Listen, the dolls in my dollhouse
are being deported and the landlord is typing
in all caps. How do we recognize humanity
when we’re just a name on a screen? An avatar
of a flag or resist, a red cap or a pink hat?
We’re holding the door for people, until we know
how they voted then we’re tripping each other
into the future, getting high off how fast they fall.
Read the full poem and hear it read by the author here.
Southern Humanities Review is available for single issue purchase on the NewPages Magazine Webstore.
Fiddlehead Fiction Editor Mark Anthony Jarman introduces this issue's contents as a showcase of "great, sensuous stories from the east coast and west coast and around the world," and adds that the issue also features a nonfiction work, "The Foxes of Prince Edward Island," by Matthew Ferrence. ". . . it is our desire," Jarman explains, "to include more creative nonfiction in future issues of The Fiddlehead." Readers can find Jarman's introduction and Eden Robinson's story "Nanas I Have Loved" available to read online.
May Willow Springs continue on another forty years - buoyant and thick with possibility!
In the most recent issue, #157 August 2017, Rowena Macdonald offers 10 tips for writing dialogue, offering this advice: ". . . remember, when it comes to writing dialogue in prose you need to convey the impression of reality rather than verbatim speech." Silas Dent Zobal [pictured] offers a meaningful exploration of finding the heart of the story and the difficulty of writing about what can't be written: "That's what I want to tell you. Here, right here, is where you can find the heart of the heart of your story. Not in a place but in no place. Not in clarity but in ambiguity." And Joshua Henkin provides commentary on developing character background: when Mia comes from Montreal instead of Maryland, it changes how her family got there and the impact of their choices on her character in story - and the writer's responsibility to the "seeds of a narrative."
Three excellent essays that would be great semester kick-off reading for any creative writing class, and some great basic craft conversation for all writers to consider. Signing up for the bulletins is free.