Ecotone's mission is to publish place-based work exploring "the ecotones between landscapes, literary genres, scientific and artistic disciplines, modes of thought." The Fall/Winter 2017 issue is themed on "Craft" and opens with Editor Anna Lena Phillips Bell's "From the Editor: The Craft of Editing," which includes the insightful list of eight "Guiding Principles for Ecotone Editors."
Content includes fiction by Jill McCorckle, Alexis Schaitkin, and Farah Alie, nonfiction by Ellie A. Rogers, Andrea Mummert Puccini, Aimee Nezhukumatathil, Ben Miller, and poetry by Cortney Lamar Charleston, Nina Sudhakar, George David Clark, Jessica Guzman Alderman, Dawn Manning, Lauren Camp, Cate Lycurgus, Lynne Thompson, David Macey, Athena Kildegaard, and Molly Tenenbaum. Each contributor also offers one sentence on craft, "what hopes and concerns about craft, writerly and/or otherwise, the writers and artists who are part of the issue might have."
The gorgeous cover and bookmark insert for this issue deserves recognition: designed and printed by Rory Sparks at Working Library in Portland, Oregon, with text hand-set in Lining Gothic, Franklin Gothic, And Garamond Italic, and printed on Mohawk Superfine Eggshell 100lb on a Vandercook Universal I AB P.
Founded in 2011 by Christine Brooks Cote, Shanti Arts celebrates and promotes Art, Nature, and Spirit. Along with publishing a wide array of books, Shanti Arts also produces Still Point Art Gallery and Still Point Arts Quarterly. The print publication features full-color art throughout, and the website includes the full exhibition of artwork. Nature's Textures is the current exhibit, running through January 31, 2018.
Artists' works honored in this exhibit:
Best in Show
Award for Uniqueness of Concept and Originality
Award for Exceptional Composition and Design
Award for Distinctive Interpretation of Theme
In a double issue (Fall 2017/Winter 2018), The Chattahoochee Review focuses on "Neighbors."
Editor Anna Schachner writes, " Some of our special-focus topics are more wistful than others. This one - Neighbors - certainly is. When our editorial staff chose the topic, I don't think any of us were specifically thinking of borrowed cups of sugar or Christmas carolers at our front door, but, given current national and global events, it's hard not to yearn for that simplicity and purity. Still, most of the work in this issue fluctuates between a kind of yearning for proximity, for connections, and a kind of wry suspicion of it."
See a full list of contributors here.
Prime Number is a quarterly online publication of "distinctive poetry and short fiction that takes readers to new places, introducing them to interesting characters, situations, and observations." A publication of Press 53, the editors enjoy engaging writers in two monthly contests: the Prime Number Magazine Flash Fiction Contest, which is a low-cost ($7 - a prime number) reading fee with a prime number first prize of $251, and the 53-Word Story Contest, which is free (is 0 a prime number?) and comes with a prompt.
Both winners are published in future issues of the publication.
Winners currently featured are Flash Fiction “Interrogation” by Michael Chin and 53-Word Story "Dance on my Grave" by Hannah Ambrose [pictured].
Winners of the Terrain.org 8th Annual Contest in Fiction, Nonfiction, and Poetry each receive $500 in addition to publication. Finalists are awarded $100 and publication.
Judge Robert Wrigley
“Tying a Tie” and “Airborne”, two poems by Edward Harkness
Finalists: Poems by Ellery Akers, Deborah Fass, and John Pass.
Judge Nicole Walker
“Ghost Trees” by Jennie Goode [pictured]
Finalists: “What Remained” by Kristina Moriconi and “Northern Wardens” by Alisa Slaughter
Judge Padma Viswanathan
“N-Place Exiting” by Thomas Ausa
Finalist: “The Stilled Ring” by Luther Allen
Read more about the winning works here. The contest re-opens in January 2018.
"The Cowards" by French photographer Iva Iova on the cover of Into the Void #6 is from her series, The Remains , of which she writes, "The last decade held a concentration of questionable political and social events. [. . . ] A population raised and educated to be Deaf, Cowards and Heartless."
Kikki Ghezzi's oil on linen entitled "Snow Flake" is featured on the cover of Salamander #45 with a full-color portfolio of more of her works inside the issue. She writes, "My paintings are increments of time and increments of marks and strokes in a meditative moment. They are the time of a walk, the time of process. The kind of 'glow”' time in my paintings is infinite in both directions, outward in accumulated, immeasurable brush strokes and inward towards a glow point."
Oil on canvas "21 August 2017" by Lynn Boggess invites readers into the December issue One online poetry magazine, which features a "Second Look" section in which writers discuss poems they admire. This issue's Second Look is Patrick Kavanagh discussing The Great Hunger.
The Editors at Broadsided Press write:
We have, according to the constitution, the right “to keep and bear arms” in the United States. But how, in the wake of Las Vegas, Pulse, Sandy Hook, Trayvon Martin, and other abuses of firearms—by citizens and in some cases by those trained to protect and serve—do we bear that right? How do we bear it?
At Broadsided, we believe that art and literature belong in our daily lives. They inspire and demonstrate the vitality and depth of our connection with the world. We had to speak out—we had to make a space for you to speak out—on this issue as part of our ongoing "Broadsided Responds" feature.
We put out a call to visual artists asking for submissions. Work came from all over the country, in all media. Powerful, provocative, dynamic work. Guest Arts Editor Stacy Isenbarger selected six pieces that offer a range of attitudes, aesthetics, and opportunities. Of her decision, Stacy has this to say:
How do we confront that of which we already hold tightly? Collectively, these chosen works offer a dimensional conversation of this weighted issue. Some may suggest a boundary of societal judgement, but they don’t necessarily reveal what side they are one. Instead these pieces offer evolving space. They welcome an opportunity for viewers to discuss how we bear that which touches our lives.
We now ask you to respond with words to six works of visual art by Sandra Cohen, Jonathan Frey, David Kamm, Osceola Refetoff, Dixie Salazar, and Kristen Woodward.
When you submit your writing, be sure to be clear as to which piece you are responding.
DEADLINE: December 27, 2017.
The December 2017 Glimmer Train Bulletin is a fun read this time around, with an eclectic mix of craft essay written from teachers and authors, some of whose works have recently been published in Glimmer Train Stories.
Author of the novel The Luster of Lost Things , Sophie Chen Keller's [pictured] essay, "On Writing from a Child's Perspective for Adults," is a topic I have often tried to better understand as a reviewer assessing others' writing;. This was an instructive perspective to read, as Keller asks, "But how to manage that voice while keeping the novel from becoming a book for younger readers - especially when my inspiration for plot and tone was those books for younger readers?"
For essays on writing and revision, University of Chicago Professor Will Boast offers his advice on "Cutting Out the Bad Bits," while Andrew Porter, Associate Professor of Creative Writing at Trinity University in San Antonio writes on "The Long First Draft."
And, in these volatile times, Iranian-American writer Siamak Vossoughi comments on "The Political Lives of Characters," noting the decision writers face: "Political beliefs can matter a lot, in stories and in life, and they can not matter at all. [. . . ] A writer only runs the risk of being preachy or dogmatic if he or she makes a character of one political belief less three-dimensional and human than that of another."
The Glimmer Train Bulletin is free to read online each month here, or have it delivered monthly to your inbox.
Ruminate Winter 2017 features the 2018 Janet B. McCabe Poetry Prize recipients awarded by judge Shane McCrae:
"Elizabeth Asks" by Maggie Blake Bailey
"Bookend Quote from Bro. Yao" by Amanda Hawkins
'"All These Months Since Your Diagnosis" by Emily Ransdell
Finalists whose works are also included in the issue: Jen Stewart Fueston, Dante Di Stefano, Janine Certo, Mason Henderson, Jake Crist, Jehanne Dubrow, Kerri Vinson Snell, Charity Gingerich, John Sibley Williams, Berwyn Moore, and Mark Wagenaar.
One of the cover images, "Lotus Buddha" by Christine DeCamp, for the online publication Leaping Clear is reflective of its mission, to promote "accomplished artists whose work is informed by dedicated meditative and contemplative practices." There is more from DeCamp and other visual artists and writers in the Fall 2017 issue.
The cover image of the fall 2017 issue of River Teeth: A Journal of Nonfiction Narrative is a gorgeous waterfall photo from White Mountains, N.H. by David FitzSimmons.
Tim L. Vasquez of Untamed Photography offers a seemingly surreal image for the cover of the fall/winter 2017 Concho River Review.
Speculative Fiction in Translation (SFT) "often flies under the radar, despite the fact that it is an important part of the speculative fiction universe," writes author and editor Rachel Cordasco in her introduction to a special section of "Speculative Fiction in Translation By Women" in Anomaly 25. While "SFT has been growing in popularity over the last few years," Cordasco notes that, "like the publishing world as a whole, the world of SFT is often dominated by male authors."
Her selection of included works highlights some of what she feels are the best female authors writing speculative fiction in languages other than English, offering readers a variety of stories and styles. In addition to this, Cordasco started SFinTranslation.com, a site on which she indexes SFT, reviews works, and posts news and interviews relative to SFT. Cordasco herself is working on translating Italian SF.
It's hard to get the full effect of the Fall 2017 The Georgia Review cover art, which features work by poet and photographer Rachel Eliza Griffiths printed on mirror metallic stock. A portfolio of her work and essay, "What Has Changed," is included in the issue, with an introduction by Jenny Gropp.
An untitled enamel on plywood by Mose " Mose T" Tolliver attracts readers to the Fall 2017 issue of Field: Contemporary Poetry and Poetics.
Love love love Mary Jo Karimnia's work, which she describes in her Artist's Statement, "I draw in the backgrounds and enhance certain areas with glass beads. Cropped purposefully to omit faces, the images - such as teenagers in costumes at cosplay conventions, dancers in Bolivia, and Catrina icons at a Day of the Dead festival - emphasize how costumes can allow us to explore alternative personae in an anonymous way, which helps us to learn about our past or to imagine a future in which the acceptance of eccentricities is the norm." The Cincinnati Review Winter 2018 includes her work on the cover as well as a portfolio inside.
In her Editor's Note, Stephanie G'Schwind writes, "Every fall, we have the true pleasure of publishing the winning story of the Nelligan Prize for Short Fiction. This year, it's Katie M. Flynn's 'Island Rule,' in which an environmental biology professor is haunted by memories of the surreally accelerated evolution and ensuing political violence that expelled her, as a child, from her island home. Final judge Richard Bausch calls it 'a very strange, audaciously original and convincing story that arrives at metaphor; it partakes of Kafka, being so matter-of-factly realistic .' It's a wonderful, daring story, richly deserving of the prize."
The Fall 2017 The Wallace Stevens Journal is a special issue focused on "Teaching Stevens."
The volume includes “Reflections by Poets" from Rachel Hadas, James Longenbach, and Lisa M. Steinman as well as poetry by Josepth Duemer, William Virgil Davis, Sharon Portnoff, Navlika Ramjee and more. Several of the essays focus on global contexts, such as teaching Stevens in Israel, Belgium, China, Sweden, and Portugal. Other essays include:
“Valuing Stevens’s Acts of Imagination” by Charles Altieri
“Stevens and Race: ‘Like Decorations in a Nigger Cemetery’ Revisited” by Marvin Campbell
“Stevens’s Poetics of Variation as a Guide for Teaching” by Lisa Goldfarb
“Casting for Keener Sounds: How to Make Difficult Poetry Fun Again” by Alex Streim, Zachary Tavlin
“As if Blackbirds Could Shape Scientists: Wallace Stevens Takes a Seat in the Classroom of Interdisciplinary Science” by David J. Waters
“Mountain Climbing in the Poetry Classroom in Malta: Teaching a Stevens Metapoem” by Daniel Xerri
The Wallace Stevens Project Muse website includes a full table of contents as well as previews of each article and full access for subscribers.
Billy Renkl's "Watching the Sky #2" collage of antique British chromoolithographs is the cover art for v32 n2 of Zone 3 literary journal. Renkl says of his work, "Vintage and antique paper can be surprisingly beautiful, and I find the way that it carries its history with it moving."
The Kenyon Review Nov/Dec 2017 issue features winners of the 2017 Patricia Grodd Poetry Prize for Young Writers. This award "recognizes outstanding young poets and is open to high school sophomores and juniors throughout the world. The contest winner receives a full scholarship to the Kenyon Review Young Writers workshop." Winning entries can also be read online here.
Eileen Huang: “Movie Scene on a Highway Shoulder"
Daniel Blokh: “Family Portrait with Lost Map"
Isabella Victoria: “Clemente Curls"
Publishing since 1967 from the University of Victoria, The Malahat Review is one of Canada's leading literary journals. Editors since its inception have included Robin Skelton, John Peter, Constance Rooke, Derk Wynand, Marlene Cookshaw, and currently John Barton (since 2004).
Originally subtitled "An International Magazine of Life and Letters," The Malahat Review now focuses on Canadian and international poetry, fiction, and creative nonfiction. The publication's website also features book reviews, interviews, contests, podcasts, and publishing tips - a bimontly guest column in which authors share how to improve professionals skills: "from the writing of cover letters, to what house style means, to choosing a rhyming dictionary, to having an author photo (as opposed to a selfie) shot."
Happy Anniversary Malahat! Here's hoping for another great half-century to come!
The Indianapolis Review is a new online quarterly of poetry and visual art supporting the growth of new voices in the literary scene in Indianapolis and beyond. Founder and Editor in Chief Natalie Solmer and Associate Editor Rachel Sahaidachny started the publication “to give back to the poetry and art world by curating a platform to showcase poets and artists. We desire to create connections among writers and artists in our community and around the globe. In our own publishing experiences, we've seen there is always a need for venues to publish new work.”
The University of Iowa Press published the winners of the 2017 Iowa Short Fiction Award and the 2017 John Simmons Short Fiction Award last month.
Matthew Lansburgh’s Outside is the Ocean, winner of the Iowa Short Fiction Award, was chosen by Andre Dubus III, who calls the linked collection “mesmerizing” as it “explores, among other things, the tenuous tie between mother and son, between the Old World and the New, between what was and what is.”
Winner of the John Simons Short Fiction Award, What Counts as Love by Marian Crotty, is “sensual, brave, and wonderfully evocative” as Crotty examines“the seemingly tattered nature of love, taking us deeply into the varied lives of her characters and making us care for them all.” The nine stories follow people—most often young women—searching for human connection, their stories touching on themes of addiction, class, sexuality, and gender.
Stop by the University of Iowa Press website to learn more about the awards and winning titles.
Glimmer Train has just chosen the winning stories for their July/August Very Short Fiction Award. This competition is held twice a year and is open to all writers for stories with a word count under 3000. The next Very Short Fiction competition will take place in March. Glimmer Train’s monthly submission calendar may be viewed here.
1st place goes to Chase Burke of Tuscaloosa, AL [pictured], who wins $2000 for “That’s That.” His story will be published in Issue 101 of Glimmer Train Stories. This will be his first major print publication.
2nd place goes to Brian Yansky of Austin, TX, for “The Curse.” His story will also be published in an upcoming issue of Glimmer Train Stories, increasing his prize from $500 to $700.
3rd place goes to Ajit Dhillon of Singapore, for “Waiting.” His story will also be published in an upcoming issue of Glimmer Train Stories, increasing his prize from $300 to $700.
A PDF of the Top 25 winners can be found here.
October offered more treats than just candy this year. Readers, a handful of prize-winning books hit bookshelves last month, and if you haven’t already gotten your hands on them, now is your chance!
The grand finalist of the Vine Leaves Vignette Collection Award, The Walmart Book of the Dead by Lucy Biederman, draws inspiration from the ancient Egyptian Book of the Dead. Biederman’s version includes shoplifters, grifters, drifters, and hustlers as they wander Walmart unknowingly consigned to their afterlives.
Stephanie Carpenter brought home the Press 53 Award for Short Fiction with Missing Persons. Selected by Press 53 Publisher and Editor-in-Chief Kevin Morgan Watson, the collection contains stories that are “diverse in setting, conflict, and style,” and it rose above over 230 other manuscripts to claim the prize.
Pleaides Press awards the Editors Prize for Poetry each spring. The 2016 winner, A Lesser Love by E. J. Koh, was published this month. “Love, war and recovered testimony from Korea’s unhealed border inform the formal and imaginative boundaries” within the debut collection, according to D. A. Powell’s advance praise. Learn more about the collection at the press’s website.
In Set to Music a Wildfire, Ruth Awad’s homage to her father “explores the violence of living, the guilt of surviving, the loneliness of faith, and the impossible task of belonging.” Winner of the Michael Waters Poetry Prize, Awad writes of family, country, and the Lebanese Civil War.
Be sure to stop by each press’s website listed above to learn more about the award-winning books published last month.