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Denise Hill

Animal Cover Art

May 08, 2017
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animal cover artAnimal: A Beast of a Literary Magazine is "an online lit mag where artists of word and image explore the ephemeral boundary between human and animal." Each month, Animal publishes one story, one poem, and one essay, and for each, there is an accompanying "cover art" image. The Cover Art page on Animal is a collection of truly amazing and stunning artwork that will have viewers on a slow scroll to contemplate and enjoy each piece.
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georgia reviewErin McIntosh is the featured artist in this 70th anniversary issue of The Georgia Review, with one of her works from Geometric Series on the cover and several more inside along with an introduction about the artist and her work.
glimmer train"Forgetten" by Jane Zwinger on the Spring/Summer 2017 issue of Glimmer Train is a welcome symbol of spring that reflects the blossoming trees lining our city streets this April.
ruminateThe cover of Ruminate Spring 2017 features an untitled piece from the 2017 Kalos Visual Art Prize Winner Lucas Moneypenny. More of his work as well as that from Second Place winner Chakila L. Hoskins and Honorable Mention Carolyn Mount is included in the issue.
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southern humanities reviewSouthern Humanities Review has been published fiction, poetry, and essays quarterly from the Department of English at Auburn University in Auburn, Alabama since 1967. The newest double issue (Vol 50.3&4) marks their 50th Anniversary, and features the essay winner of The Hoepfner Literary Award “Time, Sight, Orbs, Memory” by Megan Kerns. Fiction winner “Landfall: A Novella” by Michael Knight and poetry winner “Epithalamium” by Brandon Amico appeared in Vol 50.1&2. Full text and excepts from the winning works can be read here.
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reverberationsArt is at the center of Reverberations, a digital publication of writing that “investigates the way that art echoes beyond itself and interacts with ourselves,” says Editor Linne Halpren. Editor Sage Marshall adds, “Art is often created in response to something else, and our thoughts on art are further reverberations.”
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Michigan Quarterly Review has announced its annual prizes awarded to authors whose works were published in the magazine during the previous year.

feuermanLawrence Foundation Prize
Ruchama King Feuerman [pictured] has won the $1,000 Lawrence Foundation Prize for 2016. The prize is awarded annually by the Editorial Board of MQR to the author of the best short story published that year in the journal. Feuerman’s "Kill Fonzie" appeared in the Winter 2016 issue.

Laurence Goldstein Poetry Prize
John Rybicki has won the 2016 Laurence Goldstein Poetry Prize, which is awarded annually to the author of the best poem or group of poems appearing that year in the Michigan Quarterly Review. His poem “A River Is Not a Watery Rope,” appeared in the Winter 2016 issue.

Page Davidson Clayton Prize for Emerging Poets
Eric Rivera has won the 2016 Page Davidson Clayton Prize for Emerging Poets, which is awarded annually to the best poet appearing in MQR who has not yet published a book. The award, which is determined by the MQR editors, is in the amount of $500.

For more information about each of the winners, visit the MQR website here.
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curieuxWhen he sought to name his newly envisioned academic journal for high school writers, Theodore Bass said the word ‘curious’ embodied what he wanted to do with the publication. In French, the word is ‘curieux,’ which Bass thought had a nicer ring to it. Thus, Curieux Academic Journal was christened.
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The Spring 2017 issue of The Georgia Review, in addition to celebrating 70 continuous years of publication, also features the 2016 Loraine Williams Poetry Prize Winner: "Still Lifes and Landscapes" by Emily Wolahan. In addition to publication, the winner receives $1000. The 2017 poetry contest is still open, with Naomi Shihab Nye as the final judge.
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wallace stevens journalThe Wallace Stevens Journal Editors Steven Gould Axelrod and Natalie Gerber introduce readers to the Spring 2017 special issue feature Wallace Stevens and Robert Frost: A Reconsideration with these words: "One of the well-worn ironies of epoch-fashioning in literature is its tendency to position literary oeuvres in ways that serve the need for distinction and contrast without attesting to the surprising overlaps and conjunctions that exist in the lives and careers of the era’s foremost practitioners. This, in a sentence, is the story of Robert Frost and Wallace Stevens, two modernist American poets who have emerged—more so than most of their peers—at opposite ends of the modernist spectrum."

For a full list of contents, click here. Those with access to the journal through Project Muse can read full text; others can read the beginning portions of each entry.
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anas atakoraIn Poet Lore's Spring/Summer 2017 feature World Poets in Translation, Hodna Nuernberg translates Togolese poet Anas Atakora. Nuernberg introduces the poet, "Atakora writes in a French that is simultaneously limpid and roiled by the undercurrents of Kotokoli, his mother tongue. . . Atakora's genius lies in his ability to draw inspiration from this duality, creating a poetic voice that plays with oppositions as he develops a personal lyricism rich with polyphony and intertextuality."

Nuernberg goes on to explain, "Atakora considers himself to be among the third generation of Francophone Togolese poets, tracing his lineage back to the neo-Négritude writers of the 1960s and 70s. The content-driven and politically engaged writing that characterized the work of the neo-Négritude writers is tempered in Atakora's work by his interest in stylistic invention and by his commitment to liberating poetic language from formal constraints, a sensibility he shares with writers of the second generation, who came of age during the cultural renewal of the 1990s."

Poet Lore Spring/Summer 2017 is available for single issue purchase in the NewPages Webstore.
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boulevardThe Spring 2017 issue of Boulevard (vol. 32 nos. 2 & 3) features the winner of their 2016 Boulevard Poetry Contest for Emerging Poets. Contest Judge Edward Nobles selected the works of Stacey Walker, who received $1000 and publication of her three poems, "Reading the Signals," "Pockets," and "Grace in War." Honorable mentions went to Hannah Leisman and Craig Van Rooyen. (Cover art: Fafal Olbinski, The Eye of the Medusa, 2017)
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