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Denise Hill

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three elements

Each issue of 3Elements publishes works that respond to three words for that issue. The Summer 2018 issue words were Jazz, Cradle, Recluse. Gregg Chadwick's artwork "Jazz Life (Central Avenue)" is the featured cover image.

river teeth

The cover image of River Teeth: A Journal of Nonfiction Narrative is, appropriately, a sunset photo by David FitzSimmons, ushering out nineteen years of publishing as the journal heads into their twentieth anniversary!

salamander

"Lotus III" by Colette Brésilla is the unique oil on canvas art for the cover of the Spring/Summer 2018 issue of Salamander (#46).

Calling All Crones!

July 11, 2018
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gyroscope reviewGyroscope Review: Fine Poetry to Turn Your World Around has announced a call for submissions for The Crone Issue to feature contemporary poetry from poets who identify as women and are over the age of 50.

"Women over 50 are often underrepresented in poetry publications, so we are choosing to offer a space and a voice to the wise women out there. We want work that celebrates the ideas of crone, wise woman, matriarch, post-menopause, grandmother, elder, strength, experience," the editors write in their CFS. They challenge: "Shake up our ideas of the female over-50 demographic. Show us something fierce, something powerful, something that cannot be ignored. Cast off the restrictions around what you have been told you can talk about. Break your silence."

Submissions are open until September 15 or until the editors have accepted enough content to fill the issue - whichever comes first. So - don't delay! Send your best work today!

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The Summer 2018 issue of Sheila-Na-Gig online includes a special section of works by poets who are also editors (or is that vice versa?). Featured poets and their publications:

carol lynn stevensonGlen Armstrong / Cruel Garters
Sarah Diamond Burroway / Jelly Bucket
Alan Catlin / Misfit Magazine
Rita Chapman / december magazine
Kersten Christianson / Alaska Women Speak
Sandy Coomer / Rockvale Review
AR Dugan / Ploughshares
Catherine Fahey / Soundings East
Lynne Marie Houston / Five Oaks Press
James Croal Jackson / The Mantle
Jen Karetnick / SWWIM Every Day
Sergio Ortiz / Undertow Tanka Review
Joseph Shields / Nerve Cowboy Magazine
Dan Sicoli / Slipstream Magazine and Press
Martin Willitts Jr / The Comstock Review
Carol Lynn Stevenson Grellas [pictured] / The Orchards Poetry Journal

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fitzgerald museumIf you're traveling anywhere near Montgomery, Alabama, consider spending the night in the former home of F. Scott and Zelda Fitzgerald which now houses the Fitzgerald Museum and a two-bedroom apartment. "This historic home houses the only dedicated museum to F. Scott & Zelda Fitzgerald in the world. The family lived here from 1931 until 1932, writing portions of their respective novels, Save Me The Waltz  and Tender Is The Night,  during their time here."

The apartment is listed on Airbnb and can be rented for $150 a night. Guests can also visit the museum during its open hours, maybe helping make Montgomery your destination!

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what3wordsAs a kid (and adult for that matter) who was forever unable to remember her numerical lock combinations, what3words is the most brilliant invention of all time. And who among us readers/writers can't absolutely fall in love with this concept: The entire planet mapped out in three meter squares with each one assigned a unique three-word sequence.

Download the app to your phone, and no matter where you go, you can find you three-word location. Give your three-word location to someone, and they can find you!

I can only imagine that some poets have already gotten a hold of this and are integrating it into their writing - right? How about engaging young students in both geography and writing. Come up with three words, put them in, and see where that location is - the possibilities are endless and exciting! Check it out for yourself!

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jerry waxlerIn keeping with Memoir Magazine's mission, "to be a witness to both factual and emotional truths that resonate with the human heart by supporting writers and artists in sharing their stories—whether personal, social or political– through publication, education, and advocacy," the publication offers Memoir Magazine University, "a safe space dedicated entirely to the development of writers and stories that need to be heard."

Two summer classes coming up are Anonymous Memoir Writing Workshop for Sexual Assault Survivors with Memoir Magazine Founder and Editor-in-Chief Mary McBeth (July 9 - August 20; open times) and Writing To Heal with Jerry Waxler [pictured] (July 10 – August 21, Tuesdays 7:30-9pm EST; July 12 – August 23, Thursdays 12 noon-1:30 EST).

Future classes will include Intro to Memoir and Memoir 101. For more information, visit Memoir Magazine's website.

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postcard stampsNot to rush your summer, but July 4th signals the opening of registration for the annual August Poetry Postcard Festival!

This is a FAVORITE event for me and many others who have been doing it since it started over ten years ago, as well as for newbies - who are always welcome to join!

Visit Paul E Nelson's webpage for full instructions, but the basic premise is this: Registrants are grouped with 31 other participants and each group member gets a list of names and addresses. You start with the name below yours on the list and each day, write a poem on a postcard and send it to that person. The next day, you go to the next name on the list, write, send, repeat. 

The idea is to be spontaneous in writing these poems. They aren't supposed to be prewritten (although some folks do type or reprint for the sake of legibility), and as much as possible, written in the moment. In the past, I've known a writer to focus on colors as a theme, another randomly landed on a word in the dictionary and made that their inspiration. Since the only requirement is to write and send a card a day, the rest is up to each writer's imagination and motivation. The postcards can be anything at all - some people make their own, some use photos, others are cheesy tourist postcards, some are vintage - it's totally up to the sender.

There is a $10 registration fee to help handle the oversight. I'm happy to pay this, and the domestic and occassional international postage - considering how much I spend on conferences each year, some of which I walk away from wondering what I gained from them. The APPF has never disappointed. Not only has it inspired my own writing in numerous ways, there is something so uniquely enjoyable about going to the mailbox each day, wondering what I might be gifted from another poet out there somewhere in the world.

Challenge yourself to do this. Participate. Enjoy it. Struggle through it. At the end of the month, you'll feel enormous satisfaction and even a bit a sadness that it's over.

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still point arts quarterlyCelebrating ten years and thirty issues of Still Point Arts Quarterly, Founding Editor Christine Brooks Cote's introduction to the Summer 2018 issue reads like an advice article for anyone with the idea to start up a journal.

Among the things she figured out along the way was what made for publishable submissions. She came up with these three criteria: "1) they have to be so interesting that I can't stop reading until I get all the way to the end; 2) they have to be well written - I shouldn't have to reread a paragraph or a sentence several times, or even twice, to figure out what is being said; and 3) they have to strike just the right chord inside me and make me feel that what I just read should be read by everyone."

Over this years, she notes, this search for quality submissions has not changed, nor her "aim to present them as respectfully and tastefully as possible. Each journal is a creation, a work of art."

Cote admits one thing that has changed over the years: "my respect, admiration, and gratitude for the artists and writers whose work we publish has grown exponentially. I never imagined when I started this work that I would have the pleasure of connecting with so many thoughtful and inspiring individuals who produce work that regularly stops me in my tracks. Truly, connecting with the people who contribute to this publication has been immensely joyful and fulfilling, and I've learned so much from them. That part I didn't expect - indeed, unexpected gifts are the best."

May Still Point Arts Quarterly enjoy another ten years - and more - of giving such beauty and joy to readers as well as receiving!

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The Southeast Review spring issue (36.1) features winning entries from their 2017 contests:

erica berryGearhart Poetry Contest
Judged by Erin Belieu
Winner: "The Truth Takes Lunch" by Jed Myers
Finalist: "Three Nails" by Christopher Childers

World's Best Short-Short Story Contest
Judged by Robert Olen Butler
Winner: "Friends" by Greta Schuler
Finalists: "Saint Barbara's Day" by Elina Alter
"Shpykiv" by Alexandra Brenner

The Southeast Review Narrative Nonfiction Contest
Judged by Matthew Gavin Frank
Winner: "Crywolf" by Erica Berry [pictured]
Finalists: "The Stone Grows without Rain" by Lee Huttner
"Soundings: Field Notes on Communication with Animals and God" by Sylvia Sukop

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Alma Robinson California Lawyers Association for the ArtsVolunteer Lawyers for the Arts (VLA) is a general term used to identify this non-profit resource that can be found in numerous communities across the country. VLAs provide low-cost or free legal aid and guidance to artists and organizations, and some will even provide consultation to artists from areas that do not have their own VLA. In the past, I've received phone consults from the VLA in New York prior to Michigan having its own organization. Some, such as the St. Louis VLAA include Accountants for the Arts as well. The VLAA website has a directory of VLAs with the advice that if you do not see your state listed to contact your state arts council.

[Pictured: Alma Robinson, Executive Director of Califorinia Lawyers for the Arts]

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