Lisa Allen Oritz took home the Perugia Press Prize for a first or second book by a woman (now open for 2017 submissions) in 2016 with the poetry collection Guide to the Exhibit.
“Inspired by the displays at a small natural history museum” Guide to the Exhibit is “about what we set aside to examine and remember,” using a quirky, scientific lens.
At the Perugia Press website, readers can find an excerpt from the collection, which will be released and September, as well as preorder copies.
Winner of the 2014 Tampa Review Prize for Poetry, Bruce Bond’s Black Anthem, was published this month. The sonnets in the collection are “wide-ranging in their investigations of the body, the psyche, metaphysical hunger, and its place in human conflict.” Black Anthem is available from the University of Tampa Press website in hardcover and paperback.
In June, A Different Wakeful Animal by Susan Cohen was published by Red Dragonfly Press. Winner of the 2015 David Martinson - Meadowhawk Prize, A Different Wakeful Animal “takes on the profound questions in language that catches the ear and the imagination. [ . . . ] A Different Wakeful Animal investigates what perishes and what might remain.”
Readers can grab a copy of Cohen’s poetry collection, and writers can still submit to the 2016 David Martinson – Meadowhawk Prize until August 31.
Looking back to May, Jennifer Barber’s Works on Paper was published by The Word Works. Winner of the 2015 Word Works Tenth Gate Prize. Her third poetry collection, Works on Paper “shows us the power of lyric restraint in the hands of a poet who draws from the well of the small moments of motherhood as well as the sweep of Jewish history.” This year’s Tenth Gate Prize just closed earlier in the month, with results announced on October 1st.
The awards are designed to recognize and encourage authors and illustrators starting out in the field of children's books who share Ezra Jack Keats' commitment to children and diversity. The award is given annually to an outstanding new writer and new illustrator of picture books for children (9 years old and under). Publishers are encouraged to submit works by new writers and illustrators who are committed to celebrating diversity through their writing and art.
To be eligible, writers and illustrators must have had no more than three books published. A selection committee of early childhood education specialists, librarians, illustrators, and experts in children's literature will review the entries, seeking books that portray the universal qualities of childhood, a strong and supportive family, and the multicultural nature of our world. The award includes an honorarium of $1,000 for each winner.
Deadline: December 15, 2016
Belt Publishing, publisher of city-based anthologies written by and for Rust Belt communities, are releasing a new anthology in the first week of July: Happy Anyway: The Flint Anthology. Edited by Flint writer and Belt Magazine contributor Scott Atkinson, Happy Anyway reveals Flint “at its funniest, its weirdest, and its saddest.”
There’s more to Flint than the water crisis that’s gathered the country’s attention in the past months. Preorder a copy of Happy Anyway to see all sides of this Michigan city, or check out the other anthologies which look at Detroit, Pittsburgh, Youngstown, Cincinnati, and Cleveland, with Akron and Buffalo anthologies in the making.
The fifth volume of this annual anthology features the theme “Serenity and Severity.” The twenty-nine included writers explore the theme, the duality impacting identities, lifestyles, outlooks, worldviews, and values. Contributors include Rebecca Aronson, Heidi E. Blankenship, William Cass, David Lavar Coy, Gail Denham, John Haggerty, Ellaraine Lockie, Juan J. Morales, Scott T. Starbuck, and more.
Preorder a copy of Gesell Dome now at the Open Letter website, where you can also find an excerpt of the novel.
Readers can preorder copies of Antiquity from the Sarabande Books website, where advance praise can also be found.
Set within the resilient Great Plains, these award-winning stories are marked by the region’s people and landscape, and the distinctive way it is both regressive in its politics yet also stumbling toward something better. While not all stories are explicitly set in Oklahoma, the state is almost a character that is neither protagonist nor antagonist, but instead the weird next-door-neighbor you’re perhaps too ashamed of to take anywhere. Who is the embarrassing one—you or Oklahoma?In Fall, Kathryn Nuernberger’s poetry collection The End of Pink will be released. The winner of the 2015 James Laughlin Award, The End of Pink (Nuernberger’s second collection) is “populated by strange characters” and is “equal parts fact and folklore.” Copies are available for preorder at the BOA Editions, LTD. website.