is news, information, and guides to literary magazines, independent publishers, creative writing programs, alternative periodicals, indie bookstores, writing contests, and more.

Book Reviews by Title - C (97)

  • Image Image
  • Book Type Poetry
  • by Noel Sloboda
  • Date Published March 2012
  • Format Chapbook
  • Pages 34pp
  • Price $7.00
  • Review by Theresé Samson Wenham
Noel Sloboda released two chapbooks from different presses in 2012. His screen-printed, stanza-form chapbook, So Below (sunnyoutside, March 2012) contains four short poems and a deftly made two-color fold-out. Unlike So Below, the other chapbook of prose poems, Circle Straight Back, is sparse and unadorned. The effect is matter-of-fact, archival, and unsentimental. This seems an appropriate device for poetry of subtle misery and overt tragedy. It is certainly a theme running through the text. From the first poem, “Birth of Tragedy,” to the end of a species in “Of Species,” the threads of death, destruction, tragedy, and disappointment prevail.
  • Image Image
  • Book Type Nonfiction
  • by Julie Zauzmer with Xi Yu
  • Date Published September 2012
  • ISBN-13 978-0762780020
  • Format Hardcover
  • Pages 240pp
  • Price $21.95
  • Review by Karen Seehaus Papson
Adam Wheeler was by all accounts a very successful 21-year-old. He entered his senior year at Harvard University with everything going for him: top marks in his courses, a large circle of friends, and a steady girlfriend, not to mention scads of prestigious academic honors and awards. Indeed, it seemed that there was nothing this affable wonder boy couldn’t do. There was just one problem. All of his success—from the impressive academic grants he received to his very admission to Harvard University—was predicated on fraudulent transcripts, fake SAT scores, phony letters of recommendation, and enough plagiarized prose to fill a library. In short, everything people thought they knew about Adam Wheeler was a lie.
  • Image Image
  • Book Type Poetry
  • by Ira Joe Fisher
  • Date Published September 2012
  • ISBN-13 978-1935520658
  • Format Paperback
  • Pages 132pp
  • Price $16.95
  • Review by Alyse Bensel
In capturing the people and place of a small town, Ira Joe Fisher’s fourth poetry collection forges a strong relationship to form, meter, and rhyme. A keen sense of reminiscing for past ghosts filters through poems that range from brief lyrics to grander narratives. The Creek at the End of the Lawns resurrects the need for the performative aspect of poetry in terms of storytelling and mythmaking, prompting the reader to speak these poems aloud rather than remain silent.
  • Image Image
  • Book Type Poetry
  • by Steven Cramer
  • Date Published November 2012
  • ISBN-13 978-1-936747-46-7
  • Format Paperback
  • Pages 65pp
  • Price $14.95
  • Review by Trena Machado
In psychiatric terms, “clangings” is a thought disorder experienced by those with schizophrenia and manic states in which words are connected by sound rather than concepts, and speech and thoughts can quickly veer in a new direction in a disconnected way. In Clangings by Steven Cramer, each page has a poem of five quatrains that stands alone as a self-contained piece but also furthers the book’s connected story of a narrator reflecting on his life “in his way.” There are two pages that break this pattern and provide clarity of the narrator knowing his misaligned place in the scheme of things. Close to the end of the book:
  • Image Image
  • Book Type Novel
  • by Jan Kjærstad
  • Translated From Norwegian
  • by Barbara J. Haveland
  • Date Published February 2009
  • ISBN-13 978-1-934824-03-0
  • Format Hardcover
  • Pages 481pp
  • Price $17.95
  • Review by Rav Grewal-Kök
I read the opening scene of The Conqueror, the second novel in a trilogy by the Norwegian writer Jan Kjærstad, with relief. The trilogy depicts the life of Jonas Wergeland, an ordinary boy from an undistinguished Oslo neighborhood, who rises to national and even international fame as a television personality. In the 600 pages of the first novel in the series, The Seducer, we read of Jonas’s travels, triumphs, and yes, seductions (there are many, from a beautiful and accomplished cast of women to, eventually, an entire nation transfixed by his documentaries). Jonas is equipped with a magic penis, a set of memorized quotations from books he hasn’t read, a silver thread in his spine, a crystal prism in his pocket, and an unerring eye for great art. He can’t go wrong. The Seducer is a vast and undeniably ambitious novel, but also, in its unremitting catalog of the successes of its hero, a little wearying.
  • Image Image
  • Book Type Fiction
  • by Anthony Marra
  • Date Published May 2013
  • ISBN-13 978-0-7704-3640-7
  • Format Hardcover
  • Pages 400pp
  • Price $26.00
  • Review by Olive Mullet
Against the background of bad press about Chechnya—from violent rebel attacks like that on a Moscow theater and, more recently, the Chechen connection with the Boston Marathon bombers—Anthony Marra’s novel A Constellation of Vital Phenomena manages to right the balance on Chechen/Russian violence. For those of us who know little about the Chechens’ struggle for independence, from the first page on, we see the brutality of the “Feds” (the Russians) and their continuing efforts to obliterate any chance of the country’s unification. The two main female characters, sisters Natasha and Sonja, are Russians; their family was encouraged to move to Chechnya to help keep the country Russian.
  • Image Image
  • Book Type Poetry
  • by Rebecca Farivar
  • Date Published July 2011
  • ISBN-13 978-0980193862
  • Format Paperback
  • Pages 84pp
  • Price $12.00
  • Review by J. A. Tyler
Rebecca Farivar’s Correct Animal, released in July from Octopus Books, is not unexpected or aggressive or raw or surprising. It is not a collection of poetry that blew me away. But this isn’t to say that I disliked Correct Animal—in fact, I liked it quite a bit, and I liked it for not being unexpected or aggressive or raw or surprising. I liked Farivar’s methods of quiet, of understatement, the lithe quality of her poems:
  • Image Image
  • Book Type Poetry
  • by Kate Greenstreet
  • Date Published 2011
  • Format Paperback
  • Pages 24pp
  • Review by Jeremy Benson
The Battleship Potemkin, either the film or the ship itself—the allusion, in any case—makes its appearance early on in Kate Greenstreet’s single-poem chapbook, Called: “First we hear it. Trucks, helicopters. The / Battleship Potemkin. He’s building the shape.” Throughout the poem, Greenstreet works in concise stanzas such as this, each image and line constructed with a controlled hand. As such, the Potemkin is no toss-away detail. Its facts and mythology, of restless soldiers and fledging revolutions, and of propaganda, get bundled and pulled into the poem, while calling to mind the montage theories made standard by director Sergei Eisenstein, the great-grandfather of all modern film editing techniques.
  • Image Image
  • Book Type Cross-Genre
  • by Donald Wellman
  • Date Published December 2012
  • ISBN-13 978-1-933675-87-9
  • Format Paperback
  • Pages 106pp
  • Price $17.00
  • Review by Patrick James Dunagan
The Maximus Poems of Charles Olson continue to inspire, by way of example, many off-shoot projects by poets who came after. Olson’s intimately grand gesture was scooping the local, immediate concerns of Gloucester, Massachusetts onto the historical and mythic world stage, while devoutly insisting the context remain personal. This gave both the permission and encouragement for numerous similar endeavors by poets seeking to weave broad, historical scope into autobiographical material. The most successful of these projects are ones similar to Donald Wellman’s Cranberry Island Series, where the poet steers clear of overly emulating Olson’s work (in terms of the “projective” form it takes across the page) and person. Wellman creates a work shaped according to its own needs assuming a form wholly its own.
  • Image Image
  • Book Type Poetry
  • by Ethan Paquin
  • Date Published March 2013
  • ISBN-13 978-1-934103-38-8
  • Format Paperback
  • Pages 117pp
  • Price $20.00
  • Review by Trena Machado
Language let loose: in Cloud vs. Cloud, Ethan Paquin gives us the poet as a fleeting point. His universe is one of words—not a social universe, not the natural world. We are in the quickness of thought, of seeing at the level of language. The author is talking to himself, bending language to a penetrating look at the surface, a surface that bounces him back. All is surface, including his own experience: “What is known, nothing . . . nothing can be articulated.”
Page 5 of 7

We welcome any/all Feedback.