Editorial insights abound at the Colorado State University Center for Literary Publishing Editor's Blog. Home of the Colorado Review as well as several esteemed annual literary prizes, Center Director Stephanie G'Schwind has both breadth and depth in her staff contributors.
Recent posts include:
“Looking toward Spring with Place-Based Writing” by Editorial Assistant Jennifer Anderson
“Revisiting the Holocaust Metaphors of Sylvia Plath” by Editorial Assistant Leila Einhorn
“Procedures for the Slowpoke Poet” by Associate Editor Susannah Lodge-Rigal
“On Love Poetry” by Associate Editor Daniel Schonning
The blog also features links to monthly podcasts: February 2019 Podcast: Writing on Mental Health with Margaret Browne; January 2019 Podcast: Horror Poetry with Emma Hyche; and more.
Check it out here.
The Boardman Review
Issue 6, 2019
Review by Mitchel Jarosz
If your interest is in the outdoors as well as the arts, something fresh and new, The Boardman Review is an excellent choice. Subtitled “the creative culture & outdoor lifestyle journal of northern Michigan,” this print and digital journal includes literature, music, lifestyle profiles, and documentaries that focus on the work and lives of creative people who express their love of the outdoors without trying to promote their talent. This last issue of 2018 provides a promise of even more fascinating work during the coming year.
As I write now, during the middle days of February, hard upon our Spring 2019 deadline, the dice are still not fully cast for my successor or my exact departure date - and so I will be brief again: the earliest I would step away is 1 June, at which time our Summer 2019 issue will literally be in press and the preparation of the Fall 2019 contents will be in full swing, so my ghost will be around for at least some aspects of the latter. The goal for me, for the rest of the Georgia Review staff, and for the University of Georgia, is a transition that will be as smooth as possible for our submitters, contributors, and readers.
I will close with a few words (because I have been asked for them) about the why of my departure from the place of employment to which I have given more than half of my life, and which I have served through almost (just one year shy of) half of the journal's life. I've been pondering and preparing for a couple of years, with no pressure from anyone other than myself. I'm seventy, I'm healthy, I have several books of my own writing to finish and begin - and I haven't even toured Great Britain yet, that realm so vital from early days to my being drawn into this literature/reading/writing/editing life.
To be continued...
In honor of W.S. Merwin, Kenyon Review Poetry Editor David Baker writes, "No contemporary poet’s work has meant more to me than W. S. Merwin’s. We first met in 1979, when I was a twenty-four-year-old high school English teacher in Jefferson City, Missouri; we played pool at Dave’s Bar in Kansas City one night, and he told me I shouldn’t go do my PhD but stay out of academia and write."
Read the rest of Baker's comments here along with Merwin's works published in KR and a link to video interview with KR editor David Lynn and David Baker upon Merwin's accepting the Kenyon Review Award for Literary Achievement in 2010.
Glimmer Train March 2019 Bulletin offers an interesting selection of craft essays, each just at a tipping point of controversy.
"Words, and Barry Hannah, the Guy Who Taught Me to Love Them" by Marian Palaia shares how Hannah's voice and vernacular influenced her early on, although now she comments, "if Barry were writing the same stuff now, I can't imagine how he'd get away with it."
Devin Murphy's "We All Do It! Don't We? The Art of Reading Like a Thief" examines the fine line of "Did I plagiarize the novel I'd read?" He comments on his own teaching and trying to help student writers "understand the value of actively reading for material that will help them deepen their own stories."
"What interests me about politics in fiction," writes Siamak Vossoughi [pictured], "is how it informs the lives of characters." In his essay, 'The Political Lives of Characters," he asserts, "A writer only runs the risk of being preachy or dogmatic if he or she makes a character of one political belief less three-dimensional and human than that of another."
The 2019 issue is a 48-page chapbook of work by twenty poets age fifteen or under, but don't let the age line fool you. Rattle editors write that this "is not a collection just for kids—these are missives to adults from the next generation, confronting big topics with fresh eyes and a child-like spontaneity."
Contributors include Lucia Baca, Angélica Borrego, Olivia Bourke, April Chukwueke, Lexi Duarte, Josephina Green, C.A. Harper, Lily Hicks, Angelique Jean Lindberg, Rylee McNiff, Ethan Paulk, Lydia Phelps, McKenzie Renfrew, Ellie Shumaker, Emmy Song, Rowan Stephenson, Saoirse Stice, Zachary Tsokos, Layla Varty, and Simon Zuckert, with cover art by Noralyn Lucero.
Submission deadline for the next issue is October 15, 2019.
Since there is always a lag time created between contemporary news issues and publications of poetry, Rattle has created a quick-streaming solution.
Poets Respond takes weekly submissions (before midnight on Fridays) for works "written within the last week about a public event that occurred within the last week."
The poems then appear every Sunday on the Rattle homepage. The only criteria for the poem, the editors assert, is quality, "all opinions and reactions are welcome."
Selected poets receive $50, with poems sent before midnight on Sunday and Tuesday considered for a "bonus" mid-week post.
This week's selection is "In Defense of Those Who Harbor Terrible Ideas at Tax Time" by Alison Luterman [pictured], in which, yes, she considers "the young black gay actor who orchestrated / a fake hate crime against himself. / It must have seemed like such a good idea to him / at the time," and later in the poem offers, "I have to forgive this young man his terrible / idea, I have to because, in my own way, I’ve been him."
For more information about Poets Respond and an archive of past works, click here.
"Oh, plastic, scourge of the Anthropocene, shaped into adorable shapes and dyed multifarious colors; plastic, who will be with us forever: it’s easy to forget about you, but when I remember you’re here, I’m annoyed and freaked out all at once."
The opening line of From the Editor: Material Life by Anna Lena Phillips Bell creates a link between the theme for the Fall/Winter 2018 issue of Ecotone: Body and our cultural abuse of plastics. Taking their own use to task, Ecotone announces with this issue they will no longer be shipping the magazines in 'polybags,' and the cover of the publication itself will now be an uncoated stock. Walking the talk!
And the contents of the publication focus on "The Body" including campus-carry laws, Indigenous students, the safety of women's bodies, queer identity, birth and postpartum depression, and much more.
See a full list of contributors and read partial content here.
"All of the work in this special Fall issue of Cold Mountain Review about a fair and just relationship between people and their society has great emotional impact," writes Consulting Editor Vivian Shipley in her Editor's Note. And the work strikes upon a variety of justice issues: the opioid crisis; transgender experience; the multitude of experiences of women from different identities, races, and classes; the continued impact of oppression created by colonial occupation; the impact of humans on the environment; ecological aspects; and the role of social media.
From her youth, Shipley shares, "I was taught that anything that had a negative impact on the dignity of life of any person, from their birth to their death, needed to be addressed and eliminated," and concludes, "This timely and very significant issue of Cold Mountain Review explores many ways to achieve social justice in our currently bitterly divided country."
See a complete list of contributors and read the full content online here.
Co-edited by Nicole Oquendo [pictured], Editor Lisa Roney introduces the newest issue of The Florida Review (42.2) in the "Editor's Note: Heritage, Family, Respect: Who Controls the Narrative?"
"It's with great pride and humility that we bring this array of poems, stories, memoirs, and both filmic and visual art to our readers - we believe that it represents a new generation of self-aware and multi-faceted creators who sometimes seek shelter under the umbrella of 'Latinx,' but who refuse to be defined by any label. [. . . ] They are, in fact, quintessentially American, representing the hybridity that makes our literature so strong on this continent, filled with varieties of experience and exhibiting styles that have been learned from an array of cultural sources and then innovated upon."
Selections highlight heritage, family, parent-child relationships, disability, divorce, and grieving. In several contributions, language and representations in history are examined, with all the works asking, "Who controls the narrative? What do words mean? If we know that they are subject to twisting, then how do we trust any story, any poem, any sentence?" Roney comments, "All of use, it seems, are grappling with these questions."
Contributors to this issue include Juan Carlos Reyes, Brooke Champagne, Steve Castro, Chris Campanioni, M. Soledad Caballero, Sara Lupita Olivares, Ariel Francisco, Leslie Sainz, Valorie K. Ruiz, Naomi A. Shuyama Gomez, Alana de Hinojosa, Maria Esquinca, Michael J. Pagán, Lupita Eyde-Tucker, Trinity Tibe, Karl Michael Iglesias, George Choundas, Pedro Ponce, Paul Alfonso Soto, Cindy Pollack, Pascha Sotolongo, Cassandra Martinez, Julia María Schiavone Camacho, Ivonne Lamazares, and Michael Betancourt.