This year's winner of the Willow Springs Fiction is "Gorilla Love Story" by Chelsea Bryant. The award provides each entrant with a one-year subscription to the publication; the winner receives $2000 + publication in the annual June issue. Willow Springs offers some of their publication's content for online reading along with comments from the author about the work.
[Cover image by Marta Berens from Dream Chapter]
Unlike the Olympics, the Poetry Marathon is an annual event. I originally posted on it here, and the PM website offers a complete history and FAQ of the event. While I've known about the event for several years, this is the first year I participated. Luckily for me (and many others), the organizers have created a half marathon, which is what I completed. Both marathons start at 9:00am ET on writing day (Aug 13 this year), then every hour for 12 or 24 hours, participants are expected to write a poem and post it to the PM website. Each participant gets their own login on a group Wordpress site, then as each participant publishes a poem, which is housed on their own blog space, it is also posted to the whole group blog. If you look at the site now, what you see are the poems posted by the participants as they came in.
If this sounds like a big commitment of a day, it is - or it can be. The organizers are flexible in letting participants commit to (on their honor) writing one poem every hour and then posting them when they can get to a computer. Some participants commented on having to go to work, so while they were writing the poems, they wouldn't be posting them until later. Even for me, with a day "off," I couldn't be at the computer every hour of the day.
Bottom line: Was it fun? Was it engaging? Was it worthwhile? Yes, yes, and yes. Would I do it again? Absolutely. Until you do it, you don't quite "get it." Write a poem an hour? Anyone can do that on their own. But it was motivating (even a bit demanding) being in the community, committed to having to publish poems up to the website, having to be responsible every hour of the day. In fact, even while I was just sitting working at the computer, I almost missed one of the hours because I was so caught up in my work. I realized it with only five minutes left in the hour and scrambled to catch up! The pressure! It was wonderful. As were the prompts, which the organizers provide at the top of every hour. I admire those writers who had their own ideas for poems, but I relied heavily on the prompts to give me something to write about and get the writing done. There were many who did the same, and it was engaging to see the various interpretations of the prompts - a lot of really creative writers.
When it was done - 12 hours and 12 poems later - I felt a deep sense of pride and accomplishment. Not that I believe I wrote 12 astonishing poems that will shake the world. But because I wrote 12 poems in 12 hours as part of a community of people who were just as eager and committed as me. Surrounded for a whole day by an entire community of poets - reading, writing, commenting, and then doing it all over again, and again, and again. I think immersion is the right word.
I also learned that not everyone will be able to appreciate the experience if you try to share your joy at the accomplishment. "I just finished a poetry half marathon!" I exclaimed to my husband as I walked away from the computer at 9:00pm after just having posted my final poem. "Okay," he said, not turning away from his laptop.
What you get out of it is definitely personal. Unlike the foot race, and unlike the Olympics, there aren't throngs of people cheering your completion, no competitors there to hug you for a good race won. Though the organizers and participants do post encouraging comments for one another and have chat groups running to motivate one another, in the end, the sense of whatever it has meant to you will be completely up to you to generate and to own.
I thoroughly enjoyed the experience, I was challenged, I accomplished my goal, and I hope to be back to do it again next year.
Thank you Poetry Marathon! Congratulations to everyone who completed the half 12 hours of writing and the full 24 hours of writing. I get it: You are amazing!
The Gettysburg Review Autumn 2016 issue features The Letter A, detail by Alexandra Tyng, 2012, oil on linen. The publication also includes a full-color portfolio of eight of his works.
The online publication Ragazine features Castles in the Sky, oil on watercolor paper by Laura Guese, and also includes an interview with her in the issue here.
2016 Wilda Hearne Flash Fiction Award
$500 + publication
"The Mockingbird" by John Blair, Texas
2016 Mighty River Short Story Award
$1000 + publication
"Teachers" by Elisabeth Doyle, Washington, DC
Lisa Allen Oritz took home the Perugia Press Prize for a first or second book by a woman (now open for 2017 submissions) in 2016 with the poetry collection Guide to the Exhibit.
“Inspired by the displays at a small natural history museum” Guide to the Exhibit is “about what we set aside to examine and remember,” using a quirky, scientific lens.
At the Perugia Press website, readers can find an excerpt from the collection, which will be released and September, as well as preorder copies.
BY TED KOOSER, U.S. POET LAUREATE
Here's a fine, deftly made poem by Meg Kearney, of New Hampshire, in which the details deliver the emotions, which are never overtly named other than by the title. It's my favorite kind of poem, and it's from her book An Unkindness of Ravens, from BOA Editions. Her most recent book is Home By Now (Four Way Books 2009).
The girl hunting with her father approaches
the strange man who has stopped at the end
of his day to rest and look at the lake.
Do you like geese? she asks. The man smiles.
The girl draws a webbed foot from her pocket
and places it in his hand. It's late fall
and still the geese keep coming, two fingers
spread against a caution-yellow sky. Before
he can thank her, the girl has run off, down
to the edge of the water. The man studies her
father, about to bring down his third goose
today—then ponders the foot: soft, pink,
and covered with dirt like the little girl's hand.
He slips it into his coat pocket, and holds it there.
We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2001 by Meg Kearney, “Loneliness,” from An Unkindness of Ravens, (BOA Editions, 2001). Poem reprinted by permission of The Permissions Company, Inc., on behalf of BOA Editions, LTD. Introduction copyright ©2016 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
This year's Grand Prize winner was Anna Leahy’s essay “Sweet Dreams Are Made of This.”
A complete list of authors as well as judge's comments for each of the winners can be found here along with a link for information about the 2017 contest.
Irresistable: Colorado Review's Summer 2016 cover image is just so summery with this full-cover-wrap photogray by Lenny Koh of Lenny K Photography.
Thema's Summer 2016 cover is reflective of this issue's theme: "Lost in the Zoo." Cover photograph by Kathleen Gunton.
Along with Cimarron Review's Spring 2016 issue, I almost had a whole cat theme going. This one taps my appreciation for whimsy with Sabrina Barnett's photo "Greens (2)."
BY TED KOOSER, U.S. POET LAUREATE
Dorianne Laux, who lives in North Carolina, is one of our country's most distinguished poets, and here's a poignant poem about a family resemblance. It's from her book Smoke, from BOA Editions.
Ray at 14
Bless this boy, born with the strong face
of my older brother, the one I loved most,
who jumped with me from the roof
of the playhouse, my hand in his hand.
On Friday nights we watched Twilight Zone
and he let me hold the bowl of popcorn,
a blanket draped over our shoulders,
saying, Don't be afraid. I was never afraid
when I was with my big brother
who let me touch the baseball-size muscles
living in his arms, who carried me on his back
through the lonely neighborhood,
held tight to the fender of my bike
until I made him let go.
The year he was fourteen
he looked just like Ray, and when he died
at twenty-two on a roadside in Germany
I thought he was gone forever.
But Ray runs into the kitchen: dirty T-shirt,
torn jeans, pushes back his sleeve.
He says, Feel my muscle, and I do.
We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2000 by Dorianne Laux, “Ray at 14,” (Smoke, BOA Editions, 2000). Poem reprinted by permission of BOA Editions, Ltd. Introduction copyright ©2016 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
Featured in the volume is an interview with Anania as well as several of his poems. Also included are essays on Anania's work: "Modernist Current: Michael Anania's Poetry of the Western Rivers" by Robert Archambeau; "'Out of Dazzlement'...Chiaroscuro Revisited" by Peter Michaelson; "'Energy Held in Elegant Control': Vortex Anania" by Lachlan Murray; "Another Italian-American Poet in Omaha: Italy in Michael Anania's Poetry" by William Allegrezza; "Michael Anania's The Red Menace: A Study in Self-Production" by David Ray Vance; "'Like Hands Raised in Song': Proper Names in Michael Anania's 'Steal Away'" by Lea Graham; "On Michael Anania's In Natural Light" by Reginald Gibbons as well as several more.
"This collection of essays and original work," the editors write, "offers a set of moments in lands (and waters) surveyed by Anania. That land pretends a relentless modernity - one that Anania has evidenced for readers, colleagues, and other artists page by page, line by line. Charles Olson argued that the poet either rides on or digs into the land. This collection of essays and Anania's writings attest that he has done both."
Winner of the 2014 Tampa Review Prize for Poetry, Bruce Bond’s Black Anthem, was published this month. The sonnets in the collection are “wide-ranging in their investigations of the body, the psyche, metaphysical hunger, and its place in human conflict.” Black Anthem is available from the University of Tampa Press website in hardcover and paperback.
Ann Clark, Dexter, NY, “Pretend” and Annie Lanzillotto, Yonkers, NY, “Diminished Capacity, an Indictment”
Lynne McEniry, Morristown, NJ, “Splinter”
Maxine Susman, Princeton, NJ, “Thirteen”
A full list of winners and honorable mentions as well as guidelines for this annual contest can be found here.
In June, A Different Wakeful Animal by Susan Cohen was published by Red Dragonfly Press. Winner of the 2015 David Martinson - Meadowhawk Prize, A Different Wakeful Animal “takes on the profound questions in language that catches the ear and the imagination. [ . . . ] A Different Wakeful Animal investigates what perishes and what might remain.”
Readers can grab a copy of Cohen’s poetry collection, and writers can still submit to the 2016 David Martinson – Meadowhawk Prize until August 31.
Looking back to May, Jennifer Barber’s Works on Paper was published by The Word Works. Winner of the 2015 Word Works Tenth Gate Prize. Her third poetry collection, Works on Paper “shows us the power of lyric restraint in the hands of a poet who draws from the well of the small moments of motherhood as well as the sweep of Jewish history.” This year’s Tenth Gate Prize just closed earlier in the month, with results announced on October 1st.
The awards are designed to recognize and encourage authors and illustrators starting out in the field of children's books who share Ezra Jack Keats' commitment to children and diversity. The award is given annually to an outstanding new writer and new illustrator of picture books for children (9 years old and under). Publishers are encouraged to submit works by new writers and illustrators who are committed to celebrating diversity through their writing and art.
To be eligible, writers and illustrators must have had no more than three books published. A selection committee of early childhood education specialists, librarians, illustrators, and experts in children's literature will review the entries, seeking books that portray the universal qualities of childhood, a strong and supportive family, and the multicultural nature of our world. The award includes an honorarium of $1,000 for each winner.
Deadline: December 15, 2016
BY TED KOOSER, U.S. POET LAUREATE
As children, just about everyone has experienced the very real fear of an imaginary monster. But what if our mothers could have spoken to our childhood fears? Carrie Shipers of Wisconsin, the author of Family Resemblances: Poems (University of New Mexico Press), depicts just that when a protective mother talks back to her son's Bogeyman in this fine poem.
Mother Talks Back to the Monster
Tonight, I dressed my son in astronaut pajamas,
kissed his forehead and tucked him in.
I turned on his night-light and looked for you
in the closet and under the bed. I told him
you were nowhere to be found, but I could smell
your breath, your musty fur. I remember
all your tricks: the jagged shadows on the wall,
click of your claws, the hand that hovered
just above my ankles if I left them exposed.
Since I became a parent I see danger everywhere—
unleashed dogs, sudden fevers, cereal
two days out of date. And even worse
than feeling so much fear is keeping it inside,
trying not to let my love become so tangled
with anxiety my son thinks they're the same.
When he says he's seen your tail or heard
your heavy step, I insist that you aren't real.
Soon he'll feel too old to tell me his bad dreams.
If you get lonely after he's asleep, you can
always come downstairs. I'll be sitting
at the kitchen table with the dishes
I should wash, crumbs I should wipe up.
We can drink hot tea and talk about
the future, how hard it is to be outgrown.
We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2015 by Carrie Shipers, “Mother Talks Back to the Monster” (North American Review, Vol. 300, no. 4, 2015). Poem reprinted by permission of Carrie Shipers and the publisher. Introduction copyright ©2016 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
Winner Christine Poreba for “Negative Miracle”
Finalist Rachel Flynn for “America, February”
Winner Matthew Lansburgh for “The Lure”
Finalist Jacob Appel for “The Dragon Declension”
Finalist Miriam Cohen for “Recess Brides”
Winner Melanie Thorne for “What We Keep”
Finalist Carol Smith for “Tearing Down the House”
BY TED KOOSER, U.S. POET LAUREATE
We hope that you will visit, from time to time, our archived columns at www.americanlifeinpoetry.org, where you may find other poems by the poets we feature. Today's is the third we've published by Sharon Chmielarz. a Minnesota poet with several fine books in print, including The Widow's House, just released by Brighthorse books.
A roadside inn. Lakeside dive. Spiffed up.
End of a summer day. And I suppose
I should be smiling beneficently
at the families playing near the shore,
their plastic balls and splashes and chatter.
But my eye pivots left to a couple;
he is carrying her into the water.
He's strong enough, and she is light
enough to be carried. I see
how she holds her own, hugging
his neck, his chest steady as his arms.
I have never seen such a careful dunk,
half-dunk, as he gives her. That beautiful
play he makes lifting her from the water.
And I suppose I should be admiring
the sunset, all purple and orange and rose now.
Nice porch here, too. Yeah, great view.
But I have never seen such a loving
carrying as he gives her. Imagine
being so light as to float
above water in love.
We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2015 by Sharon Chmielarz, “Fisher's Club,” from The Widow's House (Brighthorse Books, 2015). Poem reprinted by permission of Sharon Chmielarz and the publisher. Introduction copyright ©2016 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
Mirrors & Prisms feature the work of writers who identify as lesbian, gay, bisexual, transgender, queer, intersex, or asexual, or anywhere under the umbrella term MOGAI (marginalized orientations, gender identities, and intersex). While Nimrod has always published the work of such authors (and indeed James Land Jones, Nimrod''s founder, was himself gay and fought for gay rights in Georgia in the 1970s as a professor of literature), we have never before devoted an entire issue to LGBTQIA writers. To do so now, we believe, is not only to continue Nimrod's tradition of bringing less-heard writers to the literary forefront, but to make clear what Nimrod has always known: that LGBTQIA writers have stories that can make a differences to all readers, of all sexualities and gender identities.See the complete table of contents here with links to some works which can be read online.
To celebrate the anniversary, check out the Spring/Summer 2016 issue, which includes new fiction, poetry, nonfiction, and art, with an anniversary scrapbook that looks back at past anniversaries. The Writers Craft Box features an opportunity for writers to explore the significance of numbers for a prize, and in interviews, Tracy Chevalier, author of Girl with a Pearl Earring, discusses her latest novel, At the Edge of the Orchard, as well as the themes found in her work.
Happy anniversary, The Write Place at the Write Time. We at NewPages wish you many more years to come.
We began with Langston Hughes’s 1921 award-winning poem “The Negro Speaks of Rivers” and the charge to write something in response. There was something in the invitation about nature poetry and how that seemed important, but otherwise the instructions were open-ended (perhaps scarily so). We asked poets of very different styles and sensibilities, only some of whom were already engaged with Hughes’s work: F. Douglas Brown, Jericho Brown, Katie Ford, Rachel Eliza Griffiths, Derrick Harriell, Dong Li, Sandra Lim, and Michael C. Peterson. We wanted to see what each of these writers would make. In both the individual poems and the group as a whole, we weren’t disappointed; the poems ask, reach, and posit literary relationship in phenomenally different ways.
The Poetry Marathon is run (no pun intended) by Caitlin Jans (Thomson) and Jacob Jans, two writers and web publishers living in the Pacific Northwest. There is no charge to participate in the marathon, and in 2015, over 300 writers participated from nearly every continent but one (c'mon Antarctica!).
The Poetry Marathon website has an FAQ that answers the burning questions, like: How do I prepare for the Marathon? What if I can't be at a computer all day? What happens to the poems once I post them? and more. The site also features blog posts from previous participants who offer commentary on their marathon experience.
This year, the organizers plan to publish a Poetry Marathon Anthology of poems written during the marathon.