The Ralph Gustafson Prize for Best Poem Winner
Matthew Hollett, "The Day After the Best Before"
Judges: Jennifer Houle, Sonnet L’Abbé, Sachiko Murakami
Read an interview with Matthew Hollett here.
Poetry Honorable Mentions
Conyer Clayton, "Recurrent"
Conor Mc Donnell, "Qui vincit? (medicamina)"
Short Fiction Prize Winner
Kate Osana Simonian [pictured], "The Press"
Judge: Kerry Lee Powell
Read an interview with Simonian here.
Fiction Honorable Mention
Samantha Jade Macpherson, "The Fish and the Dragons"
In addition to its twice-a-year print publication of fiction, nonfiction, poetry, reviews, translations and now plays-in-progress, The Cincinnati Review features free online content, inviting writers published in their print issues to contribute to their blog. "We're especially interested in posts that can include an audio, visual, or video element, but we're open to everything."
One of those "everythings" is a beautiful recipe for scones shared by Siân Griffiths [pictured], which is as much personal narrative as it is recipe: "Let your mind wander as you sift and press the flour and butter in your fingertips. Remember the girl who told you that it doesn’t count as being the daughter of an immigrant if your immigrant father was only British. Remember the precision of your grandmother’s back garden with its perfect border of perfect flowers. Wonder why you even own that stupid pastry cutter."
The Cincinnati Review online also includes miCRo, a weekly highlight of flash fiction or nonfiction or poem under 32 lines each. Recent contributors include Cady Vishniac, Kelle Groom, Becky Hagenston, Joshua Kryah, and Lisa Fay Coutley. Submissions for this feature are open year-round (excluding during contest submissions).
Gerald Purdy is the featured artist for Weber Spring/Summer 2018, who comments, "Time and space have collapsed in art but not in the self of the artist. I happen to think we are still driven by the need to tell stories and to create illusion and order where none exists."
I love the striking simplicity of this cover photo for the Spring/Summer 2018 issue of The Aurorean, but it's the moose that drew enough favor to land it here! Appropriately enough, titled "Tulips in Moose Vase" is a photo by Cynthia Brackett-Vincent.
The cover of The Main Street Rag Spring 2018 is the intriguing collage "Extinction" by Sebastian Matthews.
The Kenyon Review will be accepting submissions during their open reading period (Sept. 15 – Nov. 1) for a special issue “to engage the possibilities, as well as the limits, of Literary Activism,” with guest editors Rita Dove and John Kinsella. “They share a belief that literary writing offers one of the most effective means for interrogating and challenging social oppression, inequality, and injustice,” writes David H. Lynn in the May/June 2018 issue. “Their goal will also include presenting a range of responses to a world whose soil and water and air are under grave threat.”
Read Lynn's complete Editor’s Notes: Literary Activism and the World We Live In.
Winner for Fiction
“A Day in Which Something Might Be Done” by Michael McGuire
“The Goddess of Beauty Goes Bowling” by Chaya Bhuvaneswar
Winner for Nonfiction
“Concaves” by Deborah Thompson
“Here Is How I Come Undone” by Caroline Burke
“How My Body Was Made” by Terry Ann Thaxton
For a full list of finalists and judges' comments on the winners, click here.
Winners of the annual Lamar York Prizes for Fiction and Nonfiction receive $1,000.00 each and publication. The prize is open from November 1 - January 31.
Brevity: A Journal of Concise Literary Nonfiction blog for May features an interview between Sarah Einstein and Sven Birkerts, "On Writing, the Distractions of Technology, and Iota."
Einstein checks in with Birkerts on what may have changed in how we are impacted by technology since just 2015 and the publication of his book Changing the Subject: Art and Attention in the Internet Age.
"If you spend much of the day free-styling between platforms, what do you have to work with in the soul-making department, and what will you use to make your art, if art is what you make?" Birkerts comments.
The two also discuss how we can (if we can) regain "access to the sublime through art" and what exactly Birkerts wishes people would pay more attention to and less attention to in our daily lives.
Birkerts will be a workshop leader for the Iota Conference in mid-August, where he hopes "to use exercises and conversation to help the writers get closer to the urgency and insistence of their respective projects."
Read the full, and brief (of course), interview here.
"Peach" by Thomas Gresham
"Stories of Men and Women" by M.K. Narváez
"On Learning That Ho Chi Minh Once Worked as a Baker at the Parker House Hotel in Boston" by Robbie Gamble
"I Am Fat" by Paulette Fire (Nonfiction)
"Sal Wants to Sleep" by Serena Johe (Fiction)
The contest is open from October 1 - November 15 each year. Each winner receives $1000 and publication.
The Common is a print and online publication of The Common Foundation, "a nonprofit dedicated to publishing and promoting art and literature that embodies a sense of place" with an emphasis of publishing new writers from around the world. Issue #15 includes a special portfolio of Arabic stories and artwork from Jordan.
Authors featured (translated by) in this issue: Mahmoud al-Rimawi and Haifa’ Abul-Nadi (Elisabeth Jaquette); Ghalib Halasa, Jamila Amaireh and Fairooz Tamimi (Thoraya El-Rayyes); Ja’far al-Oquaili, Mufleh al-Odwan and Majidah al-Outoum (Alice Guthrie); and Elias Farkouh (Maia Tabet).
TEACHERS: The Common also provides discounted classroom subscriptions, desk copy, and lesson plans to accompany the specific issue, as well as an in-person or Skype visit from Editor in Chief Jennifer Acker or a participating author. Click here for more information.
Hanging Loose 109 features a full-color art portfolio by Elizabeth Hershon as well as "Dreams" on the cover.
Into the Void issue 8.2 (2018) is one that required a double take with "Blindness: Study #0" by Pedro Aires, "A young architect from Portugal interested in experiementing with mulitiple creative processes."
The Spring 2018 issue of Paterson Literary Review includes winners and all the honorable mentions of the 2017 Allen Ginsberg Poetry Awards:
Howard Berelson, Teaneck, NJ, “Last Night”
Robert A. Rosenbloom, Bound Brook, NJ, “Dear Amy”
Eileen Van Hook, Wanaque, NJ “Thanksgiving Memory”
Phillipa Scott, West Orange, NJ, “Hoboken, 1990”
For a full list of the Honorable Mentions and Editor's Choice selections, click here.
The Allen Ginsberg Poetry Awards, honoring Allen Ginsberg’s contributions to American Literature, are given annually to poets. First prize, $1,000; second prize, $200; and third prize, $100. Winning poems are published in the following year’s issue of the Paterson Literary Review. The contest is open between June 1 and September 30 of each year.
In addition to poetry and book reviews, the Spring 2018 issue of The Wallace Stevens Journal is a special issue: "Re-triangulating Yeats, Stevens, Eliot" edited by Edward Ragg and Bart Eeckhout. Content includes:
“Pages from Tales: Narrating Modernism's Aftermaths” by Edward Ragg
“Yeats, Stevens, Eliot: Eras and Legacies” an Interview with Marjorie Perloff
“Atlantic Triangle: Stevens, Yeats, Eliot in Time of War Ireland” by Lee M. Jenkins
“Crazy Jane and Professor Eucalyptus: Self-Dissolution in the Later Poetry of Yeats and Stevens” by Margaret Mills Harper
"’Where / Do I begin and end?’: Circular Imagery in the Revolutionary Poetics of Stevens and Yeats” by Hannah Simpson
"’Dead Opposites’ or ‘Reconciled among the Stars’?: Stevens and Eliot” by Tony Sharpe
“The Idea of a Colony: Eliot and Stevens in Australia” by Benjamin Madden
"’We reason of these things with later reason’: Plain Sense and the Poetics of Relief in Eliot and Stevens” by Sarah Kennedy
The Spring 2018 issue of The Bitter Oleander features an in-depth interview with European Editor, poet and translator John Taylor. Editor and Publisher Paul B. Roth delves into a variety of issues and interests with Taylor, including influences on his writing; his bout with polio and interest in mathematics in his youth; the value of "slow" travel - trains being a particular favorite mode of transportation and thought/work space for Taylor; the situation of being an American writer living abroad and the concepts of 'foreignness' and 'otherness'; and the "subtle positivity" of Taylor's writings. The interview is accompanied by over a dozen pages of Taylor's work.
I love this Glimmer Train #102 cover image of fresh fruits. Though not the kind of tropical fruit we see here in Michigan, this makes me look forward to summer farmers markets. Cover art: "I Miss My Mother" by Jane Zwinger.
Winners and Honorable Mentions of the 2018 Bellevue Literary Review Prizes can be found in the Spring 2018 issue:
Goldenberg Prize for Fiction
Selected by Geraldine Brooks
Winner: “Atrophy” by Lauren Erin O’Brien
Honorable Mention: “Full Buck Moon” by Sheryl Louise Rivett
Honorable Mention: “Bamboo Forest” by Faith Shearin
Felice Buckvar Prize for Nonfiction
Selected by Rivka Galchen
Winner: “Cancer, So Far” by Elizabeth Crowell
Honorable Mention: “Drawing Blood” by Laura Johnsrude
Honorable Mention: “The Reluctant Sexton” by Martha Wolfe
Marica and Jan Vilcek Prize for Poetry
Selected by Rachel Hadas
Winner: “Throat” by Gabriel Spera
Honorable Mention: “The Game of Catch” by Noah Stetzer
Daniel Liebowitz Prize for Student Writing
Winner: Nonfiction “Portraits” by Janna Minehart
The annual Bellevue Literary Review Prizes award outstanding writing related to themes of health, healing, illness, the mind, and the body. The next contest will close on July 1, 2018.
"If a poem works it’s because you’ve made it such that other people might participate in making it meaningful, and this participation will always rest on another person’s understanding of the poem and its relationship to a world that is not your own. Your own understanding of the poem will evolve over time too, as you reread it in light of your changing world, just as you will find the world altered in light of the poem you wrote to understand a small uncertain corner of it. With poems, you never get to settle on a final meaning for your work, just as you never get to feel settled, finally, as yourself."
From On Poetry and Uncertain Subjects: Learning from the unknown by Jack Underwood in the May 2018 issue of Poetry. Read the rest here.
Last month, DM O'Connor reviewed EJ Koh’s collection of poems Lesser Love. In addition to being selected winner of the Pleiades Press Editors Prize for Poetry in 2017, O’Connor offers this praise: “It is clear that each page stands alone as an example of true contemporary poetry. It is clear you should buy this book, memorize all the poems, then give it to a friend who need to be affirmed that poetry is far from dead.”
At the close of the review, O’Connor notes that Koh will even write love letters to her readers, just for the asking. Intrigued, I visited her website, where she states, “I am writing a thousand love letters to strangers by hand.”
Her July 26, 2016 blog post entitled, “It’s Okay, I Love You” explains how she came to this task, beginning the entry with:
“The past nine months, my life has become unrecognizable. When I say this out loud, it means who I am is unrecognizable. But I now see myself for the first time.
“In February, I hoped to write again; beginning was also deciding. I’d once said, 'I’m sick of writing because I’m sick of myself.' To be kinder towards my person, I didn’t go back to that place. On a Friday evening, I was pressed for new perspective. I decided to handwrite a thousand love letters.”
She goes on to explain why the handwriting, why the love – which seems it needs less explaining in our current world that feels imbued with endless hate.
So, I wrote to EJ. I sent her an e-mail, including some details about myself, as she requests, “& add a struggle,” which I did. A couple weeks later, I received a hand-addressed envelope postmarked from Seattle. By then, I had forgotten about my request, and didn’t know EJ was on the west coast, so I was pleasantly surprised to open the envelope and find a two-page, handwritten “love letter.” Mine was numbered 62, and included thoughtful commentary and insight gleaned from information I had shared with her, including my struggle.
A love letter? If love means reaching out to a total stranger, to recognize the work they do, what they care about and what they are struggling with; to treat someone with concern and care and affirmation; to not judge and to just be kind and share in someone’s perspective with seriousness and some humor – then yes. This was the best love letter I’ve ever received.
What a difference writers can make in another person’s life. And all it takes is who we are and what we have, shared with another. So simple, so (nearly) free, and yet – so profound.
My thanks to EJ. I hope others who share in this experience have as great an appreciation. May we all “promise to notice our light every day.”
Three poems by Elizabeth Hoover, winner of the Boulevard 2017 Poetry Contest for Emerging Poets, as selected by Contest Judge Edward Nobles, are featured in the newest Spring 2018 issue. Works by honorable mention poets Lea Anderson and Elizabeth Eagle are also included.
This annual contest awards $1,000 and publication for the winning group of three poems by a poet who has not yet published a book of poetry with a nationally distributed press. The current contest is open until June 1, 2018.
The Greensboro Review Spring 2018 issue features the winners of The Robert Watson Literary Prizes:
Eli Cranor for his story, "Don't Know Tough"
Alison Powell [pictured] for her poem "from The Book of Revelation"
This annual contest awards $1000 for both fiction and poetry as well as publication and closes each year on September 15.
The most recent issue of Michigan Quarterly Review (Winter 2018) opens with Associate Editor Keith Taylor's "What is Found There: Poetry at Michigan," commenting on this issue's special feature. He recounts the Spring 2017 200th anniversary celebration at University of Michigan, which included a day-long conference entitled "Poetry at Michigan." This was a "continuation of two symposia done over the previous few years: one on Theodore Roethke, and the other focising on Robert Hayden and his work."
This issue of MQR has now become the even larger discussion of poets and their connections to UofM, including: Donald Hall, "an important professor" at UofM for almost twenty years; an unpublished interview with Seamus Heaney "a regular visitor for almost a quarter of a century, both before and after his Nobel Prize"; Francey Oscherwitz, and undergraduate at the university thirty-five years ago; Hannah Webster, "a recent graduate of the Zell Writing Program," who "writes about her experience with the Prison Creative Arts Project," including works from Michigan prison students; and Bob Hicock, not a UofM grad, but who lived in Ann Arbor for some twenty years, has contributed "a provocative essay on the necessary and inevitable changes happening in contemporary American poetry."
The Spring/Summer 2018 issue of Black Warrior Review features the winners of their annual writing contest:
Nonfiction Contest Winner
Judge: Hanif Willis-Abdurraqib
"The Best Lighting for My Body Was at the White Horse Inn and Bar, Oakland, California" by Tony Wei Ling
Flash Prose Contest Winner
Judge: Joyelle McSweeney
"Auto-Da-Fé: Confession And Camouflauge" by M.J. Gette
Fiction Contest Winner
Judge: Nicola Griffith
"The World Holds What It Remembers Most" by Tess Allard
Poetry Contest Winner
Judge: Rachel McKibbens
"From a Poet to her Rumbero" by Sarah María Medina
Cover Art: "Undomesticated Interior No. 7" by Lisa Krannichfeld