Since 2013, Noemi Press and Letras Latinas (the literary imitative at the Institute for Latino Studies at the University of Notre Dame) have been co-publishing under the Akrilica Series to showcase innovative Latino writing.
You Ask Me To Talk About the Interior by Carolina Ebeid joins the ranks of the Akrilica Series, published in September 2016. Ebeid’s first book, You Ask Me To Talk About the Interior has been called “a book of listening and responding and listening again” (Shane McCrae) that uses “[t]he voice of a mother, of lover, of friend” (Julie Carr).
2016 Janet B McCabe Poetry Prize
Judge Alice Fulton
FIRST PLACE: “Yellow” by Melissa Reeser Poulin
SECOND PLACE: “Small Implosions” by Barbara Ellen Sorensen
HONORABLE MENTION: “The Lord, Walking in the Evening” by Michael Schmidtke and “Deer Apples” by Sally Thomas
With October here, it’s time to announce a couple of the award-winning books slated for publication this month.Winner of the 2016 John Simmons Short Fiction Award, Of This New World by Allegra Hyde, hit the shelves earlier this month. The collection starts at the Garden of Eden and ends on a Mars colony, each story wrestling with “conflicts of idealism and practicality, communal ambition and individual kink,” and asking the fundamental human question: “Is paradise really so impossible?” Of This New World is Hyde’s first collection, and it’s now available at the University of Iowa Press website (now currently on sale for the frugal reader!).
Love Give Us One Death: Bonnie and Clyde in the Last Days by Jeff P. Jones is the winner of the 2015 George Garrett Fiction Prize. Final Judge Tracy Daugherty says the book of the two famous outlaws shows “larger dimensions: the spiritual shadows and compulsive needs from which our nation springs and through which it has found its many forms of speech.” This is Jones’s first book, and copies are available from the Texas A&M University Press website.
Nimrod Literary Awards: The Pablo Neruda Prize in Poetry
FIRST PRIZE: Markham Johnson, OK, “Greenwood Burning, 1921”
SECOND PRIZE: Bryce Emley, NC, “Thesis/Antithesis” and other poems
Nimrod Literary Awards: The Katherine Anne Porter Prize in Fiction
FIRST PRIZE: Chad B. Anderson, D.C., “Maidencane”
SECOND PRIZE: Ruth Knafo Setton, PA, “Swamp Girl”
Susan Finch, TN, “My Friends, My Sisters, My Doppelgangers”
Daniel Hamilton, KY, “Dragonslayers”
The Georgia Review has been turning heads for 70 years and will be celebrating through the year with a variety of special events that they will update on their website. The Fall 2016 cover art ("#1637") is by Masao Yamamoto, whose work is also featured with an introduction and full-color, twelve-page portfolio within.
Susan O'Dell Underwood
Cortney Lamar Charleston
Also shared within this historical collection is the "Preamble and Statement of Principles" collectively written by The Association of Literary Magazines of America when those 19 magazine organizers first met in 1961. It begins: "Resolved, that we form an association, the purpose of which is to increase the usefulness and the prestige of the literary magazines in the United States and Canada," and later makes the following statement that still rings true today: "A nation's body of literature does not depend wholly on a the great, and since the magazines have served as a seedbed for each generation of creative writers they have also helped to preserve the very impulse to literary creation. The literary magazines of the present generation are continuing this indispensable tradition."
"Jenna's First" by William Paul Thomas adorns the cover of The Carolina Quarterly Fall 2016, with a full-color portfolio of his work within. "I paint representations of disembodied heads of people in my social circle and sometimes scrawl text directly over their likenesses," Thomas writes in his Artist's Statement. "As it relates to my portraits, whatever the viewer derives from looking is the correct interpretation. I embrace symbolic ambiguity while clinging to observational specificity."
"My work explores narratives that recognize the urgency and conflict in our continuing attempts to connect to the world around us," writes Hanna Dansie in her Artist's Statement. Her work is featured both on the cover of the Spring/Summer 2016 Hayden's Ferry Review and with several internal pages as well.
BY TED KOOSER, U.S. POET LAUREATE
Barbara Crooker, who lives in Pennsylvania, has become one of this column's favorite poets. We try to publish work that a broad audience of readers can understand and, we hope, may be moved by, and this particular writer is very good at that. Here's an example from her collection, Gold, from Cascade Books.
is a river you wade in until you get to the other side.
But I am here, stuck in the middle, water parting
around my ankles, moving downstream
over the flat rocks. I'm not able to lift a foot,
move on. Instead, I'm going to stay here
in the shallows with my sorrow, nurture it
like a cranky baby, rock it in my arms.
I don't want it to grow up, go to school, get married.
It's mine. Yes, the October sunlight wraps me
in its yellow shawl, and the air is sweet
as a golden Tokay. On the other side,
there are apples, grapes, walnuts,
and the rocks are warm from the sun.
But I'm going to stand here,
growing colder, until every inch
of my skin is numb. I can't cross over.
Then you really will be gone.
We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2013 by Barbara Crooker, “Grief” from Gold, (Cascade Books, 2013). Poem reprinted by permission of Barbara Crooker and the publisher. Introduction copyright ©2016 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
The NewPages Guide to Independent Publishers grew by five today, welcoming Hohm Press, Measure Press, Oneworld Publications, 3 Mile Harbor Press, and SolsticeLit Books (the book publishing arm of Solstice magazine).
Bookstore fanatics will find two new independent bookstores, Old Books on Front Street in Wilmington, North Carolina, and Books & Mortar in Grand Rapids, Michigan (shown right).
And finally, readers and writers can find three online literary magazines newly added to our Big List of Lit Mags: Starwheel Magazine, a short-works publication of The Riding Light Review; Cede Poetry, a new Canadian poetry magazine; and Beech Street Review, with submissions currently open for their second issue.
Check out the new sites added to NewPages today.
In Literary Links, the Second Hand Stories podcast showcases writing and writers from all around the world, stories read by Jim Szabo and Colleen Stewart. Heartbeat Literary Magazine, on the Big List of Lit Mags, publishes fiction, nonfiction, poetry, and artwork in frequent, online issues.
On the Big List of Alt Mags, find VIDA Review, the newly named section of the VIDA website that features interviews, articles, and essays on intersectional feminist and womanist thinking.
New on the Publisher's Guide, Nomadic Press publishes chapbooks, fiction, nonfiction, and poetry; and in Independent Bookstores, Wisconsin sees the addition of Downtown Books - Bought & Sold, a used bookstore located in Milwaukee.
And of course, it's a Monday, so our Magazine Stand features blurbs of fresh, new magazines issues.
Michigan Quarterly Review Summer 2016 cover photo is a rich perspective on the beauty of summer. "A Patch of Green" photo by MIchael Owen, 2014.
Cynthia Low's artwork appears both on the cover and is featured inside Subprimal Poetry Art, an online journal. See the full print and Low's commentary here.
Every one of us who teaches in higher ed should buy copies of this issue to give to our dean, provost, vice president, president. board of trustees - whomever is responsible for the decision-making that retains, and continues to increase, these miserable working conditions for adjunct faculty. Perhaps better still, assign this issue in your classes, have students read it; the real change will need to come from dissatisfied "customers." If they are outraged about egregious labor practices and refuse to buy their products from certain companies, they should be as equally outraged about the education for which they are paying a premium price to support an oppressed working majority. [Rattle cover artist Allison Merriweather]
September seems to be the month for award-winning book releases. This month, find the winners of Moon City Press’s 2015 Moon City Poetry Award, the 2015 The American Poetry Review/Honickman First Book Prize, and The University of Tampa Press’s 2015 Anita Claire Scharf Award.
Jeannine Hall Gailey brought home the Moon City Poetry Award with her fifth collection Field Guide to the End of the World, with a cover designed by the talented Charli Barnes (shown on the right). The poetry collection “delivers a whimsical look at our culture’s obsession with apocalypse.” Readers can pre-order copies from The University of Arkansas Press.
Likenesses by Heather Tone was chosen by Nick Flynn as the winner of The American Poetry Review/Honickman First Book Prize. Flynn says Likenesses, is an origin myth in its “attempts to create a world by naming it.” Copies of Tone’s first full collection of poetry will be distributed by Copper Canyon Press.
Patricia Hooper, the author of three previous books of poetry, received the Anita Claire Scharf Award, winners selected by the editors of the Tampa Review from among the manuscripts submitted to the annual Tampa Review Prize for Poetry. Hooper’s collection, Separate Flights, “quite literally lifts off,” says Tampa Review Editor Richard Mathews, and is “musical and powerful in its impact.”
Check out these three award-winning poetry books, all hitting shelves sometime this month.
At the end of the year, find Annie Kim’s Into the Cyclorama, winner of Southern Indiana Review’s 2015 Michael Waters Poetry Prize.
From back of the book:
We enter works like the 19th-century Gettysburg Cyclorama at the heart of this book, asking: What art can we make out of violence? What shape from loss? Like snow that leaves no trace in the photographed garden, Into the Cyclorama answers: Form is everything, even at its most transient.
Preparing for December, when the poetry collection will be released, readers can check out the Southern Indiana Review website where they’ll find sample poems, a link to Annie Kim’s website, and an interview with the poet conducted by Michael Collins.