Ohio State University Press has announced Mad River Books, their new literary imprint. Mad River Books will publish diverse and creative literary writing that’s both artistic and daring as they push boundaries, explore uncharted areas, and generate new ideas.
One of the first books under this imprint is Don’t Come Back by Lina María Ferreira Cabeza-Vanegas, who won the 2016 Rona Jaffe Foundation Writers’ Award. The collection of lyrical and narrative essays, experimental translations, and reinterpreted myths explores home, identity, family history, and belonging while examining what it means to feel familiarity but never really feel at home.
Copies of Don’t Come Back are available for pre-order at the Ohio State University Press website, or readers can sign up to be alerted when the book is published without pre-ordering. While at the website, readers can also check out the other books forthcoming from the Mad River Books imprint.
Back in September, we let you know about Zeina Hashem Beck’s prize-winning chapbook 3arabi Song. Fans of Beck’s chapbook, chosen out of 1,720 entries to the 2016 Rattle Chapbook Prize, may also enjoy the chapbooks of the three runners-up: Kill the Dogs by Heather Bell, exploring an overarching metaphor of women fighting dog; Ligatures by Denise Miller, revealing the honesty and depth that is lost when the media reports on murders of black people by police; and Turn Left Before Morning by April Salzano, about the daily struggles when parenting a child with autism.
Subscribers to Rattle received 3arabi Song with their copy of the literary magazine earlier in the year, and then received one of the three runners-up with the latest issue, good motivation for subscribing to magazines.
Submissions to the 2017 Rattle Chapbook Prize are now open until January 15, so consider submitting while you’re picking up copies of last year’s four chosen chapbooks.
2016 Rattle Poetry Prize Winner
Julie Price Pinkerton, “Veins”
C. Wade Bentley
Rhina P. Espaillat
Craig Santos Perez
In addition, six other poets' works were offered standard publication in future issue: Lillian-Yvonne Bertram, Leila Chatti, Chera Hammons, Liv Lansdale, Christine Potter, and Wendy Videlock.
Dylan D. Debelis’s poetry and vignette collection The Garage? Just Torch It. was published earlier this week from Vine Leaves Press. A semi-finalist in the Vine Leaves Annual Vignette Collection Award (submissions currently open until February 28), this collection is, according to the Vine Leaves website, a “rally cry for the healing power of wonder and the disarming catharsis of grief.” Debelis “balances themes of belonging, love, politics, illness, family and forgiveness with stunning imagery and an intense playfulness.” Paperback and e-book copies are available at the publisher’s website.
Published by BkMk earlier in the month was Bonnie Bolling’s The Red Hijab. The poetry collection won the John Ciardi Prize for Poetry, selected by H.L. Hix in 2015, and is written from the perspective of an American poet living in the Middle East. In his foreword to the collection, Hix says it “does not pretend divine perspective, and does not purport to have an answer to the conflicts reported in the news. It does, though, adopt an alternative form of attention and offer an alternative kind of account.” This results in a “more complex portrait than the news presents.” Stop by the publisher’s website to learn more about The Red Hijab.
Judged by Kate Bernhiemer
Winner: “Varya’s Black Suede Shoes” by Peter Justin Newall
Finalist: “Everest” by Scott Spires
Judged by Lauret Savoy
Winner: “Geography of the Self” by Catherine Mauk
Finalists: “Life After Life” by DJ Lee and “The Fursuit of Happiness” by Meg Brown
Judged by Eamon Grennan
Winner: “Boyhood Trapped Between Water and Blood”, a long poem by William Wright
Finalists: “Smoke and Miracles” by Kevin Miller, three poems by Cecily Parks, and three poems by Katie Prince
The next Terrain.org contest is open for submissions in January 2017. Winners receive $500, finalists $100.
Winner 2015 Fiction Prize
Judge Laura van den Berg
Simon Han, "Be Tanly"
Winner 2016 Poetry Prize
Judge Camille Rankine
Alicia Wright, "His Father's Wake"
Finalists 2016 Poetry Prize
Anna Leigh Knowles, "The First Year We Lived Underground"
Talin Tahajian, "Hibernation"
"We want your writing and art in response to the Action at Standing Rock," write the editors. "In the past, we've provided art for you to spring from. This time, we want to open our submissions to visual artists as well as writers. Guest editor Tiffany Midge will help select final pieces. We waive submission fees for those directly involved in the resistance. Please help share the word."
Broadsided Press was founded in 2005 and publishes an original literary/artistic collaboration each month for download with the mission, quite simply, "to put literature and art on the streets."
Judge Dinty W. Moore [no relation] comments on the winning work: "'The End of the World' is a powerful, intricate, and compelling memoir essay. While other writers might have sensationalized the lurid aspects of heroin use and addiction, Kat Moore uses intimate detail and a matter-of-fact narrative to show just how quotidian the day-to-day life of a junkie can be. Superb writing and voice."
Contest Finalists: "Full Count" by Devin Kelly; "This is a Test of the Emergency System" by Jill Kolongowski; "Newmom" by Molly Pascal; "Pruritus" by JD Schraffenberger.
Profane is a winter annual print and audio journal of poetry, creative non-fiction, and fiction. Every published poem and piece of prose is recorded in the author's own voice.
"Lion" by Cesar Valtierra draws readers in to Issue 6 of The Sounder Review, an online and print jounral of art, short fiction, and creative nonfiction. Based in Upstate New York, TSR "strives to question, redefine, and challenge conventional viewpoints; to usurp the definition of reality and truth."
The seventh season of Motion Poems has begun. If you're a 'series' watcher and love getting your installment fixes - then tag onto Motion Poems. This season's installments are being produced in partnership with Cave Canem, "a home for the many voices of African American poetry." Motion Poems combines works from great poets with outstanding contemporary filmmakers to create free films for everyone to enjoy. This season, Motion Poems will be releasing each new film monthly via Facebook and posting announcements of the release on Twitter and Instagram, so LIKE and FOLLOW Motion Poems to stay up-to-date with the series. You can also sign up for their quaterly newsletter which includes links to the films as well as other news and updates. The first film in the series is the stunning and leave-you-speechless "How Do You Raise a Black Child?" by poet Cortney Lamar Charleston and filmmaker Seyi Peter-Thomas.
With November practically over, let’s take a timeout to look back at award-winning small press and university press books published in the past few months.
In September, Rules for Lying by Anne Corbitt was published by the Southeast Missouri State University Press. Winner of the Nilsen Prize for a First Novel, Rules for Lying follows characters through a police investigation that makes them question their memories, allegiances, and actions, all while hiding secrets of their own. Check out the publisher’s website for more information.
Earlier in November, The Ashland Poetry Press released Life As It by Daneen Wardrop. The collection was selected by David St. John as the winner of the 2015 Snyder Memorial Prize Contest. The collection of prose poems (Wardrop’s third collection) features themes of music, family life, spirituality, and more. Check out the publisher’s website for multiple ways to order copies.
Also out this November is The Expense of a View by Polly Buckingham, winner of the Katherine Anne Porter Prize in Short Fiction. The stories explore the psyches of characters, most displaced and disturbed, under extreme duress. Judge Chris Offutt called the collection “a carefully rendered examination of memory, loss, and sadness.” University of North Texas Press’s website has a preview of Buckingham’s collection and ways to order.
Check out these three award-winning books and show your support to small and university presses.
Published out of Dublin, Ireland, this second issue of Into the Void Arts and Literature features "In the Dream I'm Falling" by Zach Moroney on its cover.
NewPages will always favor any lit mag cover that features the Detroit Tigers "D" on its cover. Though the black and white rendition of "An Ode to Farad #1" by Jamea Richmond-Edwards doesn't quite do it justice, readers can find the full-color image inside The Southeast Review v.34 n.2, as well as and interview with the artist by Jessica Reidy.
I couldn't look away from this child's searching expression on the fall 2016 cover of Catamaran. "Via Mal Contenti" by Bo Bartlett is an oil on linen (82 x 56; 2006) is as haunting as Founder and Editor in Chief Catherine Segurson's closing words in her editor's letter: ". . . please remember to vote this November, because we are responsible for the world our children will inherit."
Sink Hollow is a landmark of Logan Canyon, at the mouth of which stands Utah State University and its iconic Old Main Building bell tower. In the canyon, Sink Hollow refers to a series of depressions that trap cold air, causing the hollows to be noticeably colder than the rest of the canyon. Visitors can expect to find frost on a July afternoon in the sinks.
Managing Editor Michelle Johnson [pictured] writes in the Editor's Note: ". . . several months ago [the editors at WLT] decided to dedicate the November 2016 issue exclusively to women writers—and women reviewing women writers. The editorial team briefly considered creating such an issue without comment—as if WLT existed in a utopia of parity where all writers in a literary magazine might just happen to be women. But in 2016, giving women the whole issue is still noteworthy even for a magazine like WLT with a strong track record of publishing women writers."
The collection opens with Alison Anderson's "Of Gatekeepers and Bedtime Stories: The Ongoing Struggle to Make Women's Voices Heard," part of The Puterbaugh Essay Series. See a full list of contents here.
This fall 2016 cover of River Teeth: A Journal of Nonfiction Narrative features the photography of David FitzSimmons, "Sweet Gum and Moon, Ashland, Ohio."
In keeping with what seems to be a 'tree' theme, this acrylic on panel by Eric Green, entitled "Pole," is just sample of the kinds of stark yet lush images included in his full-color portfolio inside The Gettysburg Review, winter 2016.