In her Editor's Notes to Issue 13 of Saranac Review, Elizabeth Cohen begins by quoting Emily Dickinson: "If I read a book [and] it makes my whole body so cold no fire can ever warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry."
Cohen writes, "We are sometimes asked at Saranac Review how we select the work we publish, and I think Dickinson's words are applicable. Of course we seek work that has strong voice, craft and originality, but in the end, it is the visceral response that probably most informs our choices. We choose poetry, fiction, creative non-fiction and plays that make us feel and evoke in us a response that physically affects us, while simultaneously reminding us why we read in the first place. If you could read our notes to one another on Submittable, you would see a lot of this: 'Made me tingle,' 'heart stopping,' 'took my breath away.'"
With such discerning criteria, writers have got to meet that bar, providing readers much to look forward to in each issue of Saranac Review.
"Twenty years ago," writes Brevity Editor Dinty W. Moore, "I had an idea for a magazine that combined the swift impact of flash fiction with the true storytelling of memoir, and Brevity was born. To be honest, I expected it to last a year."
Instead, Brevity has aged into the most well-known publication of its kind, with a rich history of publishing new authors who have become some of the most respected in the genre, and guiding writers as they learn and practice their craft.
In celebration, Brevity reached out to authors who have appeared multiple times in Brevity over the years and commissioned their submissions for an anniversary issue. Authors includes Lee Martin, Diane Seuss, Brenda Miller, Sue William Silverman, Rebecca McClanahan, and Ira Sukrungruang. Moore notes that readers "may detect a common theme (or at least a common word)" among the works.
After publishing 12 print issues from 2004-2015 in association with Columbia College Chicago, and a brief hiatus, Court Green is back with issue 13, "the first in its new incarnation as an independent online journal" edited by Tony Trigilio and David Trinidad.
Featured in this revival issue are poems by Matthew Burgess, Chris Green, Ginger Ko, Robert Siek, Kimiko Hahn, George Kalamaras, Annah Browning, Kimberly Lyons, Hafizah Geter, Megan Fernandes, Diane Seuss, Lynn Crosbie, Harlee Logan Kelly, Kenyatta Rogers, and C. Russell Price.
A special bonus features: “Robert Siek: 13 Instagram Photos”; Peter K. Steinberg, “‘A Fetish Somehow’: A Sylvia Plath Bookmark”; and “Radio Free Albion: Interview with George Kalamaras.”
Welcome back Court Green!
Photographs by street photographer J. Ray Paradiso are featured on the cover screen for the online Foliate Oak Literary Magazine.
Catherine Heard's work can be found on the cover of Hamilton Arts & Letters Magazine 10.1 as well as featured in an online portfolio. Her work "work interrogates the histories of science, medicine and the museum. Simultaneously attractive and repulsive, her works delve into primal anxieties about the body."
In addition to general management and editorial duties, the Senior Editor will also be responsible for directing a special translation project and academic database using literature previously published in Hayden’s Ferry Review.
Applicants should have a Bachelor’s degree in Journalism or a related field and five years related experience; an MFA in Creative Writing, bilingualism, and experience working in a university setting and web development are preferred.
Salary range $41,976 - $50,000 DOE.
To view the full job description and apply, visit http://bit.ly/2hNxTGU or search openings at https://cfo.asu.edu/applicant by job title “Senior Editor” or requisition number “36507BR”. A pdf of the job description is also available at http://bit.ly/2fRlVLQ.
Individuals with any questions should contact the Piper Center at 480.965.6018 or pipercenter.info-at-asu.edu.
The position will close Wednesday, November 1st, 2017.
Halloween, detail by Bo Bartlett, is seasonally appropriate for the Autumn 2017 cover of The Gettysburg Review. More of Bartlett's work is also featured in a full-color portfolio inside the publication.
"Finding Home: Family & Connections" is the theme of Bellvue Literary Review's Fall 2017 issue, with cover art and internal portfolio by father and son Paul and John Paul Caponigro.
The Massachusetts Review "back-to-school" fall 2017 issue features "He Who Is as if Death Were Not," an archival pigment print on German etching paper from Ayana V Jackson's series To Kill or Allow to Live in the issue.
Read the full editorial here and access full-text of several works from this issue, including Louise Aronson's "Necessary Violence."
Cover: Warfare by Sabra Field