"I Am Not Your Negro shows how the later Baldwin, as he negotiated the politics of the mid-to-late 1960s and lived through the murders of Medgar Evers, Malcolm X, and Martin Luther King, Jr., became disillusioned about the possibility of any peaceful resolution to racism. Though the film hints at Baldwin’s emergent anti-capitalism, attention to the texts Peck draws from reveal the force with which Baldwin began to see American capitalism, nationalism, normative sexuality, and whiteness as inextricably bound. To address racism, then, he came to believe, would require a fundamental transformation of society. More likely, though, America would burn itself to the ground."
Read the full article here.
Listen, the dolls in my dollhouse
are being deported and the landlord is typing
in all caps. How do we recognize humanity
when we’re just a name on a screen? An avatar
of a flag or resist, a red cap or a pink hat?
We’re holding the door for people, until we know
how they voted then we’re tripping each other
into the future, getting high off how fast they fall.
Read the full poem and hear it read by the author here.
Southern Humanities Review is available for single issue purchase on the NewPages Magazine Webstore.
Subscribers to Rattle magazine will find a nice surprise with their Fall 2017 issue: a copy of the 2017 Rattle Chapbook Prize Winner, The Whetting Stone by Taylor Mali. In The Whetting Stone, Mali explores his wife’s suicide, her life, their love, and Mali’s guilt and resilience, with poetry that is stark and accessible.
If you’re not already a subscriber to Rattle, you can still order individual copies of The Whetting Stone (which features cover art by the talented Bianca Stone) from the magazine’s website. While there, consider subscribing to Rattle to be sure you receive the Rattle Chapbook Prize winner directly in your mailbox next year.
Able Muse Press annually holds the Able Muse Book Award, which offers a $1,000 prize, plus publication of the winning manuscript. The 2016 winner was recently published: Aaron Poochigian with Manhattanite.
A. E. Stallings, 2016 Able Muse Book Award judge and author of Olives, writes in the Manhattanite foreword: “This collection is a celebration of exuberant melancholy, or melancholy exuberance, slick lyric cum urbane pastoral. [ . . . ] Poochigian’s verse is never taciturn: like a Broadway musical, it is always bursting into song [ . . . ].”
2016 Mary C. Mohr Poetry Award Winner
Selected by Jericho Brown
"manhood" by Richard Thompson
2016 Mary C. Mohr Fiction Award Winner
Selected by Adam Johnson
"The One Good Thing About Las Vegas, Nevada" by Bradford Kammin [pictured]
Thread is an online "intersectional feminist arts collective" publishing visual art, poetry, prose and creative nonfiction bimonthly.
The work of artist and activist John Sproul is featured on the cover of Superstition Review #19.
Flowers & Sky: Two Talks by Aaron Shurin
Mary's Dust poems by Melinda Mueller with music by Lori Goldston
Alchemy for Cells & Other Beasts poetry and art by Maya Jewell Zeller and Carrie DeBacker
Fiddlehead Fiction Editor Mark Anthony Jarman introduces this issue's contents as a showcase of "great, sensuous stories from the east coast and west coast and around the world," and adds that the issue also features a nonfiction work, "The Foxes of Prince Edward Island," by Matthew Ferrence. ". . . it is our desire," Jarman explains, "to include more creative nonfiction in future issues of The Fiddlehead." Readers can find Jarman's introduction and Eden Robinson's story "Nanas I Have Loved" available to read online.
While this may sound 'easy' enough at first thought, it's a far more grueling commitment than most can imagine - just like running a marathon or half marathon. I mean, how many of us can run? Run a mile? Run five or ten? It's when the miles - and poems and hours - start adding one on top of another that the breakdown enters in. In marathon running, they call it "hitting the wall." Even though running - or writing poetry - is something you love to do, the constraints of time and goal of a numerical accomplishment push that relationship to its limits.
Started by Caitlin Jans (Thompson) and Jacob Jans in 2011, there have since been six marathons. Every year, hundreds enter their names to compete, and every year, only a fraction of those actually do. This year, 95 poets successfully completed 24 poems in 24 hours and 123 poets successfully completed 12 poems in 12 hours. Congratulations to all on this accomplishment! See a full list of the 'winners' here, where the poems are posted via a WordPress site, and the organizers just closed submissions for the second annual anthology of winners' submissions.
If you missed the marathon this year - and the five other times it's been held - you may or may not still have a chance to enter. Caitlin and Jacob have announced that the future of the marathon is up in the air. They are looking for someone who might be interested in helping run it, or other options for keeping it going. It's clearly no 'easy' task on their end either, but their efforts to date have been immensely appreciated. I'm sure every one of us who has successfully completed this challenge will forever hold a sense of pride in that accomplishment. As well we should!
John Wall Barger, "Smog Mother"
Read the interview with John Wall Barger here.
Délani Valin [pictured], "No Buffalos"
Read the interview with Délani Valin here.
The Malahat Review is available for single issue purchase in the NewPages Magazine Webstore.
2016 Barthelme Prize
Judge: Jim Shepherd
Andrew Mitchell, "Going North"
Honorable Mentions - Both also received print publication
Molly Reid, "Fall from Grace"
Marya Hornbacher "A Peck of Beets"
The Gulf Coast Prize in Translation Contest is open to prose (fiction or nonfiction). The winner receives $1,000 and publication in the journal. Two honorable mentions receive $250.
2016 Gulf Coast Prize in Translation
Judge: Idra Novey
Carina del Valle Schorske for a translation of Marigloria Palma
Winner: Rebekah Taussig, "I Called Mine Beautiful"
Finalist: Robert Stothart, "Nighthawks"
Winner: Paige Lewis, "Angel, Overworked"
Finalist: Donna Coffey, "Sunset Cruise at Key West"
Finalist: Christina Hammerton, "Old Pricks"
Winner: Derek Palacio, "Kisses"
Finalist: Nicholas Lepre, "Pretend You’re Really Here"
Finalist: Terrance Manning, Jr., "Vision House"
The Florida Review is avaiable for single issue purchase on the NewPages Magazine Webstore.
May Willow Springs continue on another forty years - buoyant and thick with possibility!
Each year, PEN America grants one winner of the PEN/Robert W. Bingham Prize for Debut Fiction a $25,000 cash prize, given in memory of Robert W. Bingham. The 2017 winner, judged by Jami Attenberg, Tanwi Nandini Islam, Randall Kenan, Hanna Pylväinen, and Akhil Sharma, is Rion Amilcar Scott with Insurrections (University of Kentucky Press, August 2017).
In the debut collection, Rion Amilcar Scott gives life to residents of the fictional town of Cross River, Maryland, a largely black settlement founded in 1807. Written in lyrical prose, Scott presents characters who dare to make their own choices in the depths of darkness and hopelessness.
Stop by the University of Kentucky Press website to listen to interviews with the author, learn more about the award-winning collection, and order digital or print copies.
There is no fee to enter this contest, prizes will be awarded for first ($3000) and two runners up ($1000) as well as print/online publication. Deadline: September 1, 2017.
Toni Beauchamp [pictured] was the president of Art Lies Board from 2002-2004. See the Gulf Coast website for more details.
Sandy Skoglund's "Fox Games" is the perfect image for The Missouri Review Summer 2017 theme "Mischief Makers."
I'm not sure if the cover images "Remote Lighthouse" by David Mark / "Delta Flyers" by Barry Jones was intentional - with the black and white lighthouse - given the special art feature in this Summer 2017 issue of Able Muse: A Zebra Theme - a photographic exhibit of zebra imagery from artists worldwide.
In the most recent issue, #157 August 2017, Rowena Macdonald offers 10 tips for writing dialogue, offering this advice: ". . . remember, when it comes to writing dialogue in prose you need to convey the impression of reality rather than verbatim speech." Silas Dent Zobal [pictured] offers a meaningful exploration of finding the heart of the story and the difficulty of writing about what can't be written: "That's what I want to tell you. Here, right here, is where you can find the heart of the heart of your story. Not in a place but in no place. Not in clarity but in ambiguity." And Joshua Henkin provides commentary on developing character background: when Mia comes from Montreal instead of Maryland, it changes how her family got there and the impact of their choices on her character in story - and the writer's responsibility to the "seeds of a narrative."
Three excellent essays that would be great semester kick-off reading for any creative writing class, and some great basic craft conversation for all writers to consider. Signing up for the bulletins is free.