Edited and published by Richard Peabody, along with the work of Associate Editor Lucinda Ebersole, Gargoyle celebrates 40 years of publishing with a 'two-sided' issue: Issue 65 - Side 1 and Issue 66 - Side 2. Sadly, Lucinda passed away March 20, 2017, as Peabody notes, "I'm heartbroken that my literary partner in crime has passed away. My plan is to shepherd her short story manuscripts and novel into print over the next few years. She was one of a kind and the funniest human I have ever known."
Gargoyle's impression on the literary landscape is vast, and it's with great hope and support for Richard and his staff that they will continue well into the future. In celebration, from the Gargoyle website:
In our first 40 years, Gargoyle has published work by:
10 Acker Award winners,
6 National Book Award-winning authors,
3 PEN/Faulkner winners,
4 Pulitzer Prize winners,
2 MacArthur Fellows,
2 Nebula Award winners,
2 Yale Younger Poets,
1 Hugo Award winner,
1 Poet Laureate,
6 Iowa Short Fiction Award winners,
6 Flannery O'Connor Award winners,
3 James Laughlin Award winners,
2 Lamont Poetry Selection winners,
2 William Carlos Williams Award winners,
8 National Poetry Series winners,
5 Orange Prize Long List writers,
2 Orange Prize Short List writers,
2 National Book Critics Circle Award winners,
6 Lambda Literary Award winners,
1 Gertrude Stein Award winner, and
3 Firecracker Alternative Book Award winners, among others.
In her Editor's Notes to Issue 13 of Saranac Review, Elizabeth Cohen begins by quoting Emily Dickinson: "If I read a book [and] it makes my whole body so cold no fire can ever warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry."
Cohen writes, "We are sometimes asked at Saranac Review how we select the work we publish, and I think Dickinson's words are applicable. Of course we seek work that has strong voice, craft and originality, but in the end, it is the visceral response that probably most informs our choices. We choose poetry, fiction, creative non-fiction and plays that make us feel and evoke in us a response that physically affects us, while simultaneously reminding us why we read in the first place. If you could read our notes to one another on Submittable, you would see a lot of this: 'Made me tingle,' 'heart stopping,' 'took my breath away.'"
With such discerning criteria, writers have got to meet that bar, providing readers much to look forward to in each issue of Saranac Review.
BY TED KOOSER, U.S. POET LAUREATE
I was deeply moved by this week's poem, which shows us the courage of a person struggling with a disability, one that threatens the way in which she wishes to present herself. It illustrates the fierce dignity that many of us have observed in elderly people. Wesley McNair served five years as poet laureate of Maine, and his most recent book is The Unfastening, published by David R. Godine.
My Mother's Penmanship Lessons
In her last notes, when her hand began
to tremble, my mother tried to teach it
the penmanship she was known for,
how to make the slanted stems
of the p's and d's, the descending
roundness of the capital m's, the long
loops of the f's crossed at the center,
sending it back again and again
until each message was the same:
a record of her insistence that the hand
return her to the way she was before,
and of all the ways the hand had disobeyed.
We do not accept unsolicited manuscripts. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2016 by Wesley McNair, “My Mother's Penmanship Lessons,” from The Unfastening, (David R. Godine, 2017). Poem reprinted by permission of Wesley McNair and the publisher. Introduction copyright ©2017 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
"Twenty years ago," writes Brevity Editor Dinty W. Moore, "I had an idea for a magazine that combined the swift impact of flash fiction with the true storytelling of memoir, and Brevity was born. To be honest, I expected it to last a year."
Instead, Brevity has aged into the most well-known publication of its kind, with a rich history of publishing new authors who have become some of the most respected in the genre, and guiding writers as they learn and practice their craft.
In celebration, Brevity reached out to authors who have appeared multiple times in Brevity over the years and commissioned their submissions for an anniversary issue. Authors includes Lee Martin, Diane Seuss, Brenda Miller, Sue William Silverman, Rebecca McClanahan, and Ira Sukrungruang. Moore notes that readers "may detect a common theme (or at least a common word)" among the works.
After publishing 12 print issues from 2004-2015 in association with Columbia College Chicago, and a brief hiatus, Court Green is back with issue 13, "the first in its new incarnation as an independent online journal" edited by Tony Trigilio and David Trinidad.
Featured in this revival issue are poems by Matthew Burgess, Chris Green, Ginger Ko, Robert Siek, Kimiko Hahn, George Kalamaras, Annah Browning, Kimberly Lyons, Hafizah Geter, Megan Fernandes, Diane Seuss, Lynn Crosbie, Harlee Logan Kelly, Kenyatta Rogers, and C. Russell Price.
A special bonus features: “Robert Siek: 13 Instagram Photos”; Peter K. Steinberg, “‘A Fetish Somehow’: A Sylvia Plath Bookmark”; and “Radio Free Albion: Interview with George Kalamaras.”
Welcome back Court Green!
Glimmer Train has just chosen the winning stories for their July/August Fiction Open competition. This competition is held twice a year and is open to all writers. Stories generally range from 3000-6000 words, though up to 20,000 is fine. The next Fiction Open will take place in March. Glimmer Train’s monthly submission calendar may be viewed here.
First place: Arianna Reiche, of London, England, wins $3000 for “Archive Warden." Her story will be published in Issue 101 of Glimmer Train Stories. [Photo Credit: Laura Gallant.]
Second place: Randolph Thomas, of Baton Rouge, LA, wins $1000 for “Heir Apparent.” His story will also be published in an upcoming issue.
Third place: Sharon Solwitz, of Chicago, IL, wins $600 for “We Enter History.”
A PDF of the Top 25 winners can be found here.
Deadline soon approaching! Short Story Award for New Writers: October 31
This competition is held quarterly and is open to all writers whose fiction has not appeared in a print publication with a circulation over 5000. No theme restrictions. Most submissions to this category run 1000-5000 words, but can go up to 12,000. First place prize wins $2500 and publication in Glimmer Train Stories. Second/third: $500/$300 and consideration for publication. Click here for complete guidelines.
"Richard" by David J. Wingrave in Warsaw, Poland
"Laughing and Turning Away" by Patrick Holloway in Rio Grande do Sul, Brazil
"Homecoming" by Zachary Lunn in Raleigh, NC
"The Anatomy of Todd Melkin" by Catherine Malcynsky in Chester, CT
"Windfall" by Edward Hamlin in Boulder, CO
Read these winning stories online here. For a full list of semifinalists and information about the contest, visit Carve online.
Photographs by street photographer J. Ray Paradiso are featured on the cover screen for the online Foliate Oak Literary Magazine.
Catherine Heard's work can be found on the cover of Hamilton Arts & Letters Magazine 10.1 as well as featured in an online portfolio. Her work "work interrogates the histories of science, medicine and the museum. Simultaneously attractive and repulsive, her works delve into primal anxieties about the body."
In addition to general management and editorial duties, the Senior Editor will also be responsible for directing a special translation project and academic database using literature previously published in Hayden’s Ferry Review.
Applicants should have a Bachelor’s degree in Journalism or a related field and five years related experience; an MFA in Creative Writing, bilingualism, and experience working in a university setting and web development are preferred.
Salary range $41,976 - $50,000 DOE.
To view the full job description and apply, visit http://bit.ly/2hNxTGU or search openings at https://cfo.asu.edu/applicant by job title “Senior Editor” or requisition number “36507BR”. A pdf of the job description is also available at http://bit.ly/2fRlVLQ.
Individuals with any questions should contact the Piper Center at 480.965.6018 or pipercenter.info-at-asu.edu.
The position will close Wednesday, November 1st, 2017.
Halloween, detail by Bo Bartlett, is seasonally appropriate for the Autumn 2017 cover of The Gettysburg Review. More of Bartlett's work is also featured in a full-color portfolio inside the publication.
"Finding Home: Family & Connections" is the theme of Bellvue Literary Review's Fall 2017 issue, with cover art and internal portfolio by father and son Paul and John Paul Caponigro.
The Massachusetts Review "back-to-school" fall 2017 issue features "He Who Is as if Death Were Not," an archival pigment print on German etching paper from Ayana V Jackson's series To Kill or Allow to Live in the issue.
Read the full editorial here and access full-text of several works from this issue, including Louise Aronson's "Necessary Violence."
Cover: Warfare by Sabra Field
September is a busy month for award-winning book releases. Here is just a sampling of small press and university press titles readers can look for this month.
At the beginning of September, Southeast Missouri State University Press published the winner of the 2015 Nilsen Literary Prize for a First Novel: Pie Man by John Surowiecki. The debut novel is told through a series of reminiscences by the titular character’s family, friends, and teachers, and explores the story of a boy, Adam Olszewski, who on his seven birthday tries to leave his family house but can’t. Soon after, the boy believes the house is alive and an inseparable part of him. Pie Man is a vivid exploration of what it means to be normal.
A Brief Alphabet of Torture: Stories by Vi Khi Nao, winner of the FC2 Ronald Sukenick Innovative Fiction Prize, is also out this month. A Brief Alphabet of Torture is made of many modes and genres—poetry, essay fiction, drama—and almost constitutes a novel of a different kind. Each tale is a chapter that captures the concerns that pervade life.
In poetry, readers can pick up a copy of To Whitey & the Crackerjack by May Yang (Hauntie), winner of the 2016 Robert Dana Anhinga Prize, selected by Evie Schockley. Shockley says of her selection: “May Yang’s poetry pierces the silence in which the history of Hmong women has been blanketed, with indecorous wordplay, unruly rhymes, and evocative, unequivocal images. This book begins by naming names (America, global capitalism) and ends by revivifying the poetic epigram.”
Check out the publishers' websites to learn more about these newly-releaed, award-winning titles.
Kristin Robertson - "Poem for My Unborn Daughter"
Jenna Bazzell - "All Is Wild, All Is Silent"
Emily Paige Wilson - "Reasons to Return Home"
Emily Rose Cole - "How Not to Remember Your Mother"
Jenna Bazzell - "The Speaker's Prayer"
Mario Ariza - "Erratic transcription of notes taken at a refugee camp in Anse-A-Pitre, Haiti"
Several of the works as well as other content from this issue can be read online here.
Grand Prize Winner
Judge Michele Glazer
Laura Read’s poem “Margaret Corrine, Dunseith, North Dakota, 1932”
$1000 and publication
First Prize in Nonfiction
Judge Sarah Einstein
Natasha Sajé’s essay “Guilt: A Love Story”
$250 and publication
First Prize in Fiction
Judge Karen Osborn
J. Stillwell Powers’ story “Salvage”
$250 and publication
Read full judge's comments here.
See a full table of contents with several sample works from the issue here.
Cover image by Prague-based artist Jakub Geltner: "Cultural Landscape."
"The Spaces Between" by Laura Berger is featured on the cover of the online issue of Fugue (52). Managed and edited by graduate students in the English and Creative Writing Programs at University of Idaho, Fugue features poetry, plays, fiction, essays, visual-text hybrids, and interviews.
Do I pick EVERY Kenyon Review cover? Maybe, but when covers make me laugh or do a double take, that's worth sharing. The artist is Milan, Italy-based Emiliano Ponzi.