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Published December 26, 2017

into the void"The Cowards" by French photographer Iva Iova on the cover of Into the Void #6 is from her series, The Remains , of which she writes, "The last decade held a concentration of questionable political and social events. [. . . ] A population raised and educated to be Deaf, Cowards and Heartless."

salamanderKikki Ghezzi's oil on linen entitled "Snow Flake" is featured on the cover of Salamander #45 with a full-color portfolio of more of her works inside the issue. She writes, "My paintings are increments of time and increments of marks and strokes in a meditative moment. They are the time of a walk, the time of process. The kind of 'glow”' time in my paintings is infinite in both directions, outward in accumulated, immeasurable brush strokes and inward towards a glow point."

oneOil on canvas "21 August 2017" by Lynn Boggess invites readers into the December issue One  online poetry magazine, which features a "Second Look" section in which writers discuss poems they admire. This issue's Second Look is Patrick Kavanagh discussing The Great Hunger.

 

Published December 18, 2017

leaping clearOne of the cover images, "Lotus Buddha" by Christine DeCamp, for the online publication Leaping Clear is reflective of its mission, to promote "accomplished artists whose work is informed by dedicated meditative and contemplative practices." There is more from DeCamp and other visual artists and writers in the Fall 2017 issue.

river teethThe cover image of the fall 2017 issue of River Teeth: A Journal of Nonfiction Narrative is a gorgeous waterfall photo from White Mountains, N.H. by David FitzSimmons.

concho river reviewTim L. Vasquez of Untamed Photography offers a seemingly surreal image for the cover of the fall/winter 2017 Concho River Review.

Published December 11, 2017

georgia reviewIt's hard to get the full effect of the Fall 2017 The Georgia Review cover art, which features work by poet and photographer Rachel Eliza Griffiths printed on mirror metallic stock.  A portfolio of her work and essay, "What Has Changed," is included in the issue, with an introduction by Jenny Gropp.

field

An untitled enamel on plywood by Mose " Mose T" Tolliver attracts readers to the Fall 2017 issue of Field: Contemporary Poetry and Poetics.

cincinnati reviewLove love love Mary Jo Karimnia's work, which she describes in her Artist's Statement, "I draw in the backgrounds and enhance certain areas with glass beads. Cropped purposefully to omit faces, the images - such as teenagers in costumes at cosplay conventions, dancers in Bolivia, and Catrina icons at a Day of the Dead festival - emphasize how costumes can allow us to explore alternative personae in an anonymous way, which helps us to learn about our past or to imagine a future in which the acceptance of eccentricities is the norm." The Cincinnati Review Winter 2018 includes her work on the cover as well as a portfolio inside.

Published December 04, 2017

the boiler"Dying of the Already Dead" by Gloria Ceren is featured on the cover of the online fall 2017 issue of The Boiler along with additional works within the publication.

zone threeBilly Renkl's "Watching the Sky #2" collage of antique British chromoolithographs is the cover art for v32 n2 of Zone 3 literary journal. Renkl says of his work, "Vintage and antique paper can be surprisingly beautiful, and I find the way that it carries its history with it moving."

poet loreThe front cover of Fall/Winter 2017 Poet Lore features a photograph of Coyote Bluffs, Arizona by Ariel Body of Live Laugh Design.

Published October 23, 2017
cleaverThe cover image for issue 19 of Cleaver Magazine online is mixed media/map entitled “He had an Awkward Relationship With The Truth” by Emily Steinberg.
foliate oakPhotographs by street photographer J. Ray Paradiso are featured on the cover screen for the online Foliate Oak Literary Magazine.
hamilton arts lettersCatherine Heard's work can be found on the cover of Hamilton Arts & Letters Magazine 10.1 as well as featured in an online portfolio. Her work "work interrogates the histories of science, medicine and the museum. Simultaneously attractive and repulsive, her works delve into primal anxieties about the body."
Published October 09, 2017

gettysburgHalloween, detail by Bo Bartlett, is seasonally appropriate for the Autumn 2017 cover of The Gettysburg Review. More of Bartlett's work is also featured in a full-color portfolio inside the publication.
bellevue literary review"Finding Home: Family & Connections" is the theme of Bellvue Literary Review's Fall 2017 issue, with cover art and internal portfolio by father and son Paul and John Paul Caponigro.
massachusetts review The Massachusetts Review "back-to-school" fall 2017 issue features "He Who Is as if Death Were Not," an archival pigment print on German etching paper from Ayana V Jackson's series To Kill or Allow to Live in the issue.

Published September 11, 2017
concis“Field Tripping” by Katie Buchan is the eye-catching cover on the concīs Summer 2017. This online and e-pub journal devoted to brevity is available as PDF download.
fugue"The Spaces Between" by Laura Berger is featured on the cover of the online issue of Fugue (52). Managed and edited by graduate students in the English and Creative Writing Programs at University of Idaho, Fugue  features poetry, plays, fiction, essays, visual-text hybrids, and interviews.
kenyonDo I pick EVERY Kenyon Review cover? Maybe, but when covers make me laugh or do a double take, that's worth sharing. The artist is Milan, Italy-based Emiliano Ponzi.
Published August 28, 2017
boiler"Decompose #4" by Taylor Torres is featured on the cover of The Boiler, an online quaterly of poetry, fiction, and nonfiction from emerging and established authors, as well as artwork.
thread coverThread is an online "intersectional feminist arts collective" publishing visual art, poetry, prose and creative nonfiction bimonthly.
superstition reviewThe work of artist and activist John Sproul is featured on the cover of Superstition Review #19.
Published August 07, 2017
malahat reviewI have to admit to being slightly creeped out by The Malahat Review cover art "Fly Face" by Aurel Schmidt - but at the same time, I can't bring myself to look away from the fine detail of this pencil and acrylic on paper.
missouri reviewSandy Skoglund's "Fox Games" is the perfect image for The Missouri Review  Summer 2017 theme "Mischief Makers."
able museI'm not sure if the cover images "Remote Lighthouse" by David Mark / "Delta Flyers" by Barry Jones was intentional - with the black and white lighthouse - given the special art feature in this Summer 2017 issue of Able Muse: A Zebra Theme - a photographic exhibit of zebra imagery from artists worldwide.
Published July 17, 2017
kenyon review"Roaring Reading," the July/August 2017 cover illustration by José Luis Merino, is a perfect compliment to the slim format of The Kenyon Review.
oneAnother slim design, "Serenity Overflowing" by Chris Ogden is the cover photo for issue 12 of One, an online journal of poetry.
ragazineThe cover of Ragazine.CC, a global online magazine of arts, information & entertainment, is a photo of the German duo Shari Vari, whose music is featured in this issue's special section, "The Summer Seven: Listen to the Best Bands from Europe."
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