzCelebrating its 35th Anniversary, Alaska Quarterly Review Editor-in-Chief Ronald Spatz, while marking the milestone with gratitude, considers this passage of time and what AQR, like many literary publications, has witnessed. "In the past we counted on artists, scholars, scientists, and journalists as reliable firewalls against ignorance. But increasingly there are powerful efforts to silence or marginalize these agents of understanding and change . . . as writers, poets, editors, and publishers, we must redouble our efforts to seek truth in all of its parts while creating every possible opportunity for compassion and empathy. In our view, the role of the arts has simply never been more crucial."
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new england reviewNew England Review Editor Carolyn Kuebler writes in the 38.3 Editor's Note that, while the twenty-three pieces in issue 38.3 (2017) were not chosen for nor do they have a focused message or singular theme, ". . . it surprised me to see how frequently the shadow of war—to take one obvious example of a culture of violence—darkened the edges of these disparate writings. With the world always in the throes of some violence or other, it’s no wonder; whether we’re civilians or soldiers or doctors, we all become part of it. Born during the Vietnam War, finishing college at the start of the Gulf War, and then becoming a parent during the War on Terror, I’ve learned that being in a state of war doesn’t always have a clear beginning and end, and now it’s not even always clear where the war is actually happening and who’s fighting it. It’s not just in this magazine or in this moment in time that writers are contending with such themes; it’s always."

Read the full editorial here and access full-text of several works from this issue, including Louise Aronson's "Necessary Violence."

Cover: Warfare  by Sabra Field
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