Published by the Department of English and the School of Humanities and Social Sciences at the College of Charleston, the cover image of Crazyhorse Fall 2017 is "Blue Hole," a digital photograph by Shane Brown.
Annelisa Leinbach's vibrant art is featured on the home screen as well as in a portfolio for the Winter 2017 issue of The Writing Disorder online literary magazine.
In these turbulent times, we can't help but wonder just exactly how words do matter, in the sense of "for good" instead of what we see so much of bandied about in terms of knee-jerk thoughtlessness. World Literature Today provides the perspective "Words Matter: Writing as Inspired Resistance" in their January-February 2018 issue. In addition to its regular content is "Treasuring the Tradition of Inspired Resistance”: A Conversation with Maureen Freely by Michelle Johnson, poetry by Iossif Ventura and Anna Maria Carpi, an essay by Liliana Ancalao, three audio poems (online) in Mapuzungun, Spanish, and English, by Liliana Ancalao, a web exclusive interview “Breaking Open Gates: A Conversation with Emmy Pérez,” by Norma Cantú and Chelsea Rodríguez.
Readers can access five articles per month without a subscription; WLT is a paying market for writers and encourages subscriptions.
Ecotone's mission is to publish place-based work exploring "the ecotones between landscapes, literary genres, scientific and artistic disciplines, modes of thought." The Fall/Winter 2017 issue is themed on "Craft" and opens with Editor Anna Lena Phillips Bell's "From the Editor: The Craft of Editing," which includes the insightful list of eight "Guiding Principles for Ecotone Editors."
Content includes fiction by Jill McCorckle, Alexis Schaitkin, and Farah Alie, nonfiction by Ellie A. Rogers, Andrea Mummert Puccini, Aimee Nezhukumatathil, Ben Miller, and poetry by Cortney Lamar Charleston, Nina Sudhakar, George David Clark, Jessica Guzman Alderman, Dawn Manning, Lauren Camp, Cate Lycurgus, Lynne Thompson, David Macey, Athena Kildegaard, and Molly Tenenbaum. Each contributor also offers one sentence on craft, "what hopes and concerns about craft, writerly and/or otherwise, the writers and artists who are part of the issue might have."
The gorgeous cover and bookmark insert for this issue deserves recognition: designed and printed by Rory Sparks at Working Library in Portland, Oregon, with text hand-set in Lining Gothic, Franklin Gothic, And Garamond Italic, and printed on Mohawk Superfine Eggshell 100lb on a Vandercook Universal I AB P.
Founded in 2011 by Christine Brooks Cote, Shanti Arts celebrates and promotes Art, Nature, and Spirit. Along with publishing a wide array of books, Shanti Arts also produces Still Point Art Gallery and Still Point Arts Quarterly. The print publication features full-color art throughout, and the website includes the full exhibition of artwork. Nature's Textures is the current exhibit, running through January 31, 2018.
Artists' works honored in this exhibit:
Best in Show
Award for Uniqueness of Concept and Originality
Award for Exceptional Composition and Design
Award for Distinctive Interpretation of Theme
In a double issue (Fall 2017/Winter 2018), The Chattahoochee Review focuses on "Neighbors."
Editor Anna Schachner writes, " Some of our special-focus topics are more wistful than others. This one - Neighbors - certainly is. When our editorial staff chose the topic, I don't think any of us were specifically thinking of borrowed cups of sugar or Christmas carolers at our front door, but, given current national and global events, it's hard not to yearn for that simplicity and purity. Still, most of the work in this issue fluctuates between a kind of yearning for proximity, for connections, and a kind of wry suspicion of it."
See a full list of contributors here.
Prime Number is a quarterly online publication of "distinctive poetry and short fiction that takes readers to new places, introducing them to interesting characters, situations, and observations." A publication of Press 53, the editors enjoy engaging writers in two monthly contests: the Prime Number Magazine Flash Fiction Contest, which is a low-cost ($7 - a prime number) reading fee with a prime number first prize of $251, and the 53-Word Story Contest, which is free (is 0 a prime number?) and comes with a prompt.
Both winners are published in future issues of the publication.
Winners currently featured are Flash Fiction “Interrogation” by Michael Chin and 53-Word Story "Dance on my Grave" by Hannah Ambrose [pictured].
Winners of the Terrain.org 8th Annual Contest in Fiction, Nonfiction, and Poetry each receive $500 in addition to publication. Finalists are awarded $100 and publication.
Judge Robert Wrigley
“Tying a Tie” and “Airborne”, two poems by Edward Harkness
Finalists: Poems by Ellery Akers, Deborah Fass, and John Pass.
Judge Nicole Walker
“Ghost Trees” by Jennie Goode [pictured]
Finalists: “What Remained” by Kristina Moriconi and “Northern Wardens” by Alisa Slaughter
Judge Padma Viswanathan
“N-Place Exiting” by Thomas Ausa
Finalist: “The Stilled Ring” by Luther Allen
Read more about the winning works here. The contest re-opens in January 2018.
The Editors at Broadsided Press write:
We have, according to the constitution, the right “to keep and bear arms” in the United States. But how, in the wake of Las Vegas, Pulse, Sandy Hook, Trayvon Martin, and other abuses of firearms—by citizens and in some cases by those trained to protect and serve—do we bear that right? How do we bear it?
At Broadsided, we believe that art and literature belong in our daily lives. They inspire and demonstrate the vitality and depth of our connection with the world. We had to speak out—we had to make a space for you to speak out—on this issue as part of our ongoing "Broadsided Responds" feature.
We put out a call to visual artists asking for submissions. Work came from all over the country, in all media. Powerful, provocative, dynamic work. Guest Arts Editor Stacy Isenbarger selected six pieces that offer a range of attitudes, aesthetics, and opportunities. Of her decision, Stacy has this to say:
How do we confront that of which we already hold tightly? Collectively, these chosen works offer a dimensional conversation of this weighted issue. Some may suggest a boundary of societal judgement, but they don’t necessarily reveal what side they are one. Instead these pieces offer evolving space. They welcome an opportunity for viewers to discuss how we bear that which touches our lives.
We now ask you to respond with words to six works of visual art by Sandra Cohen, Jonathan Frey, David Kamm, Osceola Refetoff, Dixie Salazar, and Kristen Woodward.
When you submit your writing, be sure to be clear as to which piece you are responding.
DEADLINE: December 27, 2017.
"The Cowards" by French photographer Iva Iova on the cover of Into the Void #6 is from her series, The Remains , of which she writes, "The last decade held a concentration of questionable political and social events. [. . . ] A population raised and educated to be Deaf, Cowards and Heartless."
Kikki Ghezzi's oil on linen entitled "Snow Flake" is featured on the cover of Salamander #45 with a full-color portfolio of more of her works inside the issue. She writes, "My paintings are increments of time and increments of marks and strokes in a meditative moment. They are the time of a walk, the time of process. The kind of 'glow”' time in my paintings is infinite in both directions, outward in accumulated, immeasurable brush strokes and inward towards a glow point."
Oil on canvas "21 August 2017" by Lynn Boggess invites readers into the December issue One online poetry magazine, which features a "Second Look" section in which writers discuss poems they admire. This issue's Second Look is Patrick Kavanagh discussing The Great Hunger.
The December 2017 Glimmer Train Bulletin is a fun read this time around, with an eclectic mix of craft essay written from teachers and authors, some of whose works have recently been published in Glimmer Train Stories.
Author of the novel The Luster of Lost Things , Sophie Chen Keller's [pictured] essay, "On Writing from a Child's Perspective for Adults," is a topic I have often tried to better understand as a reviewer assessing others' writing;. This was an instructive perspective to read, as Keller asks, "But how to manage that voice while keeping the novel from becoming a book for younger readers - especially when my inspiration for plot and tone was those books for younger readers?"
For essays on writing and revision, University of Chicago Professor Will Boast offers his advice on "Cutting Out the Bad Bits," while Andrew Porter, Associate Professor of Creative Writing at Trinity University in San Antonio writes on "The Long First Draft."
And, in these volatile times, Iranian-American writer Siamak Vossoughi comments on "The Political Lives of Characters," noting the decision writers face: "Political beliefs can matter a lot, in stories and in life, and they can not matter at all. [. . . ] A writer only runs the risk of being preachy or dogmatic if he or she makes a character of one political belief less three-dimensional and human than that of another."
The Glimmer Train Bulletin is free to read online each month here, or have it delivered monthly to your inbox.