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Denise Hill

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raleigh-reviewHappy 5th Anniversary to Raleigh Review Literary & Arts Magazine! Started by Rob Greene in 2010 while completing his MFA in poetry from North Carolina State University, Raleigh Review has evolved into a non-profit organization that publishes an award-winning literary magazine and offers literary programs to a broad audience. The premier anniversary issue features poetry by Mark Smith-Soto, Joseph Bathanti, and Ellen Bass, among others, and fiction by Carrie Knowles, Randall Brown, and Petrina Crockford. Cover art is by Geri Digiorno with full-color interior art by Laurence Holden. Congratulations Raleigh Review - here's to many more great years of publishing!
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FanningWe are excited to announce the inaugural interview in our new series: NewPages Interviews with Creative Writing Teachers.

Our first interivew features Robert Fanning, author of Our Sudden Museum (forthcoming, Salmon Press), American Prophet (Marick Press), The Seed Thieves (Marick Press) and Old Bright Wheel (Ledge Press Poetry Award). His poems have appeared in Poetry, Ploughshares, Shenandoah, The Atlanta Review, and other journals.

In these interviews, writers who also teach discuss publishing, teaching, the business of editing and managing literary journals, and, of course, their own work and process. They offer advice and hard-won wisdom for burgeoning writers and their teachers. We also ask them about their favorite music, and who knows, maybe a favorite writer or two, and a great coffeeshop or beer to add to your "must try" list.

The interviews will be conducted by teacher/writer and editor of Pea River Journal, Trish Harris.

Please help spread the word!
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by Cynthia Pelayo

As soon as I wake the sun is dying
No matter what you believe that orb is the ultimate trickster
Making you promises that its brilliance will give you solace
It moves from you, slipping away and falling behind
. . .

Read the rest and several others by Pelayo on Danse Macabre #90 online.
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Editor Katherine Mayfield and Intern Bonnie Irwin bring readers and writers The Maine Review, a new print/e/Kindle quarterly publishing short fiction, CNF, poetry, essays on writing, and black-and-white interior art. They also publish annual collections of short fiction (summer) and poetry (winter).

maine-reviewWhile the name, The Maine Review, seems obviously to represent the location of the publication, Mayfield tells me it was inspired "in the tradition of reviews like The Missouri Review and The Iowa Review. We felt that Maine needed a literary review representing the beauty and ruggedness of the Pine Tree State. Though we publish well-known and new and emerging authors from around the world, we feature the work of Maine artists on each issue's cover. The Maine Review is a proud member of the Maine Writers & Publishers Alliance, a nonprofit membership organization that works to enrich the literary life and culture of Maine."

With such great role models already influencing this new publication, I asked Mayfield what motivated her to start her own journal, "Throughout my many years of writing and editing, I've seen so much excellent writing that never finds a home, and I wanted to give more writers the opportunity to be published. I also thoroughly enjoy putting the issues together – it's like working a jigsaw puzzle, moving pieces around to get a good 'flow.' The Maine Review also provides a wonderful opportunity to showcase Maine artists."

Mayfield also commented on what readers could expect to find in the publication: "Our mission is to publish quality writing that touches readers and engages their hearts, minds, and imaginations, expanding their view of the world and of life as a human being." While the publication remains fairly "traditional" – not publishing genre horror or fantasy – Mayfield says they do look to feature humor in every issue.

Some recently featured authors include Author's Guild President Roxanne Robinson, Maine Senior Poet Laureate Roger Finch, award-winning poets Annie Finch, Jason Michael MacLeod, Claire Scott, David Sloan, and Sean Sutherland.

In addition to the annual collections of short fiction and poetry, in the next year Mayfield says she'd like to publish an annual collection of CNF/memoir. Just now nearing the end their first year, The Maine Review looks forward to expanding the size and scope of the publication over the next few years.

The Maine Review holds contests and open reading periods. The next contest, for the Fall 2015 issue, will open in late May with a June 30th deadline. The contest for the annual poetry collection will open in autumn. The publication also has two open reading periods (no fee) each year for the Winter and Summer issues with submissions for those issues only accepted during the reading periods. See the publication's website for more specific information. Submission is via the website and there is also a form available on the website for mailing submissions via USPS.
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The Greensboro Review Spring 2015 issue (97) includes the winners of their annual Robert Watson Literary Prize:

Leigh Camacho Rourks [pictured], "Pinched Magnolias"

Juliana Daugherty, "Aubade"

Each winner receives $1000 plus publication. The deadline for this year's contest is September 15, 2015. The entry fee includes a one-year subscription to the publication. See the publication's website for more details.
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Crazyhorse Spring 2015 includes the winner and runners-up of the publication's Crazy Shorts! Short-Short Fiction Contest:

Emily Pease [pictured], "Foods of the Bible"

Landon Houle, "The Exterminator"
Caitlin Scarano, "Sick Day"
Lee Conell, "Matt's Comics"

The deadline for this annual contest is July 31 and the entry fee includes a subscription to the magazine. In addition to publication, the first-place winner receives $1000.
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AuroreanThe Aurorean poetry journal celebrates 20th year of continuous publication as an independent, poetry-only New England journal with its Spring/Summer 2015 issue. In the spirit of "publishing the finest poetry possible," the issues features works from Ellariane Lockie, winner of The Aurorean 2014 Chapbook Contest, Steve Ausherman, John T. Hitchner, and Gus Person, who each have also had chapbooks released as of March 2015. The Aurorean, while enjoying its notoriety, does well to recognize the acheivements of others, with an Editors' Poem Pick from each previous issue, a Seasonal Poetic Quote published in each issue for which they take submissions from readers, and an Editors' Chap/Book Choice which mentions a chap/book of note from those submitted to the publication. With all that work in addition to their publishing others, it's a well-deserved Happy Anniversary Aurorean!
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jehangirtPublished from Amherst College, Massachusetts, The Common #9 includes a unique section Bombay/Mumbai: India from Inside and Out—Essays & Recipes, which I thought was just a catchy metaphor. But, sure enough, Nonita Kalra, Suketu Mehta and Amit Chaudhuri each contribute essays, but "Mom's Dal" is a recipe from the kitchen of Nirmala Swamidoss McConigley handed down to her daughter Nina McConigley; "Pomfret Chutney Masala" is from the kitchen of Bijoya Chaudhuri handed down to her son Amit Chaudhuri; and "Bhel Puri" is from the kitchen of Jehangir Mehta, executive chef and owner of New York City restaurants Graffiti, Me and You and Mehtaphor. As a fan of the essay and Indian cuisine, you can't go wrong with this issue!

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gerald-sternGerald Stern is the featured poet in the latest issue of Santa Clara Review (102.1), contributing several new poems for the publication. The student-edited publication includes poetry, fiction, nonfiction and full-color artwork, and is available to view in full online via Issuu.
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Poetry Magazine May 2015 features Cathy Park Hong's essay Against Witness, in which she explores the role of witness in the visual artwork of Doris Salcedo, who was inspired by the poetry of Paul Celan.
cathy-park-hongTo make art representing another victim's pain can be ethically thorny. Susan Sontag wrote, "The appetite for pictures showing bodies in pain is as keen, almost, as the desire for ones that show bodies naked." Images of suffering can arouse our horror, simulating an illusive identification between us and the victim or "a fantasy of witness" before we are conveniently deposited back into our lives so that someone else's trauma becomes our personalized catharsis.
A note following the essay eplains that it was commissioned on the occasion of Doris Salcedo, curated by Madeleine Grynsztejn and Julie Rodrigues Widholm, at the Museum of Contemporary Art Chicago. It is the first retrospective of the work of sculptor Doris Salcedo. The essay is available in full online and includes numerous full color photos from the exhibit.

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