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Published October 23, 2017
cleaverThe cover image for issue 19 of Cleaver Magazine online is mixed media/map entitled “He had an Awkward Relationship With The Truth” by Emily Steinberg.
foliate oakPhotographs by street photographer J. Ray Paradiso are featured on the cover screen for the online Foliate Oak Literary Magazine.
hamilton arts lettersCatherine Heard's work can be found on the cover of Hamilton Arts & Letters Magazine 10.1 as well as featured in an online portfolio. Her work "work interrogates the histories of science, medicine and the museum. Simultaneously attractive and repulsive, her works delve into primal anxieties about the body."
Published October 18, 2017
haydens ferry reviewThe Virginia G. Piper Center for Creative Writing is seeking a Senior Editor for Hayden’s Ferry Review, a semi-annual international literary journal edited by the Creative Writing Program at Arizona State University.

In addition to general management and editorial duties, the Senior Editor will also be responsible for directing a special translation project and academic database using literature previously published in Hayden’s Ferry Review.

Applicants should have a Bachelor’s degree in Journalism or a related field and five years related experience; an MFA in Creative Writing, bilingualism, and experience working in a university setting and web development are preferred.

Salary range $41,976 - $50,000 DOE.

To view the full job description and apply, visit http://bit.ly/2hNxTGU or search openings at https://cfo.asu.edu/applicant by job title “Senior Editor” or requisition number “36507BR”. A pdf of the job description is also available at http://bit.ly/2fRlVLQ.

Individuals with any questions should contact the Piper Center at 480.965.6018 or pipercenter.info-at-asu.edu.

The position will close Wednesday, November 1st, 2017.
Published October 09, 2017

gettysburgHalloween, detail by Bo Bartlett, is seasonally appropriate for the Autumn 2017 cover of The Gettysburg Review. More of Bartlett's work is also featured in a full-color portfolio inside the publication.
bellevue literary review"Finding Home: Family & Connections" is the theme of Bellvue Literary Review's Fall 2017 issue, with cover art and internal portfolio by father and son Paul and John Paul Caponigro.
massachusetts review The Massachusetts Review "back-to-school" fall 2017 issue features "He Who Is as if Death Were Not," an archival pigment print on German etching paper from Ayana V Jackson's series To Kill or Allow to Live in the issue.

Published September 28, 2017
boulevardBoulevard's fall symposium on campus protests includes essays by Jim Craig, Megan Giddings, Ena Selimovic, Andrew Weinstein, and Robert Zaller responding to the question: "Have the recent campus protests - ranging from demonstrations to the use of safety spaces - against mainly right-wing speakers contributed to a dumbing down of American colleges, or are they effective and necessary?"
Published September 27, 2017
spatzCelebrating its 35th Anniversary, Alaska Quarterly Review Editor-in-Chief Ronald Spatz, while marking the milestone with gratitude, considers this passage of time and what AQR, like many literary publications, has witnessed. "In the past we counted on artists, scholars, scientists, and journalists as reliable firewalls against ignorance. But increasingly there are powerful efforts to silence or marginalize these agents of understanding and change . . . as writers, poets, editors, and publishers, we must redouble our efforts to seek truth in all of its parts while creating every possible opportunity for compassion and empathy. In our view, the role of the arts has simply never been more crucial."
Published September 26, 2017
new england reviewNew England Review Editor Carolyn Kuebler writes in the 38.3 Editor's Note that, while the twenty-three pieces in issue 38.3 (2017) were not chosen for nor do they have a focused message or singular theme, ". . . it surprised me to see how frequently the shadow of war—to take one obvious example of a culture of violence—darkened the edges of these disparate writings. With the world always in the throes of some violence or other, it’s no wonder; whether we’re civilians or soldiers or doctors, we all become part of it. Born during the Vietnam War, finishing college at the start of the Gulf War, and then becoming a parent during the War on Terror, I’ve learned that being in a state of war doesn’t always have a clear beginning and end, and now it’s not even always clear where the war is actually happening and who’s fighting it. It’s not just in this magazine or in this moment in time that writers are contending with such themes; it’s always."

Read the full editorial here and access full-text of several works from this issue, including Louise Aronson's "Necessary Violence."

Cover: Warfare  by Sabra Field
Published September 22, 2017
virga coverVirga is the name for the cloud streaks that stream hazily down from the sky, snow or rain precipitation that evaporates before having a chance to reach the ground. Virga can often fool radar into recording precipitation while the ground remains dry. Perhaps in this same way, poetic and hybrid forms can be as elusive as nature herself, and why Virga is an appropriate name for new online literary biannual dedicated to poetry and hybrid writing. Read more...
Published September 15, 2017
embark coverTeaching a course in The Novel, I took my students to the fiction section of the library and had them pull down books at random and simply read the first several pages, sometimes just the first sentence. I wanted them to sample as many “beginnings” as they could, then comment on the exercise. Some said they liked it as a way to consider a lot of books and see which one might grab their interest; overwhelmingly, they all wanted to go back and keep reading at least one or more of what they had sampled. Now, imagine this experience of sampling first chapters at your fingertips, on the computer, in one publication, and you will have imagined Embark. Read more...
Published September 13, 2017
bennington review"The decision to consider the work in the current issue of Bennington Review through the lens of threat," writes Editor Michael Dumanis, "- be this threat political, global, localized, or existential - was made during an uncharacteriscially emotional editorial meeting on Thursday, November 10, 2016, two days after a certain historical event. We felt completely unprepared to imagine what might come next. Animated by collective anxiety - this sense of abrupt dislocation of expectaions, as well as new actual danger - we gravitated toward poems and stories and essays where paradigms were similarly disrupted, where characters suddenly found themselves destabalized by external forces, where institutions and individuals in which we'd placed our trust failed to hold up their end of the bargain."

See a full table of contents with several sample works from the issue here.

Cover image by Prague-based artist Jakub Geltner: "Cultural Landscape."
Published September 11, 2017
concis“Field Tripping” by Katie Buchan is the eye-catching cover on the concīs Summer 2017. This online and e-pub journal devoted to brevity is available as PDF download.
fugue"The Spaces Between" by Laura Berger is featured on the cover of the online issue of Fugue (52). Managed and edited by graduate students in the English and Creative Writing Programs at University of Idaho, Fugue  features poetry, plays, fiction, essays, visual-text hybrids, and interviews.
kenyonDo I pick EVERY Kenyon Review cover? Maybe, but when covers make me laugh or do a double take, that's worth sharing. The artist is Milan, Italy-based Emiliano Ponzi.
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