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Denise Hill

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puerto ricoPuerto Rico En Mi Corazon is a collection of broadsides of contemporary Puerto Rican poets, in English and in Spanish. Edited by Raquel Salas Rivera and Erica Mena, published by Anomalous Press, 100% of sales will be donated directly to Taller Salud to assist Puerto Rico in recovering from Hurricane Maria. Including poems by Yara Liceaga, Raquel Albarrán, Luis Diaz (Intifada), Gaddiel Francisco Ruis Rivera, Nicole Delgado, Raquel Salas Rivera, Kadiri Vaquer Fernández, Martín Espada, Hermes Ayala, Ricardo Maldonado, Gegman Lee Ríos, Kenyatta JP García, Claritza Maldonado, Lara Mimosa Montes, Vincent Toro, Cindy Jimenez Vera, Luis Othoniel, Erica Mena, Abdiel Echevarria, and others.
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selbyAnastasi Selby's story was selected as the winning entry for the 2016 Boulevard Short Fiction Contest for Emerging Writers. "Certain Fires" appears in the fall issue (#97). The story focuses "on fighting wildfires in California and the sexual tensions of mixed-gender crews." Selby worked as a firefighter on three hotshot crews for the USFS in California and Colorado as well as a helicopter crew member for the Park Service in Alaska. She began her fire career in 1999, in Eugene, Oregon, and ended it in 2010, in Fairbanks, Alaska. (From jaselby.com)
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boulevardBoulevard's fall symposium on campus protests includes essays by Jim Craig, Megan Giddings, Ena Selimovic, Andrew Weinstein, and Robert Zaller responding to the question: "Have the recent campus protests - ranging from demonstrations to the use of safety spaces - against mainly right-wing speakers contributed to a dumbing down of American colleges, or are they effective and necessary?"
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spatzCelebrating its 35th Anniversary, Alaska Quarterly Review Editor-in-Chief Ronald Spatz, while marking the milestone with gratitude, considers this passage of time and what AQR, like many literary publications, has witnessed. "In the past we counted on artists, scholars, scientists, and journalists as reliable firewalls against ignorance. But increasingly there are powerful efforts to silence or marginalize these agents of understanding and change . . . as writers, poets, editors, and publishers, we must redouble our efforts to seek truth in all of its parts while creating every possible opportunity for compassion and empathy. In our view, the role of the arts has simply never been more crucial."
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new england reviewNew England Review Editor Carolyn Kuebler writes in the 38.3 Editor's Note that, while the twenty-three pieces in issue 38.3 (2017) were not chosen for nor do they have a focused message or singular theme, ". . . it surprised me to see how frequently the shadow of war—to take one obvious example of a culture of violence—darkened the edges of these disparate writings. With the world always in the throes of some violence or other, it’s no wonder; whether we’re civilians or soldiers or doctors, we all become part of it. Born during the Vietnam War, finishing college at the start of the Gulf War, and then becoming a parent during the War on Terror, I’ve learned that being in a state of war doesn’t always have a clear beginning and end, and now it’s not even always clear where the war is actually happening and who’s fighting it. It’s not just in this magazine or in this moment in time that writers are contending with such themes; it’s always."

Read the full editorial here and access full-text of several works from this issue, including Louise Aronson's "Necessary Violence."

Cover: Warfare  by Sabra Field
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The Fall 2017 issue of Raleigh Review features the 2017 Laux/Miller Poetry Prize winner, finalists and honorable mentions:

raleigh reviewWinner
Kristin Robertson - "Poem for My Unborn Daughter"

Honorable Mention
Jenna Bazzell - "All Is Wild, All Is Silent"

Finalists
Emily Paige Wilson - "Reasons to Return Home"
Emily Rose Cole - "How Not to Remember Your Mother"
Jenna Bazzell - "The Speaker's Prayer"
Mario Ariza - "Erratic transcription of notes taken at a refugee camp in Anse-A-Pitre, Haiti"

Several of the works as well as other content from this issue can be read online here.
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concis“Field Tripping” by Katie Buchan is the eye-catching cover on the concīs Summer 2017. This online and e-pub journal devoted to brevity is available as PDF download.
fugue"The Spaces Between" by Laura Berger is featured on the cover of the online issue of Fugue (52). Managed and edited by graduate students in the English and Creative Writing Programs at University of Idaho, Fugue  features poetry, plays, fiction, essays, visual-text hybrids, and interviews.
kenyonDo I pick EVERY Kenyon Review cover? Maybe, but when covers make me laugh or do a double take, that's worth sharing. The artist is Milan, Italy-based Emiliano Ponzi.
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bennington review"The decision to consider the work in the current issue of Bennington Review through the lens of threat," writes Editor Michael Dumanis, "- be this threat political, global, localized, or existential - was made during an uncharacteriscially emotional editorial meeting on Thursday, November 10, 2016, two days after a certain historical event. We felt completely unprepared to imagine what might come next. Animated by collective anxiety - this sense of abrupt dislocation of expectaions, as well as new actual danger - we gravitated toward poems and stories and essays where paradigms were similarly disrupted, where characters suddenly found themselves destabalized by external forces, where institutions and individuals in which we'd placed our trust failed to hold up their end of the bargain."

See a full table of contents with several sample works from the issue here.

Cover image by Prague-based artist Jakub Geltner: "Cultural Landscape."
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Dogwood Issue 16 features the winners of their 2017 Literary Prizes:

laura readGrand Prize Winner
Judge Michele Glazer
Laura Read’s poem “Margaret Corrine, Dunseith, North Dakota, 1932”
$1000 and publication
[Laura pictured]

First Prize in Nonfiction
Judge Sarah Einstein
Natasha Sajé’s essay “Guilt: A Love Story”
$250 and publication

First Prize in Fiction
Judge Karen Osborn
J. Stillwell Powers’ story “Salvage”
$250 and publication

Read full judge's comments here.
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vickiIn its Spring 2017 issue, Michigan Quarterly Review editor, Jonathan Freedman, offers a wonderful tribute to Managing Editor Vicki Lawrence who stepped down in May after twenty years with the magazine. As managing editor, Freedman writes, "she did just about everything: copyedited, proofread, supervised all the other manifold details of the publishing process, helped select the covers, talked the authors into her judicious recasting of the more infelicitous, erroneous, or just plain aberrational turns of phrase or thought. She schlepped copies of the journal to the Ann Arbor Book Festival and the AWP convention with equal vigor and tenacity."

NewPages enjoyed our professional relationship with Vicki, looking forward to our annual meetings with her at AWP. Along with many others who came to know her as the face of MQR, we will miss her greatly in our literary circle, but look forward to seeing her again soon to fulfill our promise of beers in Ann Arbor!
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