After publishing 12 print issues from 2004-2015 in association with Columbia College Chicago, and a brief hiatus, Court Green is back with issue 13, "the first in its new incarnation as an independent online journal" edited by Tony Trigilio and David Trinidad.
Featured in this revival issue are poems by Matthew Burgess, Chris Green, Ginger Ko, Robert Siek, Kimiko Hahn, George Kalamaras, Annah Browning, Kimberly Lyons, Hafizah Geter, Megan Fernandes, Diane Seuss, Lynn Crosbie, Harlee Logan Kelly, Kenyatta Rogers, and C. Russell Price.
A special bonus features: “Robert Siek: 13 Instagram Photos”; Peter K. Steinberg, “‘A Fetish Somehow’: A Sylvia Plath Bookmark”; and “Radio Free Albion: Interview with George Kalamaras.”
Welcome back Court Green!
Glimmer Train has just chosen the winning stories for their July/August Fiction Open competition. This competition is held twice a year and is open to all writers. Stories generally range from 3000-6000 words, though up to 20,000 is fine. The next Fiction Open will take place in March. Glimmer Train’s monthly submission calendar may be viewed here.
First place: Arianna Reiche, of London, England, wins $3000 for “Archive Warden." Her story will be published in Issue 101 of Glimmer Train Stories. [Photo Credit: Laura Gallant.]
Second place: Randolph Thomas, of Baton Rouge, LA, wins $1000 for “Heir Apparent.” His story will also be published in an upcoming issue.
Third place: Sharon Solwitz, of Chicago, IL, wins $600 for “We Enter History.”
A PDF of the Top 25 winners can be found here.
Deadline soon approaching! Short Story Award for New Writers: October 31
This competition is held quarterly and is open to all writers whose fiction has not appeared in a print publication with a circulation over 5000. No theme restrictions. Most submissions to this category run 1000-5000 words, but can go up to 12,000. First place prize wins $2500 and publication in Glimmer Train Stories. Second/third: $500/$300 and consideration for publication. Click here for complete guidelines.
"Richard" by David J. Wingrave in Warsaw, Poland
"Laughing and Turning Away" by Patrick Holloway in Rio Grande do Sul, Brazil
"Homecoming" by Zachary Lunn in Raleigh, NC
"The Anatomy of Todd Melkin" by Catherine Malcynsky in Chester, CT
"Windfall" by Edward Hamlin in Boulder, CO
Read these winning stories online here. For a full list of semifinalists and information about the contest, visit Carve online.
Photographs by street photographer J. Ray Paradiso are featured on the cover screen for the online Foliate Oak Literary Magazine.
Catherine Heard's work can be found on the cover of Hamilton Arts & Letters Magazine 10.1 as well as featured in an online portfolio. Her work "work interrogates the histories of science, medicine and the museum. Simultaneously attractive and repulsive, her works delve into primal anxieties about the body."
In addition to general management and editorial duties, the Senior Editor will also be responsible for directing a special translation project and academic database using literature previously published in Hayden’s Ferry Review.
Applicants should have a Bachelor’s degree in Journalism or a related field and five years related experience; an MFA in Creative Writing, bilingualism, and experience working in a university setting and web development are preferred.
Salary range $41,976 - $50,000 DOE.
To view the full job description and apply, visit http://bit.ly/2hNxTGU or search openings at https://cfo.asu.edu/applicant by job title “Senior Editor” or requisition number “36507BR”. A pdf of the job description is also available at http://bit.ly/2fRlVLQ.
Individuals with any questions should contact the Piper Center at 480.965.6018 or pipercenter.info-at-asu.edu.
The position will close Wednesday, November 1st, 2017.
Halloween, detail by Bo Bartlett, is seasonally appropriate for the Autumn 2017 cover of The Gettysburg Review. More of Bartlett's work is also featured in a full-color portfolio inside the publication.
"Finding Home: Family & Connections" is the theme of Bellvue Literary Review's Fall 2017 issue, with cover art and internal portfolio by father and son Paul and John Paul Caponigro.
The Massachusetts Review "back-to-school" fall 2017 issue features "He Who Is as if Death Were Not," an archival pigment print on German etching paper from Ayana V Jackson's series To Kill or Allow to Live in the issue.
Read the full editorial here and access full-text of several works from this issue, including Louise Aronson's "Necessary Violence."
Cover: Warfare by Sabra Field
September is a busy month for award-winning book releases. Here is just a sampling of small press and university press titles readers can look for this month.
At the beginning of September, Southeast Missouri State University Press published the winner of the 2015 Nilsen Literary Prize for a First Novel: Pie Man by John Surowiecki. The debut novel is told through a series of reminiscences by the titular character’s family, friends, and teachers, and explores the story of a boy, Adam Olszewski, who on his seven birthday tries to leave his family house but can’t. Soon after, the boy believes the house is alive and an inseparable part of him. Pie Man is a vivid exploration of what it means to be normal.
A Brief Alphabet of Torture: Stories by Vi Khi Nao, winner of the FC2 Ronald Sukenick Innovative Fiction Prize, is also out this month. A Brief Alphabet of Torture is made of many modes and genres—poetry, essay fiction, drama—and almost constitutes a novel of a different kind. Each tale is a chapter that captures the concerns that pervade life.
In poetry, readers can pick up a copy of To Whitey & the Crackerjack by May Yang (Hauntie), winner of the 2016 Robert Dana Anhinga Prize, selected by Evie Schockley. Shockley says of her selection: “May Yang’s poetry pierces the silence in which the history of Hmong women has been blanketed, with indecorous wordplay, unruly rhymes, and evocative, unequivocal images. This book begins by naming names (America, global capitalism) and ends by revivifying the poetic epigram.”
Check out the publishers' websites to learn more about these newly-releaed, award-winning titles.
Kristin Robertson - "Poem for My Unborn Daughter"
Jenna Bazzell - "All Is Wild, All Is Silent"
Emily Paige Wilson - "Reasons to Return Home"
Emily Rose Cole - "How Not to Remember Your Mother"
Jenna Bazzell - "The Speaker's Prayer"
Mario Ariza - "Erratic transcription of notes taken at a refugee camp in Anse-A-Pitre, Haiti"
Several of the works as well as other content from this issue can be read online here.
Grand Prize Winner
Judge Michele Glazer
Laura Read’s poem “Margaret Corrine, Dunseith, North Dakota, 1932”
$1000 and publication
First Prize in Nonfiction
Judge Sarah Einstein
Natasha Sajé’s essay “Guilt: A Love Story”
$250 and publication
First Prize in Fiction
Judge Karen Osborn
J. Stillwell Powers’ story “Salvage”
$250 and publication
Read full judge's comments here.
See a full table of contents with several sample works from the issue here.
Cover image by Prague-based artist Jakub Geltner: "Cultural Landscape."
"The Spaces Between" by Laura Berger is featured on the cover of the online issue of Fugue (52). Managed and edited by graduate students in the English and Creative Writing Programs at University of Idaho, Fugue features poetry, plays, fiction, essays, visual-text hybrids, and interviews.
Do I pick EVERY Kenyon Review cover? Maybe, but when covers make me laugh or do a double take, that's worth sharing. The artist is Milan, Italy-based Emiliano Ponzi.
NewPages enjoyed our professional relationship with Vicki, looking forward to our annual meetings with her at AWP. Along with many others who came to know her as the face of MQR, we will miss her greatly in our literary circle, but look forward to seeing her again soon to fulfill our promise of beers in Ann Arbor!
Featured poets include: Joseph A. Chelius, Edward Derby, Heather Finnegan, Jim Hanlen, Zachary Hester, Donna Hilbert, Ananda Lima, Bob Lucky, Herbert Woodward Martin, Andrew Miller, Behzad Molavi, Al Ortolani, Li Qingzhao, Lee Rossi, Michael Sears, Matthew Buckley Smith, and Dennis Trudell, with a conversation with Detroit-based psychotherapist and poet Ken Meisel.
1st place goes to Dan Murphy [pictured] of Brooklyn, NY, who wins $2500 for “In Miniature.” His story will be published in Issue 101 of Glimmer Train Stories. This will be his first fiction publication.
2nd place goes to David Ye of Irvine, CA, who wins $500 for “Blue Water.”
3rd place goes to Jen Wellington of Buffalo, NY, who wins $300 for “Red Stick.”
A PDF of the Top 25 winners can be found here.
Deadlines soon approaching:
Fiction Open: August 31 (grace period extends through September 10)
Glimmer Train hosts this competition twice a year, and first place has just been increased to $3000 plus publication in the journal, and 10 copies of that issue. Second/third: $1000/$600 and consideration for publication. This category has been won by both beginning and veteran writers - all are welcome! There are no theme restrictions. Word count generally ranges from 3000 – 6000, though up to 20,000 is fine. Stories may have previously appeared online but not in print. Click here for complete guidelines.
Very Short Fiction Award: August 31 (grace period extends through September 10)
This competition is also held twice a year, with first place winning $2000 plus publication in the journal, and 10 copies of that issue. Second/third: $500/$300 and consideration for publication. It’s open to all writers, with no theme restrictions, and the word count must not exceed 3000. Stories may have previously appeared online but not in print. Click here for complete guidelines.
"I Am Not Your Negro shows how the later Baldwin, as he negotiated the politics of the mid-to-late 1960s and lived through the murders of Medgar Evers, Malcolm X, and Martin Luther King, Jr., became disillusioned about the possibility of any peaceful resolution to racism. Though the film hints at Baldwin’s emergent anti-capitalism, attention to the texts Peck draws from reveal the force with which Baldwin began to see American capitalism, nationalism, normative sexuality, and whiteness as inextricably bound. To address racism, then, he came to believe, would require a fundamental transformation of society. More likely, though, America would burn itself to the ground."
Read the full article here.