This lovely cover of The Main Street Rag Winter 2019 just about sums it up for us here in Michigan.
Issue 8 2018 of the West Coast Gold Man Review
Again with the Concho River Review (Fall/Winter 2018) because, again, the cover image is gorgeous, while at the same time, a reminder of the dangerous power of nature. Tim L. Vasquez of Untamed Photography is becoming the most regularly featured artist for this column, and rightly so.
The Nov-Dec 2018 issue of Ragazine.CC online features Mariana Yampolsky's "Caress," a photo from the TIME OF CHANGE November exhibit at Throckmorton Fine Art. Ragazine.CC published the essay from the show guide along with several photos and an interview with Gallerist and Collector Spencer Throckmorton by Graciela Kartofel. See it all here.
Art Editor Andrew Marshall is the photographer who captured this chilly but beautiful image on the cover of the December 2018 online issue of Junto Magazine.
Mary A. Johnson's "Staurozoanastic Cavity" (2017) is featured on the cover of the Summer 2018 Cimarron Review. This unique work is composed of Emperor rice dye, logwood/bloodwood dyed paper, aerosol paint, inkjet prints on rice paper, rhinestones, aluminum shavings, acrylic medium, and pen, on paper. See more of her work here.
It seems 'collage' is this week's theme, finishing out with "House" by Star Black on the cover of Gargoyle 68.
The Fiddlehead Summer 2018 poetry issue features, appropriately, "Waning Summer Light, 2017," oil on canvas by Sonya Mahnic.
Which transitions nicely to the Fall 2018 cover of Copper Nickel, with Milk & Honey pigment print on 100% rag paper by Kristen Hatgi Sink. Inside, this issue features fourteen poets from Ireland and the UK.
The Gettysburg Review Summer 2018 features artwork by William Fisk on the cover and inside with a full-color portfolio. The oil on canvas subjects come from "machines and other seemingly permanent objects of modern and post-modern industrial culture."
Rattle poetry magazine issue 61 features "Looking into the Future," a digital montage by Thomas Terceira. This work was created "by scanning Victorian engravings and combining and colorizing them in Photoshop. It is part of a series inspired by Max Ernst's surrealistic collages." See more of Terceira's work here.
Featuring fiction, nonfiction, poetry, art, photography, cross-genre, and reviews, Lime Hawk 12 cover art is Caotiche Comprensioni by Paolo Di Rosa. See more of his work here, where "the central theme running throughout his work is the human figure immersed in a non-place, externalising dreamlike and introspective projections; setting the stage for an intimate dialogue between feeling and reality."
There's something just quintessentially summer about the Cut Bank 88 cover, with artwork by David Miles Lusk, "Beach Snack." Indeed!
The Main Street Rag Summer 2018 cover continues the summer theme - at least for us here in Michigan, motorcycles are not year-round. Photo by Editor M. Scott Douglass.
And, perhaps a farewell to summer, this beautiful photograph on the cover of the summer 2018 issue of Able Muse: A Review of Poetry, Prose & Art, "Young Dragon's Flight" by Anja Osenberg, is just one of the works for this issue's featured art, "A Flight Theme."
I can't look a the cover of the September 2018 issue of Poetry Magazine without the intro riff to "All Along the Watchtower" by Jimi Hendrix cuing up in my head. Sweetly enough, the inside front cover features a tribute quote from Donald Hall (1928-2018): "The world is everything and that is the case. / Now stop your blubbering and wash your face." (Poetry, February 1979)
Keeping with colors, I love how Issue 20 of True Story: 6'3" Man with Doritos by Matthew Clark is actually the color the cheesy Doritos dust leaves stuck to your fingers long after eating them (illustration by Lucy Engelman). So, no problem munching on a bag while you read this issue!
The Missouri Review Summer 2018 cover features the unique photography of Libby Oliver from the Soft Shells series. Visit her website, and check out the Sidewalk Series - slightly disturbing but mostly funny as hell.
I love the fairy tale aura of Wes Lee's "Day 242" on the cover of 2018 issue of The Meadow from Truckee Meadows Community College, as well as the magazine's new logo design.
I'm a sucker for a good old-fashioned fisheye lens, and luckily, The MacGuffin's own nonfiction editor, Michael Dyke doubles as a photographer, providing this view of Belle Isle Aquarium, Detroit, Michigan for the Spring 2018 cover.