The January/February 2018 issue of Kenyon Review features winners of their 2017 Short Fiction Prize:
“Lionel, For Worse” by David Greendonner [pictured]
“When Do We Worry” by Kimberly King Parsons
“Canto” by Lorain Urban
Each of these works can also be read full-text online here along with commentary on the selections by Judge Lee K. Abbot.
BY TED KOOSER, U.S. POET LAUREATE
I've had a couple of aquariums (or is the plural aquaria?), but I didn't take very good care of either one. The glass clouded over with algae, and the fish had to live on whatever they could scrounge because I'd forget to feed them. Some liked eating each other. But here's a poem (a sonnet!) about an aquarium you can actually see into. The poet, Kim Addonizio, lives in California, and her most recent book is Mortal Trash (W. W. Norton, 2016).
The fish are drifting calmly in their tank
between the green reeds, lit by a white glow
that passes for the sun. Blindly, the blank
glass that holds them in displays their slow
progress from end to end, familiar rocks
set into the gravel, murmuring rows
of filters, a universe the flying fox
and glass cats, Congo tetras, bristle-nose
pleocostemus all take for granted. Yet
the platys, gold and red, persist in leaping
occasionally, as if they can't quite let
alone a possibility—of wings,
maybe, once they reach the air? They die
on the rug. We find them there, eyes open in surprise.
We do not accept unsolicited manuscripts. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©1994 by Kim Addonizio, “Aquarium,” from The Philosopher's Club , (BOA Editions, Ltd., 1994). Poem reprinted by permission of Kim Addonizio and the publisher. Introduction copyright ©2017 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
Glimmer Train has just chosen the winning stories for their September/October Short Story Award for New Writers. This competition is held three times a year and is open to all writers whose fiction has not appeared in a print publication with a circulation greater than 5000. The January/February Short Story Award competition has just opened: Short Story Award for New Writers. Glimmer Train’s monthly submission calendar may be viewed here.
1st place goes to Maxime Kawawa-Beaudan [Photo credit: Scott McCrae] of Berkeley, California, who wins $2500 for “Waiting for Fireworks.” His story will be published in Issue 102 of Glimmer Train Stories. This will be his first major print publication.
2nd place goes to Kristen Hamelin Tracey of New York, New York, who wins $500 for “A New World.” Her story will also be published in an upcoming issue, increasing her prize to $700. This will be her first major print publication, as well.
3rd place goes to Oliver Kammeyer of Boston, Massachusetts, who wins $300 for “They’ll Fix That in Turkey.”
A PDF of the Top 25 winners can be found here.
Deadline soon approaching! Family Matters: January 12
Glimmer Train hosts this competition once a year, and first place has been increased to $2500 plus publication in the journal, and 10 copies of that issue. It’s open to all writers for stories about family of any configuration. Most submissions to this category run 1000-5000 words, but can go up to 12,000. Click here for complete guidelines.
The fall 2017 print issue of Schuylkill Valley Journal includes a special section of poetry written by men imprisoned at Graterford Prison in Philadelphia. Fran B. provides an introduction to the section entitled, "A Poetry Workshop at Graterford Prison," which begins, "In January, 2017, I started a poetry workshop at Graterford Prison. I had wanted to do this for a long time, several years, and my semi-retirement enabled me to think that I finally had the time to devote to the project." Fran explains how he worked with the Prison Literacy Project of Pennsylvania and a group called Lifers, Inc. in Graterford Prison to get the workshop started, building a rapport with the inmates, and developing guidelines for their sessions. Fran shares some of the prompts he developed and the responses these elicited from participants.
Contributing Writer Eric Greinke provides an editorial comment on the works selected: "Although all of the poems that were submitted have merit, this particular group of five poets display special talent and affinity for poetry. Poetic talent can appear anywhere, under any circumstances, because it is the result of the inner human drive to evolve and connect. These five poets transcend situational concerns and rise to a universal level that communicates to our shared humanity. Their poems have in common an emotional intensity but each poet sings with his own unique voice."
Included are ten poems by five poets: Reginald L., Terrell C., Ben C., Aaron F., and Eduardo R.
Published by the Department of English and the School of Humanities and Social Sciences at the College of Charleston, the cover image of Crazyhorse Fall 2017 is "Blue Hole," a digital photograph by Shane Brown.
Annelisa Leinbach's vibrant art is featured on the home screen as well as in a portfolio for the Winter 2017 issue of The Writing Disorder online literary magazine.
In these turbulent times, we can't help but wonder just exactly how words do matter, in the sense of "for good" instead of what we see so much of bandied about in terms of knee-jerk thoughtlessness. World Literature Today provides the perspective "Words Matter: Writing as Inspired Resistance" in their January-February 2018 issue. In addition to its regular content is "Treasuring the Tradition of Inspired Resistance”: A Conversation with Maureen Freely by Michelle Johnson, poetry by Iossif Ventura and Anna Maria Carpi, an essay by Liliana Ancalao, three audio poems (online) in Mapuzungun, Spanish, and English, by Liliana Ancalao, a web exclusive interview “Breaking Open Gates: A Conversation with Emmy Pérez,” by Norma Cantú and Chelsea Rodríguez.
Readers can access five articles per month without a subscription; WLT is a paying market for writers and encourages subscriptions.
Ecotone's mission is to publish place-based work exploring "the ecotones between landscapes, literary genres, scientific and artistic disciplines, modes of thought." The Fall/Winter 2017 issue is themed on "Craft" and opens with Editor Anna Lena Phillips Bell's "From the Editor: The Craft of Editing," which includes the insightful list of eight "Guiding Principles for Ecotone Editors."
Content includes fiction by Jill McCorckle, Alexis Schaitkin, and Farah Alie, nonfiction by Ellie A. Rogers, Andrea Mummert Puccini, Aimee Nezhukumatathil, Ben Miller, and poetry by Cortney Lamar Charleston, Nina Sudhakar, George David Clark, Jessica Guzman Alderman, Dawn Manning, Lauren Camp, Cate Lycurgus, Lynne Thompson, David Macey, Athena Kildegaard, and Molly Tenenbaum. Each contributor also offers one sentence on craft, "what hopes and concerns about craft, writerly and/or otherwise, the writers and artists who are part of the issue might have."
The gorgeous cover and bookmark insert for this issue deserves recognition: designed and printed by Rory Sparks at Working Library in Portland, Oregon, with text hand-set in Lining Gothic, Franklin Gothic, And Garamond Italic, and printed on Mohawk Superfine Eggshell 100lb on a Vandercook Universal I AB P.
Founded in 2011 by Christine Brooks Cote, Shanti Arts celebrates and promotes Art, Nature, and Spirit. Along with publishing a wide array of books, Shanti Arts also produces Still Point Art Gallery and Still Point Arts Quarterly. The print publication features full-color art throughout, and the website includes the full exhibition of artwork. Nature's Textures is the current exhibit, running through January 31, 2018.
Artists' works honored in this exhibit:
Best in Show
Award for Uniqueness of Concept and Originality
Award for Exceptional Composition and Design
Award for Distinctive Interpretation of Theme
In a double issue (Fall 2017/Winter 2018), The Chattahoochee Review focuses on "Neighbors."
Editor Anna Schachner writes, " Some of our special-focus topics are more wistful than others. This one - Neighbors - certainly is. When our editorial staff chose the topic, I don't think any of us were specifically thinking of borrowed cups of sugar or Christmas carolers at our front door, but, given current national and global events, it's hard not to yearn for that simplicity and purity. Still, most of the work in this issue fluctuates between a kind of yearning for proximity, for connections, and a kind of wry suspicion of it."
See a full list of contributors here.