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Denise Hill

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leaping clearOne of the cover images, "Lotus Buddha" by Christine DeCamp, for the online publication Leaping Clear is reflective of its mission, to promote "accomplished artists whose work is informed by dedicated meditative and contemplative practices." There is more from DeCamp and other visual artists and writers in the Fall 2017 issue.

river teethThe cover image of the fall 2017 issue of River Teeth: A Journal of Nonfiction Narrative is a gorgeous waterfall photo from White Mountains, N.H. by David FitzSimmons.

concho river reviewTim L. Vasquez of Untamed Photography offers a seemingly surreal image for the cover of the fall/winter 2017 Concho River Review.

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Ruminate Winter 2017 features the 2018 Janet B. McCabe Poetry Prize recipients awarded by judge Shane McCrae:

maggie blake baileyFirst Place
"Elizabeth Asks" by Maggie Blake Bailey
[pictured]

Second Place
"Bookend Quote from Bro. Yao" by Amanda Hawkins

Honorable Mention
'"All These Months Since Your Diagnosis" by Emily Ransdell

Finalists whose works are also included in the issue: Jen Stewart Fueston, Dante Di Stefano, Janine Certo, Mason Henderson, Jake Crist, Jehanne Dubrow, Kerri Vinson Snell, Charity Gingerich, John Sibley Williams, Berwyn Moore, and Mark Wagenaar.

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georgia reviewIt's hard to get the full effect of the Fall 2017 The Georgia Review cover art, which features work by poet and photographer Rachel Eliza Griffiths printed on mirror metallic stock.  A portfolio of her work and essay, "What Has Changed," is included in the issue, with an introduction by Jenny Gropp.

field

An untitled enamel on plywood by Mose " Mose T" Tolliver attracts readers to the Fall 2017 issue of Field: Contemporary Poetry and Poetics.

cincinnati reviewLove love love Mary Jo Karimnia's work, which she describes in her Artist's Statement, "I draw in the backgrounds and enhance certain areas with glass beads. Cropped purposefully to omit faces, the images - such as teenagers in costumes at cosplay conventions, dancers in Bolivia, and Catrina icons at a Day of the Dead festival - emphasize how costumes can allow us to explore alternative personae in an anonymous way, which helps us to learn about our past or to imagine a future in which the acceptance of eccentricities is the norm." The Cincinnati Review Winter 2018 includes her work on the cover as well as a portfolio inside.

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the boiler"Dying of the Already Dead" by Gloria Ceren is featured on the cover of the online fall 2017 issue of The Boiler along with additional works within the publication.

zone threeBilly Renkl's "Watching the Sky #2" collage of antique British chromoolithographs is the cover art for v32 n2 of Zone 3 literary journal. Renkl says of his work, "Vintage and antique paper can be surprisingly beautiful, and I find the way that it carries its history with it moving."

poet loreThe front cover of Fall/Winter 2017 Poet Lore features a photograph of Coyote Bluffs, Arizona by Ariel Body of Live Laugh Design.

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rachel s cordascoSpeculative Fiction in Translation (SFT) "often flies under the radar, despite the fact that it is an important part of the speculative fiction universe," writes author and editor Rachel Cordasco in her introduction to a special section of "Speculative Fiction in Translation By Women" in Anomaly 25. While "SFT has been growing in popularity over the last few years," Cordasco notes that, "like the publishing world as a whole, the world of SFT is often dominated by male authors."

Her selection of included works highlights some of what she feels are the best female authors writing speculative fiction in languages other than English, offering readers a variety of stories and styles. In addition to this, Cordasco started SFinTranslation.com, a site on which she indexes SFT, reviews works, and posts news and interviews relative to SFT. Cordasco herself is working on translating Italian SF.

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st louis poetry centerThe December 2017 issue of Allegro Poetry Magazine online features poems that "celebrate that perennial feature of poetry workshops and courses: The prompt." Editor Sally Long writes, "Poets were invited to describe the prompts that gave rise to their poems. The result is an issue that not only includes some amazing poetry but also a selection of ideas that will hopefully inspire new poems." Contributors include Sarah Law, Bill Brown, Kersten Christianson, Rick Blum, Cathryn Shea, Lisa Stice, Charles Rammelkamp, Cat Campbell, Andrew Turner, Helen May Williams, Harry Youtt and more.

Tribute to Alden Nowlan

December 07, 2017
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alden nowlanThe Autumn 2017 issue of The Fiddlehead features "Remembering Alden Nowlan." Poet, novelist, and playwright Nowlan passed away in 1983, and this past fall, Goose Lane published the Collected Poems of Alden Nowlan. Fiddlehead  Editor Ross Leckie writes, "It is an occasion for a celebration of Nowlan's remarkable achievement. In this issue of The Fiddlehead  readers will find a brief appreciation by David Adams Richards and a previously unpublished interview with Nowlan conducted just before his death by two intrepid high school students [Corinne Schriver and Carmen McKell]."
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In the Fall 2017 issue of The Hampden-Sydney Poetry Review, the regular feature 4X4, in which four of the contibutor's answer the same four questions, adresses questions about the concept of lyric voice, what the most "productive relationship" is between poems and politics, and the inherent (or not) difficulty of poems. James Longenbach, Sarah Gridley, Jonathan Moody, and Jennifer Moxley all weigh in, responding in turn to the four questions.
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Katie FlynnKatie M. Flynn's "Island Rule" is the winner of the 2017 Nelligan Prize for Short Fiction selected by Richard Bausch. Her work appears in the Fall/Winter 2017 issue of Colorado Review.

In her Editor's Note, Stephanie G'Schwind writes, "Every fall, we have the true pleasure of publishing the winning story of the Nelligan Prize for Short Fiction. This year, it's Katie M. Flynn's 'Island Rule,' in which an environmental biology professor is haunted by memories of the surreally accelerated evolution and ensuing political violence that expelled her, as a child, from her island home. Final judge Richard Bausch calls it 'a very strange, audaciously original and convincing story that arrives at metaphor; it partakes of Kafka, being so matter-of-factly realistic .' It's a wonderful, daring story, richly deserving of the prize."

Teaching Wallace Stevens

December 05, 2017
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wallace stevens journalThe Fall 2017 The Wallace Stevens Journal is a special issue focused on "Teaching Stevens."

The volume includes “Reflections by Poets" from Rachel Hadas, James Longenbach, and Lisa M. Steinman as well as poetry by Josepth Duemer, William Virgil Davis, Sharon Portnoff, Navlika Ramjee and more. Several of the essays focus on global contexts, such as teaching Stevens in Israel, Belgium, China, Sweden, and Portugal. Other essays include:

“Valuing Stevens’s Acts of Imagination” by Charles Altieri
“Stevens and Race: ‘Like Decorations in a Nigger Cemetery’ Revisited” by Marvin Campbell
“Stevens’s Poetics of Variation as a Guide for Teaching” by Lisa Goldfarb
“Casting for Keener Sounds: How to Make Difficult Poetry Fun Again” by Alex Streim, Zachary Tavlin
“As if Blackbirds Could Shape Scientists: Wallace Stevens Takes a Seat in the Classroom of Interdisciplinary Science” by David J. Waters
“Mountain Climbing in the Poetry Classroom in Malta: Teaching a Stevens Metapoem” by Daniel Xerri

The Wallace Stevens Project Muse website includes a full table of contents as well as previews of each article and full access for subscribers.

 

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