The Colorado Review cover photo by Brian Holland is luscious, and even more so when viewed full spread with the entire night-lit bridge in the background.
And a final splash of red and summer with "Picnic, Long Island, New York" by Ralph Gibson on the cover of the Summer 2018 issue of Michigan Quarterly Review.
Regular readers of The American Poetry Review will be exicted to see the new cover design starting with the July/August 2018 issue. We love it here at NewPages World Headquaters! Nicely done APR!
Diversity and the Arts is the theme of the Spring/Summer 2018 issue of Nimrod International Journal, featuring "Tree of Life," a gorgeous canvas, acrylic paint, composition leaf and embroidery piece by the Tulsa Girls Art School: "an afterschool, social service program that uses art as a vehicle to reach girls."
Each issue of 3Elements publishes works that respond to three words for that issue. The Summer 2018 issue words were Jazz, Cradle, Recluse. Gregg Chadwick's artwork "Jazz Life (Central Avenue)" is the featured cover image.
The cover image of River Teeth: A Journal of Nonfiction Narrative is, appropriately, a sunset photo by David FitzSimmons, ushering out nineteen years of publishing as the journal heads into their twentieth anniversary!
This week's covers are from some of the many Alternative Magazines we have listed at NewPages as a reminder of this useful resource for both reading and submitting writing.
Earth Island Journal combines investigative journalism and thought-provoking essays that make the subtle but profound connections between the environment and other contemporary issues. Writers guidelines here.
The focus of Feminist Studies 44.1 (2018) is life writing and new approaches to studying women’s autobiographies, including Elizabeth Gurley Flynn, Gertrude Stein, Kamal Das, Gayle Rubin and Judith Butler, as well as works by Estelle Carol, Alexandra Ketchum, Olga Zilberbourg, Corey Hickner-Johnson, Hiliary Chute, and Ashwini Tambe. Submissions guidelines here.
The Progressive is a journalistic voice for peace and social justice at home and abroad, steadfastly opposing militarism, the concentration of power in corporate hands, the disenfranchisement of the citizenry, poverty, and prejudice in all its guises. Writers guidelines here.
One of my favorites, Parabola is published quarterly by the Society for the Study of Myth and Tradition, a non-profit, non-denominational, educational organization. Each issue devotes 128 highly illustrated pages to a universal theme. Submission guidelines here.
The Humanist magazine applies humanism — a natural and democratic outlook informed by science, inspired by art, and motivated by compassion — to broad areas of social and personal concern in pursuit of alternative ideas. Writers guidelines here.
And we all need to retain our ability to laugh and bring humor into our days. The Funny Times helps us fulfill this need as America's longest-running ad-free monthly humor publication in a newspaper format.
Roland Petersen's "American Bathers, 2017" on the cover of Spring 2018 Catamaran captures the essence of summer; this publication belongs in every beach tote and travel bag to take along on your summer adventures!
The cover of the online Subprimal Poetry issue 11.0 is "Blissful Deletion" by Willow Margarita Schafer, about which the artist comments: "I wanted to try and visually depict what nothingness feels like on a human level: a sort of calm fragmentation that is very hard to shake."
Hanging Loose 109 features a full-color art portfolio by Elizabeth Hershon as well as "Dreams" on the cover.
Into the Void issue 8.2 (2018) is one that required a double take with "Blindness: Study #0" by Pedro Aires, "A young architect from Portugal interested in experiementing with mulitiple creative processes."
I love this Glimmer Train #102 cover image of fresh fruits. Though not the kind of tropical fruit we see here in Michigan, this makes me look forward to summer farmers markets. Cover art: "I Miss My Mother" by Jane Zwinger.
Monolith by Jeanne Borofsky on the cover of Volume 29 Number 1 2018 welcomes readers to the party celebrating New England Review's forty years of publication.
Croatian-born artist Moondrusannah's artwork, featured in the online 8.1 issue of New Delta Review, is from her Illustrated Dreams Diary, of which she says, "Any clue to What Girls Really Dream About? I’m just starting to find that out myself, and I like what I see."
Thema's cover photo for their Spring 2018 issue is "Question the Answer" by Kathleen Gunton, appropriately fitting for the theme: "Is There a Word for That?" Perhaps not a word, but a beautiful image instead. Upcoming themes in search of submissions: "Where's the food truck?" (July 1) and "The critter in the attic" (November 1).
The cover and internal art portfolio of Georgia Review's Winter 2017 issue features a very different kind of garden life by sculptor Toshihiko Mitsuya: Aluminum. "Far from static," Mitsuya says of his medium, "it takes on the feelings of its surroundings - the wind, the light an the hands that touch it.As a material, aluminum starts in a huge factory and ends in something precious yet transitive: the installation reclaims an industrial material back to nature."
As unique as the vision through the cylindrical optic toy, Kaleidoscope is a publication "exploring the experiene of disability through literature and the arts." Kristin Gehrmann's "The Vial Keeper" reflects the Winter/Spring 2018 theme: Life's Unpredicatbiilty. Now available open access online, readers unfamilar with this journal should defnitely check it out.