The HitchLit Review: A Secular Literary-Arts Journal publishes online twice per year, poetry, fiction, and non-fiction, and would consider short, stand-alone scenes from plays and screen plays as well as visual art and cover design. “There are many literary magazines,” The HitchLit Review Founder and Editor Daniel Ruefman tells me, “but in a growing community of secular voices, few publications are focused on giveing them a platform. In addition to that, there are a lot of misunderstandings about what it means to be secular today (atheist, agnostic, freethinker, skeptic, etc.). By highlighting secular voices through literature and art, HitchLit hopes to confront stereotypes and demonstrate just how diverse the secular community is.”
The Editor's Note in New Orleans Review Issue 43 (Themed: "This Hustle Is Not Your Grandpa’s African Lit") contained the following announcement:
"Since its founding in 1968, New Orleans Review has had the pleasure of including in its pages the work of hundreds of writers, poets, essayists, critics, celebrities, and artists from around the world. We take particular delight in having published numerous 'first-time-in-print' authors as well as offering eclectic volumes on a range of topics and forms – from Alexander Pope’s 'The Rape of the Lock' to Post-Structuralism, from Spanish-language film to Czech writing in translation, and from Science Fiction to a set of seven chapbooks enclosed in a slipcase. As the journal enters its 50th year, this special issue on contemporary writing from Africa celebrates our final printed volume. Both honoring its past and embracing its future, New Orleans Review will continue to publish new work in an expanded digital venue, which will also include free access to all 50 years of print issues."
The most recent issue of Cold Mountain Review (v45 n2) features winners of the 2017 R.T. Smith Prize for Narrative Poetry:
"We will Never Mend This" by Jeff Burt [pictured]
Read the beautifully heart-wrenching poem and hear it read by the author here.
"A Sestina for Traveling Season" by Geetha Iyer
"To Shadow" by Matthew Winberley
"Prologue" by Jude Whelchel
Gerald Plain's photo "Spider Rock, Canyon DeChelly, Arizona" dizzying perspective draws readers into the newest issue of The Louisville Review (#82, Fall 2017). Inside, The Children's Corner features high school sophomore Haemaru Chung's poem "Waking Up."
Looking forward to summer, I enjoy this cover image (also a bit dizzying) on issue four of Cherry Tree national literary journal published out of Washington College: "Children Running in Backlight (Dozza, Italy)" by Claudio Cricca.
The Art of Miss Fluff is featured in the Winter 2017-2018 issue of The Writing Disorder, and online quarterly of new and emerging writers and artists. Fluff is "an enchanting design brand created by artist, Claudette Barjoud."
The Spring 2018 issue of Raleigh Review Literary and Arts Magazine features "Eve," a lush collage by Geri Digiorno.
"Summer Rain" by Kristina Gehrmann on the Spring 2018 cover of Rattle poetry journal brightened my day, as did the special section inside the publication, "Tribute to Immigrant Poets," which includes works by 18 poets who "no longer reside in their country of birth."
"Challenging Transitions" is the theme of most recent issue of The Antioch Review. Like the theme, David Battle's cover image could be broadly interpreted but also directly reflective of Robert S. Fogarty's Editorial, "The Brooklyn Bridge and Other Transitions."
Along with commentary from final judge Naomi Shihab Nye, the Winter 2018 issue of The MacGuffin, published by Schoolcraft College in Michigan, features winners of the 22nd National Poet Hunt Contest.
"The Last Time I head Her Play the Piano" by Bethany Reid [pictured]
"Big Sky Drive-in" by Kathleen McClung
"An Ordinary Afternoon" by Sue Fagalde Lick
1st place goes to Peter Nathaniel Malae [pictured] of McMinnville, Oregon, who wins $2500 for “El Camino.” His story will be published in Issue 103 of Glimmer Train Stories.
2nd place goes to Gregory J. Wolos of Millis, Massachusetts, who wins $500 for “Boy Strangling Goose.” His story will also be published in an upcoming issue of Glimmer Train Stories, increasing his prize to $700.
3rd place goes to Chloe Higgins of Wollongong, Australia, who wins $300 for “Things We Cannot Say.”
Here’s a PDF of the Top 25.
Twyckenham is a name linked strongly with South Bend and Twyckenham Notes Editor in Chief Austin Veldman, who grew up there at a time when the economic slump felt by many post-automobile industry cities lingered on. “In the early 2000’s,” Veldman says, “the prevalent attitude of the town’s youth was not lost on me: I wanted to leave as soon as I could. The common words among most were there is nothing to do here.” And yet, not even a decade later, Veldman founded Twyckenham Notes in response to what he saw happening in his city, “a reemergence, the founding of a new identity,” contributing literature to help in this rebirth and renewal.
Glimmer Train has just chosen the winning stories for their 2017 November/December Very Short Fiction Award. This competition is held three times a year and is open to all writers for stories with a word count under 3000. The next Very Short Fiction competition will take place in March 2018. Glimmer Train’s monthly submission calendar may be viewed here.
1st place goes to Corey Flintoff [pictured] of Cheverly, Maryland, who wins $2000 for “Early Stages.” His story will be published in Issue 103 of Glimmer Train Stories. This will be his first major print publication.
2nd place goes to Irene Doukas Behrman of Portland, Oregon, who wins $500 for “Permission.”
3rd place goes to Itoro Udofia of Oakland, California, who wins $300 for “To the Children Growing Up in the Aftermath of Their Parents’ War.”
Here’s a PDF of the Top 25.
Deadline soon approaching! Short Story Award for New Writers: February 28
This competition is held three times a year and is open to all writers whose fiction has not appeared in a print publication with a circulation over 5000. No theme restrictions. Most submissions to this category run 1000-4000 words, but can go up to 12,000. First place prize wins $2500 and publication in Glimmer Train Stories. Second/third: $500/$300 and consideration for publication. Click here for complete guidelines.