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January 2021 eLitPak :: Spalding University’s School of Creative and Professional Writing: Low-residency Graduate Programs

Screenshot of Spalding's Low-Res MFA January 2021 eLitPak Flier
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Early Placement Application Deadline: February 1 for May entry. Spalding’s nationally distinguished low-residency MFA is the most affordable of the top-tier programs. In the MFA and its sister programs, study one-on-one with outstanding faculty, gain editorial experience on Good River Review, and develop a lifelong writing community. Fiction; poetry; creative nonfiction; writing for children and young adults; writing for TV, screen, and stage; and professional writing. Scholarships and assistantships available.

View the full January 2021 eLitPak Newsletter. Don’t forget to subscribe so you don’t miss out on our weekly newsletter and monthly eLitPaks.

Creative Writing in the Heart of Brooklyn

Long Island University, Brooklyn MFAThe MFA in Creative Writing at Long Island University is an innovative program centering on world literature, multi-genre education, and publishing. They prepare their students to be “professional writers in the world and visionary literary citizens.”

The LIU Brooklyn MFA is a two-year residency program that also helps prepare its students for careers in creative writing, academia, translation, and publishing. Students have the option of studying poetry, fiction, nonfiction, playwriting, and translation to receive a robust multi-genre education.

Students are able to learn about commercial, independent, and academic publishing during the course of their study while studying directly with professionals at the heart of the publishing industry. Current faculty include Zaina Arafat, Rita Banerjee, and Robin Hemley.

The priority deadline to apply to the program is February 15. Learn more by stopping by their listing on NewPages.

Sponsor Spotlight :: Eastern Michigan University Interdisciplinary MA in Creative Writing

The MA in Creative Writing at Eastern Michigan University is distinguished as one of the only interdisciplinary programs for creative writing in the country. They accept applications year-round with January 10 being the priority deadline for the fall term.

“Locating the writer’s work along the frontiers of social imaginaries and civic possibilities, our program nourishes opportunities to develop a conceptually rigorous and imaginatively engaged writing.” The program also emphasizes the importance of aesthetic risk and social application while also offering writers opportunities to explore multiple arts and mixed genres.

Core faculty for the program are Rob Halpern, Carla Harryman, Christine Hume, and Matt Kirkpatrick. Recent visiting writers include Latasha N. Nevada Diggs, Nathaniel Mackey, Ted Pearson, Joanna Rocco, Daniel Borzutzky, Wayne Kostenbaum, Kevin Killian, Sarah Schulman.

They also have a literary magazine, BathHouse Journal, and a reading series, BathHouse Reading Series.

Stop by their listing at NewPages to learn more about the program.

November 2020 eLitPak :: Fairfield University Low-Res MFA Program

November 2020 Fairfield University eLitPak flier screenshot
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Fairfield’s two-year, low-residency MFA program helps writers develop their literary voice and make connections that lead to publication. Students receive mentorship from an award-winning faculty of authors and gather for nine-day residencies on Enders Island. Degrees are offered in fiction, nonfiction, poetry, or dramatic writing. Concentrations are available in publishing, spiritual writing, social justice, and literary health and healing.

View full November eLitPak Newsletter here.

November 2020 eLitPak :: MFA in Creative Writing at UNCG

UNCG MFA in Creative Writing August 2020 eLitPak flier
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Find your Story Here

Application Deadline: January 1.
One of the first creative writing programs in the country, UNC Greensboro’s MFA is a two-year residency program offering fully funded assistantships with stipends and health insurance. Students work closely with faculty in one-on-one tutorials; take courses in poetry, fiction, publishing, and creative nonfiction; and pursue opportunities in college teaching or editorial work for The Greensboro Review. More at our website.

View full November eLitPak Newsletter here.

An MFA in the Pandemic

Guest Post by Samantha Tucker

Ohio State University logoWhen I applied to MFA programs, it was with the intention of finding a writing community. During my time at The Ohio State University, I was lucky to foster strong relationships with my classmates through our shared experience and dedication to the written word. To this day, I continue to edit and be generously edited by a group of talented writers, most of whom I met in my very first class, a nonfiction workshop with the writer Lee Martin.

But what is a writing community when the people sharing their art are only able to do so virtually? And when writers find themselves in the middle of so many American catastrophes, where do we find the urge to create at all? I asked Lee Martin, College of Arts and Sciences Distinguished Professor of English at Ohio State, for insight on his teaching and writing life during a pandemic.

How have your workshops/classes adapted to being online?

Lee: We seem to be adapting well. I love my students, and the level of engagement seems to be high. It’s not quite the same, of course, as sitting around a table, but we’re doing fine. I’ve had some students comment on how our Zoom meetings give them a chance to feel a part of our writing community, so that’s a good thing. I just wish we could do the things we used to do—go out for $4 burger night at Brazen Head Pub, have spaghetti dinners at my and Cathy’s house, have bowling parties, etc. Ah well, I hope we’ll be able to do those things and more very soon.

How has your writing changed, if at all?

Lee: I find myself writing steadily as a way of escaping the reality of what’s going on in the world around me. It’s a comfort to me to escape into the worlds of my own making in novels and stories set before the pandemic. I’m only now working on something more current that, of course, will eventually have to face the pandemic head-on.

What are your words of wisdom as to finding the space in this chaos to create art?

Lee: I’ve been thinking a lot about how to stay in the present moment of what delights me rather than thinking about all that depresses me or makes me fear for the future. Silence is a good thing. If we can find those places of silence we can fill them with the efforts of our own choosing rather than the worries and the fears that the current climate places upon us. Today, for instance, Cathy and I went out to Inniswood Metro Gardens and disappeared into the natural world and immediately felt our breath coming more easily. Such places and moments are all around us. All we have to do is look for them.


Reviewer bio: Samantha Tucker is an anti-racist essayist in Columbus, Ohio. Find her words at www.theamericandreamstartshere.com.

Spalding University’s School of Writing Launches Good River Review

Good River Review website screenshot

Spalding University’s School of Creative and Professional Writing, home of the flagship low-residency Spalding MFA in Writing program, is launching a new online literary magazine, Good River Review. The first issue will appear in Winter 2021.

Good River Review resides at Spalding in Louisville, Kentucky, which sits on the Ohio River, providing inspiration for the name: Ohio is a Seneca word for good river. Issues will appear twice a year. Between issues, the website will regularly publish interviews; book reviews; reviews of new plays, television, and films; craft essays; and literary news.

“We intend to publish the best writing in all the genres we teach in our graduate writing programs,” Kathleen Driskell (chair of the School of Writing who will serve as editor-in-chief) said. “We love writing that blurs boundaries, so contributors will find their work published as prose, lyrics, or drama.” The journal will also publish writing for children and young adults, as well as original web, TV, and short film productions.

The journal’s submission period will be ongoing. Good River Review allows for simultaneous submissions and does not charge reading or submission fees. For more information, email [email protected].

October eLitPak :: MFA in Creative Writing at UNCG

UNCG MFA in Creative Writing August 2020 eLitPak flier
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Find Your Story Here

Application Deadline: January 1. One of the first creative writing programs in the country, UNC Greensboro’s MFA is a two-year residency program offering fully funded assistantships with stipends and health insurance. Students work closely with faculty in one-on-one tutorials, take courses in poetry, fiction, publishing, and creative nonfiction, and pursue opportunities in college teaching or editorial work for The Greensboro Review. More at mfagreensboro.org.

View full October 2020 eLitPak here.

Program :: University of South Alabama MA with Creative Writing Emphasis

Earn your MA with an emphasis in Creative Writing in the vibrant city of Mobile, near some of our country’s best beaches. Tuition waivers and assistantships are available as are additional scholarships for excellence and summer creative writing projects. Home of the Stokes Center for Creative Writing. For more information, visit our website: www.southalabama.edu/colleges/artsandsci/english/.

September 2020 eLitPak :: MFA in Creative Writing at UNCG: Find Your Story Here

UNCG MFA in Creative Writing August 2020 eLitPak flier
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Application Deadline: January 1
One of the first creative writing programs in the country, UNC Greensboro’s MFA is a two-year residency program offering fully funded assistantships with stipends and health insurance. Students work closely with faculty in one-on-one tutorials; take courses in poetry, fiction, publishing, and creative nonfiction; and pursue opportunities in college teaching or editorial work for The Greensboro Review. More at our website.

View the full September eLitPak here.

August 2020 eLitPak :: MFA in Creative Writing at UNCG

UNCG MFA in Creative Writing August 2020 eLitPak flier
click image to open PDF

Application Deadline: January 1.
One of the first creative writing programs in the country, UNC Greensboro’s MFA is a two-year residency program offering fully funded assistantships with stipends and health insurance. Students work closely with faculty in one-on-one tutorials, take courses in poetry, fiction, publishing, and creative nonfiction, and pursue opportunities in college teaching or editorial work for The Greensboro Review. More at mfagreensboro.org.

Sponsor Spotlight :: Minnesota State University, Mankato MFA in Creative Writing

Minnesota State University, Mankato logoThe MFA in Creative Writing at Minnesota State University, Mankato seeks to meet the needs of students who want to strike a balance between the development of individual creative talent and close study of literature and language. The program helps to develop work in the genres of fiction, creative nonfiction, and poetry. Students typically spend three years completing coursework, workshops, and book-length theses.

Current faculty includes Robin Becker, Candace Black, Geoff Herbach, Diana Joseph, Chris McCormick, Richard Robbins, and Michael Torres. Recent visiting writers include Juan Felipe Herrera, Marcus Wicker, Leslie Nneka Arimah, Danez Smith, Layli Long Soldier, and Ada Limón.

Students have the opportunity to grow within a rich and active community of writers with the Good Thunder Reading Series, the Writers Bloc Open Reading Series, and working on literary magazine Blue Earth Review.

Stop by their listing at NewPages to learn more.

Sponsor Spotlight :: Ohio State University MFA in Creative Writing

The Ohio State University logoMFA in Creative Writing at The Ohio State University is designed to help graduate students develop their talents and abilities as writers of poetry, fiction, and creative nonfiction. Graduate teaching assistants teach special topics undergraduate creative writing courses as well as first-year and second-year writing. Students also have the option to work as editors of the prize-winning literary magazine, The Journal, and to serve on the editorial staff of two annual book prizes.

All students are fully funded for three years in a program well known for its sense of community and a faculty that is committed to teach as much as they are to their own writer. Current faculty includes Kathy Fagan Grandinetti, Michelle Herman, Marcus Jackson, Lee Martin, Elissa Washuta, and Nick White. Recent writers who have visited the program include Tarfia Faizullah, Melissa Febos, Garth Greenwell, Dan Kois, Nicole Sealey, and Danez Smith.

The program also offers special topics in addition to the regular workshops so opportunities abound for students to experiment.

Stop by NewPages to learn more about the program.

Sponsor Spotlight :: Michener Center for Writers MFA in Writing

Michener Center for Writers logoThe Michener Center for Writers is the only MFA program in the world that provides full and equal funding to every writer, yet it is the extraordinary faculty and sense of community that most distinguishes them. Theirs is a three-year, fully funded residency program with a unique interdisciplinary focus. While writers apply and are admitted in a primary genre—fiction, poetry, playwriting, or screenwriting—they also study a secondary genre during their time in Austin.

Enrolled students have no teaching duties, allowing them to fully commit themselves to their writing. Only 12 writers are admitted to the program each year so that faculty have ample time to devote to every writer. Current faculty includes Joanna Klink, Lisa Olstein, Roger Reeves, Dean Young, Edward Carey, Oscar Casares, Peter LaSalle, Bret Anthony Johnston, Elizabeth McCracken, Deb Olin Unferth, Stuart Kelban, Richard Lewis, Cindy McCreery, Beau Thorne, Annie Baker, Liz Engelman, Branden Jacobs-Jenkins, Kirk Lynn, and KJ Sanchez.

Writers also have the opportunity gain professional editing experience with literary magazine Bat City Review; a collaborative process between the Michener Center for Writers, the New Writers Project, and Studio Art.

Stop by their listing at NewPages to learn more.

Program :: University of South Alabama’s MA in English with a Concentration in Creative Writing

University of South AlabamaSpring 2021 Application Deadline: December 1
The MA in English with a concentration in Creative Writing offers students an opportunity to develop their writing in a variety of genres (including screenwriting) and to work with the writers sponsored by the Stokes Center for Creative Writing. The Stokes Center enhances the English department’s offerings in creative writing by sponsoring readings, lectures, forums, community projects, and other events that are free and open to the public. It also supports students through its undergraduate and graduate awards in poetry, fiction, and creative nonfiction. A number of competitive scholarships are available to augment the assistantships and tuition waivers such as summer creative writing awards for work on individual projects. For students who enroll full time, the MA in English can be completed in four semesters. Students also have the option of enrolling part time and/or completing the degree through evening coursework. Come develop your craft in a diverse and vibrant city near world-class beaches.

Bluegrass Writers Studio Open to Fall 2020 Applications through August 1

Bluegrass Writers Studio logoThere is still a few days left to submit your application to the low-residency MFA in Creative Writing program at Eastern Kentucky University. The Bluegrass Writers Studio offers one of the most affordable and progressive low-residency programs in the nation.

They offer a close-knit and supportive writing community, are devoted to their students creative and professional success, and are supportive of both literary and literary genre writing. The program offers online workshops conducted with live audio, intensive residency workshops, international literary and cultural experiences, and web-based courses in contemporary literature. Students also have the option of working on Jelly Bucket, the annual graduate-student-produced literary journal.

To be considered for their Fall 2020 program, applications need to be received by August 1. To start their program in spring, applications need to be received by December 1.

Swing by their listing on NewPages to learn more.

Sponsor Spotlight :: Mills College Flex Res MFA in Creative Writing

Mills College logoMills College is now offering a new kind of MFA in creative writing that enables its students to earn a degree in poetry, fiction, or nonfiction in their own way.

Along with offering more traditional classroom-based workshops and craft classes, Mills College also offers the ability to complete the degree by working one-on-one with a faculty mentor. This allows students to be on campus as much or as little as they desire. They are also expanding the amount of online offerings available during summer and January terms.

The program offers concentrations in education, literary arts administration, PhD preparation, and young adult fiction. Students can also create their own unique concentration with electives in podcasting, performance, and pedagogy. They offer a literary editing and production course that gives students hands on experience in editing their annual graduate journal 580 Split.

Stop by their listing on NewPages to learn more about their program.

Program :: MA in Creative Writing at University of South Alabama

Earn your MA with an emphasis in Creative Writing in the vibrant city of Mobile, near some of our country’s best beaches. Tuition waivers and assistantships are available as are additional scholarships for excellence and summer creative writing projects. Home of the Stokes Center for Creative Writing. Full-time students can finish the program in four semesters. Students can also enroll part time and/or complete the degree through evening coursework. For more information, visit our website: www.southalabama.edu/colleges/artsandsci/english/.

Sponsor Spotlight: Litowitz Creative Writing Graduate Program, MFA+MA

Northwestern University Litowitz MFA+MA logoThis new and distinctive program offers intimate classes; the opportunity to pursue both creative and critical writing; close mentorship by renowned faculty in poetry, fiction, and creative nonfiction; and three fully supported years in which to grow as writers and complete a book-length creative project. Our curriculum gives students time to deepen both their creative writing and their study of literature. Students will receive full financial support for three academic years and two summers. Both degrees—the MFA in Creative Writing and the MA in English—are awarded simultaneously at graduation.

Program faculty include Chris Abani, Eula Biss, Brian Bouldrey, John Bresland, Averill Curdy, Sheila Donohue, Stuart Dybek, Reginald Gibbons, Juan Martinez, Shauna Seliy, Natasha Trethewey, and Rachel Jamison Webster.

Sponsor Spotlight: University of New Hampshire MFA in Writing

University of New Hampshire logoThe MFA Program at the University of New Hampshire has a clear goal: to help you mold your gifts and passion for the art and to prepare you for the opportunities and demands that all writers will experience in a long career. What happens to you after you leave this program—how you will sustain yourself and your work—is one of our strongest concerns. This supportive community of students and faculty shares a belief that writing matters and that the best books of fiction, poetry, and nonfiction are made out of both the creative imagination and rigorous work.

Focus on fiction, narrative nonfiction or poetry in our graduate M.F.A. program, which has launched the careers of hundreds of poets, novelists, storywriters, essayists and memoirists. What is notable is not just how hard students work on their own creative writing, but how much effort goes into their response to the work of their peers. Writers here care deeply about each other, and the production of honest work that captures life on the page.

The MFA at Florida Atlantic University

Florida Atlantic University MFAFlorida Atlantic University’s MFA program offers concentrations in fiction, creative nonfiction, and poetry. All accepted students are offered a complete funding package including a teaching assistantship, stipend, and tuition waiver. Core faculty include Ayşe Papatya Bucak, Andrew Furman, Becka Mara McKay, Susan Mitchell, Kate Schmitt, and Jason Schwartz. Students have the opportunity to work on national literary magazine Swamp Ape Review.

Earn Your MA Near Some of the Country’s Best Beaches

Earn your MA with an emphasis in Creative Writing in the vibrant city of Mobile, near some of our country’s best beaches. Tuition waivers and assistantships are available as are additional scholarships for excellence and summer creative writing projects. Home of the Stokes Center for Creative Writing. Students who enroll in the program full time, can complete it in four semesters. There are also part time and evening coursework options. For more information, visit our website: www.southalabama.edu/colleges/artsandsci/english/.

Program :: University of North Carolina Greensboro MFA

UNCG MFA Winter 2020 LitPak FlierApplication Deadline: January 1 (annually)
One of the oldest creative writing programs in the country, UNC Greensboro’s MFA Writing Program offers fully funded graduate assistantships with stipends, tuition remission, and subsidized health insurance. The MFA is a two-year residency program with an emphasis on studio time for the writing of poetry or fiction. Students work closely with acclaimed faculty in one-on-one tutorials and small classes, including courses in contemporary publishing and creative nonfiction. Our campus features a Distinguished Visiting Writers Series of authors and editors; other professionalization opportunities include college teaching and hands-on editorial work for The Greensboro Review. More at mfagreensboro.org and greensbororeview.org.

Program :: Jackson Center for Creative Writing

Hollins University MFA flierApplication Deadline: January 6
For well over sixty years, this highly regarded Hollins MFA has supported lively and determined writers who want to concentrate on craft. Our intensive two-year graduate program helps students find their way in an atmosphere of cooperation and encouragement. Our students work successfully in poetry, short fiction, novels, and creative nonfiction—and in between genres. Our faculty writers take time to work with students in this vibrant, supportive community. Our alums have a remarkably high record of publication. Program provides graduate assistantships, teaching fellowships, travel funding, and generous scholarships. Most of all, a vibrant, supportive community. For information, www.hollins.edu/creative-writing-MFA.

Program :: The MFA at Florida Atlantic University

The MFA in Creative Writing program at Florida Atlantic University offers concentrations in fiction, creative nonfiction, and poetry. Core faculty include Ayşe Papatya Bucak, Andrew Furman, Becka Mara McKay, Susan Mitchell, Kate Schmitt, and Jason Schwartz.

Students have the opportunity to work with online literary magazine Swamp Ape Review (which reopens to submissions on April 1). Learn more…

The Cult of Likeability

Jackson Bliss.jpgThe Cult of Likeability (or Why You Should Kill Your Literary Friendships) Craft essay by Jackson Bliss. TriQuarterly.

I’ve noticed a recurring trend in my fiction workshops recently that troubles me, partially because I was once the defendant in the same court of law during my own MFA program: a creative writing student stands up (metaphorically speaking) and then declares almost joyfully that they don’t like a character in the manuscript we’re workshopping or in the novel we’re reading. After I pause and wait for the student to elaborate, I soon realize that their dislike is the critique. I can’t help but wonder if the either/or fallacy of cancel culture I see routinely on social media has in some way reinforced this notion in workshop that unlikeable characters (like people in real life) don’t deserve our attention, which is why we’re allowed to stop considering them at all, once we decide we don’t like them. Frankly, I find this kind of reader response lazy, problematic, ungenerous, and uninsightful, regardless of whether we’re talking about art or people.

…What if the real problem is that, as readers, we’ve become impatient assholes who no longer want to understand the people we’d like to erase, both in literature and in our lives. What if part of the issue here is that, as readers, we now want to cancel the characters that rub us the wrong way (or even worse, who offend us) precisely because we now live in an era where we want to shut up half of those we share the world with.