"The Spaces Between" by Laura Berger is featured on the cover of the online issue of Fugue (52). Managed and edited by graduate students in the English and Creative Writing Programs at University of Idaho, Fugue features poetry, plays, fiction, essays, visual-text hybrids, and interviews.
Do I pick EVERY Kenyon Review cover? Maybe, but when covers make me laugh or do a double take, that's worth sharing. The artist is Milan, Italy-based Emiliano Ponzi.
NewPages enjoyed our professional relationship with Vicki, looking forward to our annual meetings with her at AWP. Along with many others who came to know her as the face of MQR, we will miss her greatly in our literary circle, but look forward to seeing her again soon to fulfill our promise of beers in Ann Arbor!
Featured poets include: Joseph A. Chelius, Edward Derby, Heather Finnegan, Jim Hanlen, Zachary Hester, Donna Hilbert, Ananda Lima, Bob Lucky, Herbert Woodward Martin, Andrew Miller, Behzad Molavi, Al Ortolani, Li Qingzhao, Lee Rossi, Michael Sears, Matthew Buckley Smith, and Dennis Trudell, with a conversation with Detroit-based psychotherapist and poet Ken Meisel.
1st place goes to Dan Murphy [pictured] of Brooklyn, NY, who wins $2500 for “In Miniature.” His story will be published in Issue 101 of Glimmer Train Stories. This will be his first fiction publication.
2nd place goes to David Ye of Irvine, CA, who wins $500 for “Blue Water.”
3rd place goes to Jen Wellington of Buffalo, NY, who wins $300 for “Red Stick.”
A PDF of the Top 25 winners can be found here.
Deadlines soon approaching:
Fiction Open: August 31 (grace period extends through September 10)
Glimmer Train hosts this competition twice a year, and first place has just been increased to $3000 plus publication in the journal, and 10 copies of that issue. Second/third: $1000/$600 and consideration for publication. This category has been won by both beginning and veteran writers - all are welcome! There are no theme restrictions. Word count generally ranges from 3000 – 6000, though up to 20,000 is fine. Stories may have previously appeared online but not in print. Click here for complete guidelines.
Very Short Fiction Award: August 31 (grace period extends through September 10)
This competition is also held twice a year, with first place winning $2000 plus publication in the journal, and 10 copies of that issue. Second/third: $500/$300 and consideration for publication. It’s open to all writers, with no theme restrictions, and the word count must not exceed 3000. Stories may have previously appeared online but not in print. Click here for complete guidelines.
"I Am Not Your Negro shows how the later Baldwin, as he negotiated the politics of the mid-to-late 1960s and lived through the murders of Medgar Evers, Malcolm X, and Martin Luther King, Jr., became disillusioned about the possibility of any peaceful resolution to racism. Though the film hints at Baldwin’s emergent anti-capitalism, attention to the texts Peck draws from reveal the force with which Baldwin began to see American capitalism, nationalism, normative sexuality, and whiteness as inextricably bound. To address racism, then, he came to believe, would require a fundamental transformation of society. More likely, though, America would burn itself to the ground."
Read the full article here.
Listen, the dolls in my dollhouse
are being deported and the landlord is typing
in all caps. How do we recognize humanity
when we’re just a name on a screen? An avatar
of a flag or resist, a red cap or a pink hat?
We’re holding the door for people, until we know
how they voted then we’re tripping each other
into the future, getting high off how fast they fall.
Read the full poem and hear it read by the author here.
Southern Humanities Review is available for single issue purchase on the NewPages Magazine Webstore.
Subscribers to Rattle magazine will find a nice surprise with their Fall 2017 issue: a copy of the 2017 Rattle Chapbook Prize Winner, The Whetting Stone by Taylor Mali. In The Whetting Stone, Mali explores his wife’s suicide, her life, their love, and Mali’s guilt and resilience, with poetry that is stark and accessible.
If you’re not already a subscriber to Rattle, you can still order individual copies of The Whetting Stone (which features cover art by the talented Bianca Stone) from the magazine’s website. While there, consider subscribing to Rattle to be sure you receive the Rattle Chapbook Prize winner directly in your mailbox next year.
Able Muse Press annually holds the Able Muse Book Award, which offers a $1,000 prize, plus publication of the winning manuscript. The 2016 winner was recently published: Aaron Poochigian with Manhattanite.
A. E. Stallings, 2016 Able Muse Book Award judge and author of Olives, writes in the Manhattanite foreword: “This collection is a celebration of exuberant melancholy, or melancholy exuberance, slick lyric cum urbane pastoral. [ . . . ] Poochigian’s verse is never taciturn: like a Broadway musical, it is always bursting into song [ . . . ].”
2016 Mary C. Mohr Poetry Award Winner
Selected by Jericho Brown
"manhood" by Richard Thompson
2016 Mary C. Mohr Fiction Award Winner
Selected by Adam Johnson
"The One Good Thing About Las Vegas, Nevada" by Bradford Kammin [pictured]
Thread is an online "intersectional feminist arts collective" publishing visual art, poetry, prose and creative nonfiction bimonthly.
The work of artist and activist John Sproul is featured on the cover of Superstition Review #19.
Flowers & Sky: Two Talks by Aaron Shurin
Mary's Dust poems by Melinda Mueller with music by Lori Goldston
Alchemy for Cells & Other Beasts poetry and art by Maya Jewell Zeller and Carrie DeBacker
Fiddlehead Fiction Editor Mark Anthony Jarman introduces this issue's contents as a showcase of "great, sensuous stories from the east coast and west coast and around the world," and adds that the issue also features a nonfiction work, "The Foxes of Prince Edward Island," by Matthew Ferrence. ". . . it is our desire," Jarman explains, "to include more creative nonfiction in future issues of The Fiddlehead." Readers can find Jarman's introduction and Eden Robinson's story "Nanas I Have Loved" available to read online.
While this may sound 'easy' enough at first thought, it's a far more grueling commitment than most can imagine - just like running a marathon or half marathon. I mean, how many of us can run? Run a mile? Run five or ten? It's when the miles - and poems and hours - start adding one on top of another that the breakdown enters in. In marathon running, they call it "hitting the wall." Even though running - or writing poetry - is something you love to do, the constraints of time and goal of a numerical accomplishment push that relationship to its limits.
Started by Caitlin Jans (Thompson) and Jacob Jans in 2011, there have since been six marathons. Every year, hundreds enter their names to compete, and every year, only a fraction of those actually do. This year, 95 poets successfully completed 24 poems in 24 hours and 123 poets successfully completed 12 poems in 12 hours. Congratulations to all on this accomplishment! See a full list of the 'winners' here, where the poems are posted via a WordPress site, and the organizers just closed submissions for the second annual anthology of winners' submissions.
If you missed the marathon this year - and the five other times it's been held - you may or may not still have a chance to enter. Caitlin and Jacob have announced that the future of the marathon is up in the air. They are looking for someone who might be interested in helping run it, or other options for keeping it going. It's clearly no 'easy' task on their end either, but their efforts to date have been immensely appreciated. I'm sure every one of us who has successfully completed this challenge will forever hold a sense of pride in that accomplishment. As well we should!
John Wall Barger, "Smog Mother"
Read the interview with John Wall Barger here.
Délani Valin [pictured], "No Buffalos"
Read the interview with Délani Valin here.
The Malahat Review is available for single issue purchase in the NewPages Magazine Webstore.
2016 Barthelme Prize
Judge: Jim Shepherd
Andrew Mitchell, "Going North"
Honorable Mentions - Both also received print publication
Molly Reid, "Fall from Grace"
Marya Hornbacher "A Peck of Beets"
The Gulf Coast Prize in Translation Contest is open to prose (fiction or nonfiction). The winner receives $1,000 and publication in the journal. Two honorable mentions receive $250.
2016 Gulf Coast Prize in Translation
Judge: Idra Novey
Carina del Valle Schorske for a translation of Marigloria Palma
Winner: Rebekah Taussig, "I Called Mine Beautiful"
Finalist: Robert Stothart, "Nighthawks"
Winner: Paige Lewis, "Angel, Overworked"
Finalist: Donna Coffey, "Sunset Cruise at Key West"
Finalist: Christina Hammerton, "Old Pricks"
Winner: Derek Palacio, "Kisses"
Finalist: Nicholas Lepre, "Pretend You’re Really Here"
Finalist: Terrance Manning, Jr., "Vision House"
The Florida Review is avaiable for single issue purchase on the NewPages Magazine Webstore.
May Willow Springs continue on another forty years - buoyant and thick with possibility!
Each year, PEN America grants one winner of the PEN/Robert W. Bingham Prize for Debut Fiction a $25,000 cash prize, given in memory of Robert W. Bingham. The 2017 winner, judged by Jami Attenberg, Tanwi Nandini Islam, Randall Kenan, Hanna Pylväinen, and Akhil Sharma, is Rion Amilcar Scott with Insurrections (University of Kentucky Press, August 2017).
In the debut collection, Rion Amilcar Scott gives life to residents of the fictional town of Cross River, Maryland, a largely black settlement founded in 1807. Written in lyrical prose, Scott presents characters who dare to make their own choices in the depths of darkness and hopelessness.
Stop by the University of Kentucky Press website to listen to interviews with the author, learn more about the award-winning collection, and order digital or print copies.
There is no fee to enter this contest, prizes will be awarded for first ($3000) and two runners up ($1000) as well as print/online publication. Deadline: September 1, 2017.
Toni Beauchamp [pictured] was the president of Art Lies Board from 2002-2004. See the Gulf Coast website for more details.