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The Aurorean - Fall/Winter 2009-2010

  • Issue Number: Volume 14 Issue 2
  • Published Date: Fall/Winter 2009-2010
  • Publication Cycle: Biannual

The Aurorean seeks to publish poetry that is inspirational, meditational and/or reflective of the Northeast.” In this issue, the magazine carries out its mission to reflect the Northeast with poems that specifically name or make reference to the area: “Mohonk moon” (“Scarlet Turnings” by Mike Jurkovik); the Atlantic ocean as seen from a “bed & breakfast” in Ogunquit, Maine (“Yellow Monkey” by Lainie Senechal); New England’s “slate skies” (“January Poem” by Ellen M. Taylor); a frosty New England context for the hammering of fence posts (“Fences” by Olivia Wolfgang-Smith); a salt marsh at Plum Island, Massachusetts (“Boardwalk” by Margaret Eckman); a weeping beech tree at Forest Hills Cemetery in Boston (“Weeping Beech” by Alice Kociemba); a cranberry harvest near Beaver Dam Road (the specific state is not mentioned in Judy Snow’s “Harvest off Beaver Dam Road”); a nighttime ride to Mt. Riga (“Mt. Riga” by David Sermersheim); an unusually warm first-day-of-fall near Mt. Adams (“If, Ands, or Buts” by Russell Rowland); a view of middle age as seen against the context of the view of a heron at Hall’s Pond (“Middle Age” by Robin Pelzman); the varieties of apples grown in the Northeast – McCoun, Northern Spy, MacIntosh, and Cortland (“The Ingathering” by Carole W. Trickett); and the wild Lake Superior cold (“Lone Baptism” by Steve Ausherman).

The issue also includes the work of two featured poets, Paul B. Roth and Kevin Marshall Chopson, as well as three pages of haiku, including the winner of the magazine’s Creative Writing Student Outstanding Haiku Awards contest, S.P. MacIntyre. My favorite is by Ruth Holzer, which, as it happens, also evokes a distinctly Northeastern image:

at the Walt Whitman rest stop –
outbound geese

If Holzer’s Walt Whitman rest stop is the one many of us know on the New Jersey Turnpike (weary travelers downing burgers and oversized cups of Coke from Roy Rogers), it is wonderfully at odds with the graceful image of the southbound geese.

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Review Posted on January 17, 2010

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