The 50th Anniversary Spring 2019 issue of Ruminate features the winning entries of their 2019 Kalos Visual Art Prize, as selected by Final Juror Betty Spackman:
"Seen and Unseen" by Jennifer Cronin [pictured]
"If I Were a King" by Margie Criner
"The Lilies How they Grow" by Emily McIlroy
"EBB" by Hanna Vogel
For a full list of finalists as well as juror's comments on the winners, click here.
Reflecting on Ruminate's 50th Anniversary issue, Editor Brianna VanDyke writes that when Thích Nhất Hạnh was asked, "Is there a purpose for wearing the robe other than to clothe your body?" He replied, "To remind yourself that you are a monk."
"I wonder," VanDyke goes on, "if one day you or I might also be asked a question about reminding ourselves of who we are."
She goes on to explore what those 'reminders of self' might be, adding, "something about this dream I hold, that these pages continue to be a reminder for fifty more good issues, how the very best stories and art and poems remind us of who we are, why we matter, our longings, our deepest work this day."
Bright colors to welcome spring caught my eye this week, starting with the 2018 annual of Rathalla Review, just released this March 2019.
“Style Central” by Leah Dockrill, collage on canvas, is the featured image for the newest online Mud Season Review poetry issue.
Featured from Willow Springs 83 are four poems by Maggie Smith (an interview with her is included in the print publication), "The Collector" by Suzanne Highland, "The Year We Lived" by Breanna Lemieux, and "Bless the Feral Hog" by Laura Van Prooyen.
With each feature, the author offers notes on the work as well as whatever random musings they might want to include under the fun title "Music, Food, Booze, Tattoos, Kittens. etc.."
In her responses, Suzanne Highland [pictured] shares, "I have two tattoos: one says 'in medias res and the other says '(write it!).' I’m wildly attached to both, but one would have to be to get tattoos like those in the first place, I think."
Write Prize for Fiction
Final Judge: Bret Lott
Winner: “Vigil” by Anthony J. Otte
Runner-up: "A Man of Fewer Words" by Claudette E. Sutton
Write Prize for Poetry
Final Judge: J. Allyn Rosser
Winner: “Wildfire” by Lynn Marie Houston [pictured]
Runner-up: “Moorings” by D. R. Goodman
Finalist: "A Cormorant in Yangshuo" by Gabriel Spera
Shortlist poetry included in the publication:
"Zheduo Pass, Sichuan Province" by David Allen Sullivan
"Connecticut, After Dark" by Ann Thompson
"Memento Mori" by Melissa Cannon
"Somerset, 1972" by Rob Wright
For a full list of finalists and for information about the 2019 contest (deadline extended), click here.
Editorial insights abound at the Colorado State University Center for Literary Publishing Editor's Blog. Home of the Colorado Review as well as several esteemed annual literary prizes, Center Director Stephanie G'Schwind has both breadth and depth in her staff contributors.
Recent posts include:
“Looking toward Spring with Place-Based Writing” by Editorial Assistant Jennifer Anderson
“Revisiting the Holocaust Metaphors of Sylvia Plath” by Editorial Assistant Leila Einhorn
“Procedures for the Slowpoke Poet” by Associate Editor Susannah Lodge-Rigal
“On Love Poetry” by Associate Editor Daniel Schonning
The blog also features links to monthly podcasts: February 2019 Podcast: Writing on Mental Health with Margaret Browne; January 2019 Podcast: Horror Poetry with Emma Hyche; and more.
Check it out here.
In honor of W.S. Merwin, Kenyon Review Poetry Editor David Baker writes, "No contemporary poet’s work has meant more to me than W. S. Merwin’s. We first met in 1979, when I was a twenty-four-year-old high school English teacher in Jefferson City, Missouri; we played pool at Dave’s Bar in Kansas City one night, and he told me I shouldn’t go do my PhD but stay out of academia and write."
Read the rest of Baker's comments here along with Merwin's works published in KR and a link to video interview with KR editor David Lynn and David Baker upon Merwin's accepting the Kenyon Review Award for Literary Achievement in 2010.
As I write now, during the middle days of February, hard upon our Spring 2019 deadline, the dice are still not fully cast for my successor or my exact departure date - and so I will be brief again: the earliest I would step away is 1 June, at which time our Summer 2019 issue will literally be in press and the preparation of the Fall 2019 contents will be in full swing, so my ghost will be around for at least some aspects of the latter. The goal for me, for the rest of the Georgia Review staff, and for the University of Georgia, is a transition that will be as smooth as possible for our submitters, contributors, and readers.
I will close with a few words (because I have been asked for them) about the why of my departure from the place of employment to which I have given more than half of my life, and which I have served through almost (just one year shy of) half of the journal's life. I've been pondering and preparing for a couple of years, with no pressure from anyone other than myself. I'm seventy, I'm healthy, I have several books of my own writing to finish and begin - and I haven't even toured Great Britain yet, that realm so vital from early days to my being drawn into this literature/reading/writing/editing life.
To be continued...
"Etymology of a Mood" by Ama Codjoe won The Georgia Review's 2018 Lorain Willams Poetry Prize, chosen by Natasha Trethewey.
The prize was started in 2013 with a gift from Lorain Williams and continued with the support of her estate after her passing in April 2016.
This year's contest, which runs from April 1 - May 15, will be judged by Stephen Dunn. The prize has also been increased from $1000 to $1500.
See full details here.
The newest issue of Black Warrior Review (Spring/Summer 2019) features winners of their 2018 contest:
Judged by Jennifer S. Cheng
Winner: “from Okazaki Fragments” by Kanika Agrawal
Runner-up: “Let’s eat baby the steak is getting cold” by Alice Maglio
Judged by Kate Zambreno
Winner: "Social Body" by Amanda Kallis
Runner-up: "Dark Grove, Shinng" by J’Lyn Chapman
Judged by Laura van den Berg
Winner: "Little Jamaica" by Ndinda Kioko [pictured]
Runner-up: "On Weather" by RE Katz
Judged by Vanessa Angélica Villarreal
Winner: “La Piedra de los Doce Ángulos" by David Joez Villaverde
Runner-up: “from Okazaki Fragments” by Kanika Agrawal
See judges' commentary on their selections and a complete list of finalists here.