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Published February 20, 2012
The Golden Triangle is published three times per year and is available online, and via iPad and iPhone Apps. Readers can expect to find "fresh, risk-taking, original poetry, fiction, and non-fiction coupled with intelligent design."

Editors Jessica Schulte and Sasha VanHoven tell me that "The Golden Triangle was created by struggling writers and literary nerds trying to make it in 'the real world' of writing. With the decrease in printed publications, competition to get in became harder, and yet while digital journals were taking off, they severely lacked legitimate design. We decided to become the solution ourselves, offering a digital space for the under-exposed voices of our peers that cared for aesthetics as well as the community behind it."

Contributors in the first issue include Howie Good, Corinna Ricard-Farzan, Jon Gingerich, Brittany Shutts, Lauren Chimento, William VanDenBerg, Corina Bardoff, Justin Mantell, Joanna C. Valente, Devan Boyle, Ansley Moon, and Taylor Saldarriaga.

With ambitious plans for the future, Schulte and VanHoven are looking to become a fully functioning small press within the next five years, in both digital and print media.

The Golden Triangle is open to all genre forms within poetry, fiction, and non-fiction; work that "blurs genre lines and takes risks," is welcome, but editors "warn against 'post-post-post modernism' type work." Only previously unpublished works considered; simultaneous submissions are "a-okay," as long as editors are notified immediately. The next deadline is March 3rd, 2012.
Published February 15, 2012
Beecher's Magazine is the graduate student-run literary journal at the University of Kansas (KU) MFA program. The print annual has an editorial board, which for 2011-2012 includes Iris Moulton and Ben Pfeiffer (co-editors); Mark Petterson (fiction); Amy Ash (poetry); and Stefanie Torres (nonfiction).

The impetus for Beecher's served to expand the options and offerings in the KU MFA program. Pfeiffer writes, "Our program was geared almost exclusively to teaching, not to publishing or to editing; in order to give the students a chance to try out this vocation, we thought having some kind of graduate student-run literary journal was important. So a bunch of students rolled up their sleeves and set to work. The administration supported us with money, but all the heavy lifting was done by students. Beecher's One is the result."

The publication features stories, poems, essays, and interviews. The inaugural issue includes works by Alec Niedenthal, Rebecca Wadlinger, Joshua Cohen, Rhoads Stevens, John Dermot Woods, Phil Estes, Creed J. Shepard, Lincoln Michel, Adam Robinson, Stephen Elliott, Yelena Akhtiorskaya, John Coletti, Colin Winnette, Dana Ward & Stephanie Young, James Yeh, Alexis Orgera, Rozalia Jovanovic, Ricky Garni, and Justin Runge.

Beecher's Magazine has just selected the winners of their first contest, and editors and staff are preparing for AWP 2012 in Chicago. Issue #1 of Beecher's Magazine was a limited run and has sold out, but the second issue is underway.

Beecher's accepts poetry, fiction, and nonfiction via Submishmash for both print and online (forthcoming) consideration.
Published February 08, 2012
Executive Editor and Founder Sara R. Rajan and Assistant Editors Dinesh Rajan P and Andrea O'Connor are the force behind Literary Juice, an online bimonthly publication of works in a wide variety of genres, including comedy, romance, and fantasy. A unique feature in Literary Juice is "pulp fiction": stories written in just 25 words - no more, no less - with one-word titles.

Rajan founded Literary Juice as "a creative outlet for both established and emerging poets and writers, as well as an avenue for readers looking to indulge their imaginations in a world of absolutely remarkable and unforgettable talent." As such, audiences will read works by "authors who are bold and not afraid to cross into unconventional territory. Literary Juice showcases poetry and works of fiction that are dramatic, playful, and even outright weird!"

Contributors to the first issue include Craig M. Workman, Joel Bonner, Jennifer McIntosh, Amy Agrawal, Storm J. Shaw, Pamela Evitt-Hill, Jessie Duthrie, Angela Huston, Sarah Helen Bates, Amanda Little Rose, W. Walker Wood, E. Drape, Michelle L. Hill, Vita Duva, Matthew L. Wagner, Sydney Rayl, Jerry Judge, Helen Stamas, John Grey, George Freek, Liz Minette, Aur
Published February 07, 2012
Barge Journal is a biannual print publication with preview content available on the website and e-reader formats forthcoming.

Editors Shawn Maddey, Justin Maddey, Christine McInnes, and Hallie Romba say they started Barge Journal "when we realized that there was a particular aesthetic that we shared and found in many up-and-coming writers, but that seemed relegated to the internet. We really wanted to bring the fervor and style of innovative internet publications to the print world, where a lot of it is highly underrepresented and overwhelmed by more 'literary' styles. We also wanted to be able to raise awareness of indie publications to broader audiences of artists and readers."

What can readers expect to find in Barge Journal? Maddey writes, "We like to say 'stuff, not things.' Expect lots of playfulness with language and form, expect risks, expect stuff that you'd be hard-pressed to find in print many other places. Few works we publish are easy reads, and you won't find any traditionally structured stories or hard genre delineations - instead we strive to publish work that pushes its readers to think, to think differently about literature, and to enjoy the process of doing it. It doesn't hurt to find comfort in a bit of ugliness, either."

Contributors to the inaugural issue include Gregg Williard, Yarrow Paisley, M.J. Nicholls, R.L. Swihart, Joshua McKinney, Matthew Dexter, Kristine Ong Muslim, Art Zilleruelo, Colin Winnette, Thomas O'Connell, Nicolas Destino, Paul Kavanaugh, Jonathan Dubow, Margaret Bashaar, Zdravka Evtimova, Andrew Borgstrom, Parker Tettleton, Bob Shar, Travis Blankenship, William Akin, Janann Dawkins, and Neila Mezynski.

As Barge Journal moves forward putting together Issue #2, the editors' goal is "to always be pushing the boundary a little bit further while having as much fun with it as possible. We would love to be able to include more visually-oriented work and comics/art as well. A lot of our current efforts are focusing on expanding our role as a press, beyond the journal. We will have a series of chapbooks forthcoming (currently by solicitation only, sorry), and are soon going to print with our first full-length book (a comix anthology) as well as a series of literary/arts greeting cards with some great artists and literary works paired up - so, a few great projects to get excited about."

Barge Journal accepts submissions only online through Submishmash on a rolling basis. Genre identification is open, and the editors state a preference for work that is difficult to classify by genre.

Maddey adds, "We love to interact with our readers, submitters, and contributors, so we invite you to follow us @bargepress on twitter or /bargepress for facebook."
Published February 06, 2012
Senior Editors Barbara Westwood Diehl and Kathleen Hellen are directing The Baltimore Review on a new venture with an online quarterly publication and print annual.

The Baltimore Review was founded by Barbara Westwood Diehl in 1996 as a literary journal publishing short stories and poems, with a mission to showcase the best writing from the Baltimore area and beyond. Their mission remains just that. "However," Diehl writes, "in our new online format, we can now bring that fine writing to the world's attention, more frequently, and at less cost. We can also explore new ways to bring the world of writers and writing to the reader's attention. This doesn't mean that we've fallen out of love with the printed book. Work accepted for online publication will also be collected for annual print issues."

Readers of The Baltimore Review can expect to find fiction, flash fiction, creative nonfiction, and poems from established and emerging writers - "work we hope will take readers into unfamiliar worlds or deeper into familiar ones, work that knocks the walls down," Diehl says.

The first online issue includes: Poems by Edgar Silex, Al Maginnes, Dorianne Laux, W. Todd Kaneko, Paul Hostovsky, Tim Kahl, John Walser, Angela Torres, Ned Balbo, and David Dodd Lee; Fiction by Devin Murphy, Christopher Lowe, Josh Green, Gregory Wolos, Catherine Thomas, Peter Kispert, Nathan Gower, Ryan Millberg, Ajay Vishwanathan, Catherine Parnell, Jen Murvin Edwards, and Emily Roller; Creative Nonfiction by Heather Martin, Stephen J. West, Colin Rafferty, Bram Takefman, Michelle Valois, Lockie Hunter, and Seth Sawyers.

The Baltimore Review hopes to continue forward with quarterly online and annual print issues, always seeking new ways to engage their readers.

Submissions are accepted through Submittable. Details available on BR website.
Published February 02, 2012
Heavy Feather Review is a biannual ebook published by editors Nathan Floom and Jason Teal

HFR editors describe the content as "an eclectic mix of fiction, poetry, creative nonfiction, or any hybrid thereof. Every issue of HFR is its own animal. Writers, and those concerns of writers, change with time, and so does HFR."

Contributors to the inaugural issue include Alex Austin, Nick Barr, Anhvu Buchanan, Seth Berg, J. Bradley, Chloe Caldwell, Karen Craigo, Lori D’Angelo, Rick D’Elia, Larry O. Dean, Elizabeth Ellen, Nicolle Elizabeth, Ricky Garni, Roxane Gay, Amy Glasenapp, Howie Good, David Greenspan, Len Kuntz, Thomas Patrick Levy, D.W. Lichtenberg, Adam Moorad, Meg Pokrass, Molly Prentiss, Andrew Rihn, Paul Arrand Rodgers, Steve Roggenbuck, Matthew Savoca, Bradley Sands, Peter Schwartz, Gregory Sherl, Zulema Renee Summerfield, J.A. Tyler, James Valvis, Robert Vaughan, John Dermot Woods, Jake Wrenn, and Joshua Young.

Future plans for HFR include "print, press, music festival." As Teal notes, "HFR is actively looking to exist in more real and real forms."

HFR is taking submissions for both its homepage —thoughtful essays/posts concerning art, life, anything — reviews, interviews — and HFR 1.2, arriving in summer 2012. Deadline for 1.2 is August 15, 2012. Submission accepted via Submittable.
Published February 01, 2012
Northern Wanderer is a new online quarterly edited by Dr. Darren Richard Carlaw and Elena Kharlamova.

The inspiration for Nothern Wanderer, write the editors, was the poem “After Breakfast (With Peter) Costing 5/6d” which appeared in Newcastle upon Tyne poet Barry MacSweeney’s first collection, The Boy from the Green Cabaret Tells of his Mother (1968):
“After Breakfast…” is a pastiche of Frank O’Hara’s “A Step Away from Them,” the walking poem from which Northern Wanderer's sister publication, StepAway Magazine, takes its name. Mr. MacSweeney’s after breakfast wander, however, takes place in his hometown of Newcastle upon Tyne, England, beginning outside the Cloth Market Café and ending outside the Green Market

Northern Wanderer is a way of encouraging contemporary northern writers to follow in Barry MacSweeney’s footsteps, to explore and observe the North East of England on foot.

Which is precisely, then, what readers can expect to find in Northern Wanderer: A series of poetic walking narratives which celebrate street life in northern towns and cities.

Contributors to the first issue include Barry MacSweeney, Stevie Ronnie, Ira Lightman, Bob Beagrie, Ian Davidson, Lizzie Whyman, and Keith Parker.

In upcoming issues, editors expect that Northern Wanderer "will grow to become a repository of poetry and prose devoted to walking in the North East of England."

Writers are encouraged to submit one story or poem at a time via e-mail (no attachments). Simultaneous submissions are accepted. Response time is within 14 days with acceptance/rejection on a rolling basis. For more information, visit Northern Wanderer.
Published January 31, 2012
The Adroit Journal is a triannual downloadable PDF publication edited by Peter LaBerge (Editor-in-Chief), Ameerah Arjanee and Magen Eissenstat (Poetry Genre Editors), Connor Cook and Kratika Mishra (Fiction Genre Editors), Michele Ang (Art/Photography Editor), and additional staff members.

LaBerge tells me, "The Adroit Journal was conceived for mainly two reasons: as a fundraising vehicle for an organization called Free the Children Organization, and as an opportunity for teenagers to come together to produce a collection of quality literature." A link to Free the Children is provided on The Adroit Journal website, and donors make their contributions directly to the organization.

Readers can expect to find a complete variety of poetry and fiction within the pages of The Adroit Journal. "Often readers and contributors remark that they cannot find a singular type of work that The Adroit Journal considers," LaBerge notes, "because we consider (and publish) all different kinds."

Some of the many contributors to date include: Poetry - Carol Guess, Dorianne Laux, Annie Finch, Lee Upton, Matt Mauch, Laura Kasischke, Darlene Pag
Published January 30, 2012
HOOT is a unique monthly traditional-mail delivered postcard print format with additional separate content online.

When asked Why start a literary magazine?, Editors Dorian Geisler and Amanda Vacharat replied: "This is a great question. It does seem counterintuitive, a little bit, to start a literary magazine now, in 2012 - when there are already a bazillion magazines struggling to find readers and subscribers. We started a literary magazine because we thought we saw an unfilled niche, based on what people are looking for right now. It's not that people don't want to read new authors anymore, it's that they don't want it to take up a lot of time. People want concision. Furthermore, they want things that are shareable and self-defining (think Twitter and Facebook posts). So, we made a magazine that's short, and affordable, which (hopefully) looks good enough to be hung on a fridge, and is small enough that it can be easily passed along to others."

I have personally received the HOOT postcards, and as a fan of postcard lit, can attest that these are some of the best quality cards in full color that I have seen.

HOOT editors claim that their publications contain "Zest! We like zest. So readers can expect to find it! By which we mean: surprises - not 'twist' endings, but a wide variety in styles and subject matter from issue to issue. HOOT readers can also expect to find art that is visually appealing and also varied in style."

For the print (postcard) issue, there is only have one author per issue, so to date contributors include J. Bradley, John Steen, William Henderson, and Andrea Uptmor. Online issues, contributors to date are Meagan Wilson, Meghan Slater, Christopher Grosso, Stewart Lindh, William Doonan, Maria Anderson, Justis Mills, Caroline Zarlengo Sposto, Nick Sanford, Stephen Ross, Linda Simoni-Wastila, Thomas Mundt, and Marcy Campbell.

HOOT's plans for the future are "all about the idea that literature isn't just for capital-L Literary types." Editor Amanda Vacharat explains, "There's quality work being written that has appeal for a much larger audience, as long as it fits into their schedules. So, we're playing with the idea of printing literature on a variety of other mediums. We also want to make contemporary writing available to people who might not otherwise have access to it. We're working towards a model where we can send some subscriptions into prisons and inner city schools and libraries. [Editor's note: YEAH!] Also, starting in March, we'll be running free, in-person writing workshops locally (Philadelphia)."

Submissions are year-round and rolling. For print, writers can submit by mail or online. There is a $2 fee for submitting online via Submishmash (which the editors encourage! because this is how they are able pay their authors). But, mail submissions are accepted too, with a SASE. All for-print submissions are automatically considered for online publication. Authors only interested in online publication can submit by email.

In addition to all of this, HOOT editors run free online workshops every Wednesday evening in a chat room - for flash fiction/non-fiction and short poems (<150 words). "Basically," Vacharat says, "we'll read your work right there and give you immediate feedback. You're also welcome to help give feedback on other people's writing. We're very supportive, while still being honest. We try to give very specific things to work on. It's great for all writers - but especially if you're thinking of submitting, you'll also get a great sense of what we tend to like (and not like)."

[Pictured: HOOT: ISSUE 2, November 2011, "Poem" by John Steen]
Published January 23, 2012
Edited by Cynthia Reeser, Prick of the Spindle Print Edition comes to readers biannually in October and April of every year and is available in paper copy and eBook (Kindle).

Already having established the well-known and respected online quarterly publication, Prick of the Spindle, Reeser comments: "I started the print edition in part to expand our audience and readership, as well as the scope of what we publish. As a nonprofit, we wish to initiate subscriptions and also to be able to pay our contributors, and the print edition helps us to do both."

Prick of the Spindle readers can expect to find fiction, drama, nonfiction, poetry, interviews, and essays of a more formal nature, as well as artwork and experimental text/image pieces.

The inagurual print edition includes an interview with Sandy Longhorn, poetry by Jessica Cuello, Nandini Dhar, Claire Stephens (text/image), nonfiction by Juan Daniel Mill
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