Montana Prize in Fiction
Selected by Claire Vaye Watkins
"Crick" by Terrance Manning, Jr.
Montana Prize in Creative Nonfiction
Selected by Amanda Fortini
"Meme" by Tracy Fuad
Patricia Goedicke Prize in Poetry
Selected by Oliver De La Paz
Three Poems by J.R. Toriseva
The cover of The Massachusetts Review (v57 n3) features Nina Chanel Abney's What, 2015 (unique ultrachrome pigmented print, acrylic, spray paint on canvas). More of her work is also featured in the publication and can be viewed in her online portfolio here.
The cover of the seventh issue of Subprimal Poetry Art features Three Shadows by Kate Viola, who says the painting was "inspired by the haunting arias often found in operas." Subprimal Poetry Art is a open access online publication of words with music, words alone, and artwork.
by Erica Goss
Once a week I wipe the dust from the lid,
tilt the little jar of ashes
and watch them settle. Where
is his giant bark of a laugh,
his hand smacking the table
so hard my plate jumped?
Night after night he voiced
all the parts in Huckleberry Finn. . .
[read the rest and more on gravel]
From "Emotion is Not Plot: Using Detachment to Create Powerful Fiction" a craft essay by Claire Rudy Foster in the online journal Cleaver Magazine.
First: "It Came in the Mail" by Damhnait Monaghan
Second: "Princess Party" by Jennifer Stuart
Third: "The Secret of the Snoring Time" by Elizabeth Fisher
The online journal also includes guest editors for this issue Joy Castro and Ira Sukrungruang in conversation with one another about "what they hoped for and what they learned" in putting this issue together, as well as the accompanying craft essay "Three Commandments for Writing About Race" by Xu Xi [pictured].
The most recent issue (Fall 2016 #12) features the elements passageway, relic, kiss. "When we first chose the elements for this issue . . ." write the editors, "we worried that this specific trio of words would be a bit too leading. Would we get dozens of submissions about alluring, illicit affairs, kisses stolen along the shadowy hallways of castles and cathedrals? As it turned out – the answer was no. This issue is filled with writers and artists who surprised us, who made us see and consider the elements in ways we never had before, and we are honored to be able to share their work with you all."
The elements for Issue 13 are THREAD, GLAZE, MURMUR with a submission deadline of October 31.
If you'd like to be a Vector, all you need to do is print and post the broadside. Broadsided Press would also like to encourage colleges and universities to start their own broadside collaborations! Visit their website here for more information.
Sarah Minor, “Nest”
Dana Curtis, ” Two Films”
adrian nichols, “lexicon of anarchy, no. xxii”
Sophie Monatte, “Fragments”
Other writers who works are included in the Transgenre section: Jessica Hollander, Julia Brennan, Katherine Riegel, Elizabeth Bryer, Lisa Samuels, Amy Newman, and Sara Biggs Chaney.
Since 2013, Noemi Press and Letras Latinas (the literary imitative at the Institute for Latino Studies at the University of Notre Dame) have been co-publishing under the Akrilica Series to showcase innovative Latino writing.
You Ask Me To Talk About the Interior by Carolina Ebeid joins the ranks of the Akrilica Series, published in September 2016. Ebeid’s first book, You Ask Me To Talk About the Interior has been called “a book of listening and responding and listening again” (Shane McCrae) that uses “[t]he voice of a mother, of lover, of friend” (Julie Carr).
2016 Janet B McCabe Poetry Prize
Judge Alice Fulton
FIRST PLACE: “Yellow” by Melissa Reeser Poulin
SECOND PLACE: “Small Implosions” by Barbara Ellen Sorensen
HONORABLE MENTION: “The Lord, Walking in the Evening” by Michael Schmidtke and “Deer Apples” by Sally Thomas
With October here, it’s time to announce a couple of the award-winning books slated for publication this month.Winner of the 2016 John Simmons Short Fiction Award, Of This New World by Allegra Hyde, hit the shelves earlier this month. The collection starts at the Garden of Eden and ends on a Mars colony, each story wrestling with “conflicts of idealism and practicality, communal ambition and individual kink,” and asking the fundamental human question: “Is paradise really so impossible?” Of This New World is Hyde’s first collection, and it’s now available at the University of Iowa Press website (now currently on sale for the frugal reader!).
Love Give Us One Death: Bonnie and Clyde in the Last Days by Jeff P. Jones is the winner of the 2015 George Garrett Fiction Prize. Final Judge Tracy Daugherty says the book of the two famous outlaws shows “larger dimensions: the spiritual shadows and compulsive needs from which our nation springs and through which it has found its many forms of speech.” This is Jones’s first book, and copies are available from the Texas A&M University Press website.
Nimrod Literary Awards: The Pablo Neruda Prize in Poetry
FIRST PRIZE: Markham Johnson, OK, “Greenwood Burning, 1921”
SECOND PRIZE: Bryce Emley, NC, “Thesis/Antithesis” and other poems
Nimrod Literary Awards: The Katherine Anne Porter Prize in Fiction
FIRST PRIZE: Chad B. Anderson, D.C., “Maidencane”
SECOND PRIZE: Ruth Knafo Setton, PA, “Swamp Girl”
Susan Finch, TN, “My Friends, My Sisters, My Doppelgangers”
Daniel Hamilton, KY, “Dragonslayers”
The Georgia Review has been turning heads for 70 years and will be celebrating through the year with a variety of special events that they will update on their website. The Fall 2016 cover art ("#1637") is by Masao Yamamoto, whose work is also featured with an introduction and full-color, twelve-page portfolio within.
Susan O'Dell Underwood
Cortney Lamar Charleston
Also shared within this historical collection is the "Preamble and Statement of Principles" collectively written by The Association of Literary Magazines of America when those 19 magazine organizers first met in 1961. It begins: "Resolved, that we form an association, the purpose of which is to increase the usefulness and the prestige of the literary magazines in the United States and Canada," and later makes the following statement that still rings true today: "A nation's body of literature does not depend wholly on a the great, and since the magazines have served as a seedbed for each generation of creative writers they have also helped to preserve the very impulse to literary creation. The literary magazines of the present generation are continuing this indispensable tradition."
"Jenna's First" by William Paul Thomas adorns the cover of The Carolina Quarterly Fall 2016, with a full-color portfolio of his work within. "I paint representations of disembodied heads of people in my social circle and sometimes scrawl text directly over their likenesses," Thomas writes in his Artist's Statement. "As it relates to my portraits, whatever the viewer derives from looking is the correct interpretation. I embrace symbolic ambiguity while clinging to observational specificity."
"My work explores narratives that recognize the urgency and conflict in our continuing attempts to connect to the world around us," writes Hanna Dansie in her Artist's Statement. Her work is featured both on the cover of the Spring/Summer 2016 Hayden's Ferry Review and with several internal pages as well.
BY TED KOOSER, U.S. POET LAUREATE
Barbara Crooker, who lives in Pennsylvania, has become one of this column's favorite poets. We try to publish work that a broad audience of readers can understand and, we hope, may be moved by, and this particular writer is very good at that. Here's an example from her collection, Gold, from Cascade Books.
is a river you wade in until you get to the other side.
But I am here, stuck in the middle, water parting
around my ankles, moving downstream
over the flat rocks. I'm not able to lift a foot,
move on. Instead, I'm going to stay here
in the shallows with my sorrow, nurture it
like a cranky baby, rock it in my arms.
I don't want it to grow up, go to school, get married.
It's mine. Yes, the October sunlight wraps me
in its yellow shawl, and the air is sweet
as a golden Tokay. On the other side,
there are apples, grapes, walnuts,
and the rocks are warm from the sun.
But I'm going to stand here,
growing colder, until every inch
of my skin is numb. I can't cross over.
Then you really will be gone.
We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2013 by Barbara Crooker, “Grief” from Gold, (Cascade Books, 2013). Poem reprinted by permission of Barbara Crooker and the publisher. Introduction copyright ©2016 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
The NewPages Guide to Independent Publishers grew by five today, welcoming Hohm Press, Measure Press, Oneworld Publications, 3 Mile Harbor Press, and SolsticeLit Books (the book publishing arm of Solstice magazine).
Bookstore fanatics will find two new independent bookstores, Old Books on Front Street in Wilmington, North Carolina, and Books & Mortar in Grand Rapids, Michigan (shown right).
And finally, readers and writers can find three online literary magazines newly added to our Big List of Lit Mags: Starwheel Magazine, a short-works publication of The Riding Light Review; Cede Poetry, a new Canadian poetry magazine; and Beech Street Review, with submissions currently open for their second issue.