Wordrunner eChapbooks publishes an annual themed anthology, taking submissions just prior to publication, but also then publishes two e-chapbooks of fiction each year. While they have a submission fee, they are also a paying market (with a better return than I've been getting for playing the lottery lately). "Our aim is to make high quality writing available free or at very low cost, much like the original chapbooks that were hawked in the streets of 18th and 19th century London for pennies," the editors note. Yet web publishing opens up all kinds of new options for digital-aged readers: "In many issues, hyperlinks to photos, videos, background articles, maps, poetry, and artwork add new dimensions to the online reading experience."
The current chapbook is Ovenbirds and Other Stories by Dorene O'Brien, with a full archive of previous e-chapbooks and anthologies going back to 2008. Submissions for the spring anthology will open January 1 with submissions for the e-chapbook fiction series running from May 1 - June 30. Lots of time to get your manuscripts ready!
Last week, Nimrod International Journal announced exciting news for writers: they are now a paying market. For work printed in the two upcoming 2019 issues, the editors will pay $10/page with a maximum of $200, visual artists will receive $10 per image used, and all contributors will continue to receive two copies of the issue in which their work appears.
Writers whose work is selected through the journal's two annual contests (Nimrod Literary Awards and the Francine Ringold Awards for New Writers) will also receive the new payment, though the monetary prizes for winners will remain the same.
Learn more and submit your own work at Nimrod’s website.
"Rejection doesn't have to be the end of the line" according to Carve Magazine. To which end, they include the coolest column in each issue: Decline/Accept, with commentary from a writer whose work, originally declined by Carve, has been accepted elsewhere. The author writes about their rejection/revision/acceptance, a snippet of the original work is included with Carve editors' comments as well the snippet revised (if applicable) along with editors' comments from the publication that accepted the work.
The Summer 2018 issue features Kelly Hill, whose story "The Bearded Loon" was published in the July 2017 issue of Upstreet. Hill comments on the rejection and subsequent acceptance, "I've been doing this writing thing long enough to understand that the story I set out to tell is not always the story I write or the story that others ultimately read. I'm always thankful for good feedback from insightful readers, although any feedback can be useful if it helps you mentally justify your stylistic choices."
Decline/Accept is a great craft component for readers and writers alike, and you can see a full listing with links out (when available) to the final published work here.
That’s what writers do: we start over. For a writer, every day is a new day with a new beginning. Even if we are writing an essay or a book chapter we have been working on for days or months—or years!—we face our notebook or keyboard not really knowing what is going to happen to our work next. We may think and hope that we know, but we really don’t—at least until we are deep into the story. Even then, we are invariably surprised.
Lee Gutkind from his What's the Story introduction to the 4th Annual Readers' Choice Theme issue of Creative Nonfiction - Starting Over: Hitting the Reset Button
by Ryan Thorpe
The family of three examines
the dining table for four,
calculating out their marriage
prospect. They are unsure
of the wood’s soft shine,
doubting it will survive past
two winters. . .
After nearly 30 years of continuous publication, Glimmer Train has announced that they will be closing shop after this next year of publication. Submissions are still being accepted to finish out with issue #106, but after that, sisters Linda Swanson-Davies and Susan Burmeister-Brown – or as we call them, The Glimmer Train Sisters – plan to retire the publication entirely.
While they have received many offers and inquiries to let others take over the renowned journal, The Sisters had already decided against this option. In a form letter response to such inquiries, The Sisters. . .Read more...
In addition to celebrating its tenth anniversay of publication, the newest issue of Canada's Hamilton Arts & Letters (11.1) is also a celebration of Bertrand Russell and the 50th Anniversary of the Russell Archives.
Guest Editor Rick Stapleton [pictured] writes in his introduction, "In 1968 McMaster University purchased the first instalment of the archives of Bertrand Russell (1872-1970), a vast collection of letters, manuscripts, photographs, books and other personal material of one of the 20th century’s greatest philosophers, writers, and peace activists. At the time, the 96-year-old Russell was in need of funds to support his peace work, and McMaster’s university librarian, William Ready—renowned for his ‘buccaneering’ style of acquiring collections—was able to bid successfully for the archives. Now, 50 years later, we celebrate that event with this special issue of Hamilton Arts & Letters magazine, devoted to Bertrand Russell."
The issue is packed with poetry, artwork, and articles, including an Interview with Kenneth Blackwell, the original Bertrand Russell archivist by Wade Hemsworth; “'I Have Never Been a Complete Pacifist': Bertrand Russell on Peace and War in the Twentieth Century" by Andrew Bone; "Bertrand Russell and The Revolution in Twentieth Century Philosophy" by Nicholas Griffin; "A Rivalry? – Russell’s Lovers, Lady Ottoline Morrell and Lady Constance Malleson" by Sheila Turcon; "Hanging out with Bertrand Russell" by Terry Fallis; and "Bertrand Russell: Remembering a Public Intellectual for Our Time" by Henry A. Giroux.
"We are looking for experimental works of film or video that are 15 minutes or less and utilize moving images as a means to poetic expression, formal exploration, or abstract and open-ended narratives. Compelling, personal works that push the boundaries of cinematic convention will also be considered for publication."
For more information, see the Aquifer announcement.
[The Florida Review 42.1 2018 cover art: Dengke Chen, "Tank Man," digital illustration]
Gyroscope Review: Fine Poetry to Turn Your World Around has announced a call for submissions for The Crone Issue to feature contemporary poetry from poets who identify as women and are over the age of 50.
"Women over 50 are often underrepresented in poetry publications, so we are choosing to offer a space and a voice to the wise women out there. We want work that celebrates the ideas of crone, wise woman, matriarch, post-menopause, grandmother, elder, strength, experience," the editors write in their CFS. They challenge: "Shake up our ideas of the female over-50 demographic. Show us something fierce, something powerful, something that cannot be ignored. Cast off the restrictions around what you have been told you can talk about. Break your silence."
Submissions are open until September 15 or until the editors have accepted enough content to fill the issue - whichever comes first. So - don't delay! Send your best work today!