Editor's Picks New Book Arrivals (267)
In a world with an uncertain future, do you imagine for the best- or for the worst-case scenario? Twelve writers tackle extreme solarpunk utopias and apocalyptic or political dystopias—and the grey areas in between—in Biketopia, the fourth volume of the Bikes in Space series of feminist science fiction stories about bicycling. Whatever your own future or present reality, these stories will motivate and inspire you to envision something different . . . and maybe even better.
“Poems in Erica Wright’s virtuosic new collection, All the Bayou Stories End with Drowned, have an almost subliminal force. We read them with feline attention, hungering after each line’s fugitive beauty. These poems capture the quicksilver of inspiration, and hold it steady, the way a hummingbird seems motionless sipping from the bud.” –Gregory Pardlo
Originally presented at the Latino Leaders Luncheon Series in Washington, DC, and other major cities, the personal stories included in this book are all by successful Latinos involved in a variety of occupations. The importance of education is a common refrain in the lives of the leaders represented here. Many reference one particular teacher or mentor who made a difference. Others remember the sacrifices made by parents so that their children could have more opportunities for a better life. In all, these writings are both a testament to perseverance and a guide to life, for readers of all backgrounds.
Elizabyth A. Hiscox's Reassurance in Negative Space is a debut collection with the seasoned deftness of a master in its keen intelligence, wit, innovative diction, unflinching handling of loss and grief, and deep lyricism. Hiscox muses with revelatory insights on such wide-ranging topics as multifarious netsuke, nuclear fallout, artichokes “coming into new brilliance,” the DMV line, the Zen of “the sublime [that] can spring from small things.” By turns ecstatic and somber, profane and sacred, wise and whimsical, Hiscox proves she is a poet of the first order with this memorable collection.
All My Heroes Are Broke is a poetry collection written from the perspective of a first-generation American coming to terms with the implicit struggles and disillusionment of the “American Dream.” All My Heroes Are Broke primarily uses two forms: short, image driven poems inspired by the works of Robert Bly and Po Chu-I; and longer narrative poems that reveal more personal information about the speaker, in the manner of Li-Young Lee and Frank O’Hara, allowing the speaker to project his own life onto the surroundings and the people of those larger communities.
Beginning in the mid-1950s, scholars proposed that the Inklings were a unified group centered on fantasy, imagination, and Christianity. This text overturns the misapplication of a divided worldview among two Inklings, J. R. R. Tolkien and C. S. Lewis, and their forerunners, G. K. Chesterton and George MacDonald. Analyzing their literary, scholarly, and interpersonal texts, Zachary A. Rhone’s The Great Tower of Elfland clarifies the unities of their thinking.
Containing the work of more than 40 poets—equally divided between men and women—who self-identify as Afro-Latino, ¡Manteca! is the first poetry anthology to highlight writings by Latinos of African descent. The themes covered are as diverse as the authors themselves. Editor and scholar Melissa Castillo-Garsow writes in her introduction that “the experiences and poetic expression of Afro-Latinidad were so diverse” that she could not begin to categorize it. Some write in English, others in Spanish. They are Puerto Rican, Dominican, and almost every combination conceivable, including Afro-Mexican. Containing the work of well-known writers such as Pedro Pietri, Miguel Piñero and E. Ethelbert Miller, less well-known ones are ready to be discovered in these pages.
In this award-winning debut collection, the smallest things of the world bear enormous emotive weight. For Jenny Molberg, the invisible and barely visible are forms of memory, articulations of our place in the cosmos. Parsing the intersections between science and personal history, and contemplating archival letters from 17th- and 18th-century scientists along with new studies in biological phenomena, Molberg’s poems examine complexities of relationships with parents and the faultiness of certainty about earthly permanence. Marvels of the Invisible sounds the depths of both grief and amazement, two kinds of awareness inseparably entwined.
"In so many of these stories, Anthony Varallo does something both rare and wonderful: he manages to be both funny and profound. Here you'll meet the life of the party who's secretly miserable and reconnect with the popular kids you knew in high school who now find themselves stalled out in melancholy middle age, their children and the world seemingly uninterested in them. Varallo is a master at characterization—his misfits and lonely divorced fathers, his vivid adolescents and tongue-in-cheek John Updike cameo—there is so much here that I admired and enjoyed." — Christine Sneed
True crime, memoir, and ghost story, Mean is the bold and hilarious tale of Myriam Gurba’s coming of age as a queer, mixed-race Chicana. Blending radical formal fluidity and caustic humor, Gurba takes on sexual violence, small towns, and race, turning what might be tragic into piercing, revealing comedy. This is a confident, intoxicating, brassy book that takes the cost of sexual assault, racism, misogyny, and homophobia deadly seriously.
“M. Scott Douglass’s Just Passing Through bristles with direct, honest, often humorous tales of the road. A sharp observer of human behavior—on motorcycles and in cars, in rest stops and motels, at red lights and roadsides—he doesn’t miss a thing. Reading these poems, I feel like he’s nudging me in the ribs, and pointing, saying, ‘Get a load of that,’ and I’m happily following his gaze, trusting him not to know where we’re going.” —Jim Daniels
What happens when television is part of your cultural DNA? Twelve writers talk about their influences, and they’re more Magnum, P.I. than Marcel Proust. This is cultural criticism from an enthusiast’s point of view—taking sitcoms and dramedies and very special episodes seriously, not because they’re art, but because they matter to us.
In her debut collection Hua Shi Hua Jen Hyde examines how the mechanisms of language shape worlds. This four parts of the collection unfolds in a precise lyricism that never shies from confronting the stubbornness of translation while Hyde wields it as her own to claim literacies of heritage and art. Dividing the book’s sections with Mandarin Chinese characters (all of which sound the same to the Western ear) and drawing from both classic Chinese and English texts, Hyde synthesizes and bisects biracial identification to culture and belonging.
In Our Lands Are Not So Different, Michael Bazzett’s second collection, Bazzett follows his distinct voice—nonchalant, urbane, and recklessly sardonic—toward a place wedged between the embarrassment of carnality and the inadequacy of civility. In its endless desire to find kinship and understanding—not only with an other but also with itself—Our Lands . . . asks what to do when the part of the self that feels most estranged is the part of the self that feels most authentic.