is news, information, and guides to literary magazines, independent publishers, creative writing programs, alternative periodicals, indie bookstores, writing contests, and more.

The Deportation of Wopper Barraza

  • Image: Image
  • Book Type: Fiction
  • by: Maceo Montoya
  • Date Published: February 2014
  • ISBN-13: 978-0-8263-5436-5
  • Format: Paperback
  • Pages: 224pp
  • Price: $19.95
  • Review by: Audrey Quinn

When Wopper, a young man in his early twenties, is deported following his fourth DUI, he finds himself in a country that he hasn’t lived in since he was a toddler. This happens to many people around the world from countless countries, not only in the US immigration system. The beauty of The Deportation of Wopper Barraza is that it tells a relatable tale without overtly trying to preach to the audience about immigration laws, illegal alien rights, or any of the other number of worthy causes applicable to the novel. It is, at its core, a novel about a boy becoming a man by being forced to leave everything he knows, which his father predicts early in Wopper’s journey:

And wouldn’t it be strange if Wopper went there to become a man, just as I had to come here? But if that’s true, I often thought, then he should never come back. He should never return to Woodland, because then he would have to live with the boy he left behind.
This is where the strength of The Deportation of Wopper Barraza lies. Montoya writes of a common situation that has gotten literary treatment many times over but his novel doesn’t lie specifically within the experience of a deported immigrant. It tells the story of communities on both sides of the border, particularly that of the small town that Wopper moves to in Mexico. Wopper grows during his experience, but he serves, successfully, as our portal into the world of small-town Mexico and diaspora while the various other narrators serve as our guides.

If there was one thing that I wished for while reading, it was that Montoya had committed more to the varied narrative voices that he presented in the novel. Each narrator was well defined, but, for a novel with so many varied characters, the narrative voice didn’t always seem to commit wholly to each character. The shift between Wopper, his ex-girlfriend, his father, and the domineering Mexican businessman was often indicated best, initially, by the plot and timeline shifts between the characters rather than their voice. This isn’t to say that the characters weren’t well developed. I felt I got to know each character well, but they still offered surprises that were welcome and seemed to fit within the world that Montoya built.
Return to List.
Review Posted on August 20, 2014

We welcome any/all Feedback.