Reviewers (see
Contributors page):
MC
- Mark Cunningham; WC - Weston Cutter;
DE - Devon Ellington;
JG - Jamey Gallagher; JHG - Jeannine Hall Gailey; GK - Gina Kokes;
RL -
Reb Livingston;
DM - Deborah Mead;
SRP - Sarah R. Payne;
JP -
Jessica Powers; SR - Sima Rabinowitz; ST
- Sarah Tarkington; Contributing Editor:
DH -
Denise Hill
Posted March 19, 2004
Ink
Pot
Number 2
December 2003
Unprepared for the edginess of this journal, I almost stopped reading
Ink Pot less than a quarter of the way through. What a mistake that
would have been. This is a journal brimming with life, its poems, stories
and flash fiction crackling with energy. Ink Pot takes chances—not
your standard literary fare. In these pages, we visit some strange worlds: a
mall where the security guard acts out his sadism on what he believes are
invisible fish; a home laboratory where a man studies a hologram of his
daughter’s brain; a puppet show where Punch dispatches Judy and then turns
on the audience. Not every piece works in this collection, and some
formatting problems can be distracting. But Ink Pot makes up for it
with freshness and daring and some tremendous raw talent. Take, for
instance, Marc Phillips’ prose in the story “A Fancy and Horrible Thing,” at
once funny, vibrant, explosive, lucid: “In that box of roaches with a door
that wouldn’t lock and windows that wouldn’t raise, I found a remarkable
thing. This thing had apparently nested itself in the trod-down carpet
scraps with the mildew and vomit stains, waiting lo these many months for
someone to discern its odor among the others and recognize it for what it
was. A festering epiphany, so rotten that it had to be on the bottom; it was
the seed of philosophy.” Dig a little in this journal and you’ll find lots
of gems like this. After finishing Ink Pot, I picked up a more
traditional, established literary magazine. Professional, polished, but
predictable, it left me missing the surprises of Ink Pot. [Lit Pot
Press, Inc., 3909 Reche Rd., Ste. 132, Fallbrook, CA 92028. E-mail:
litpot@adelphia.net. Single issue $10.
http://www.litpot.com/] - DM
Posted March 18, 2004
Main Street Rag
Volume 8 Number 4
Winter 2004
Don’t let the title fool you—there’s nothing rag-like about this small,
beautiful journal. Encompassing two short stories, an illustrated humor
piece on a phallic mushroom species, an interview with poet Mark Morris,
reviews and poetry, the latest volume of Main Street Rag is as
elegant in presentation as it is edgy in content. Mike Watson’s cover art
alone is worth the issue price. The two short fiction pieces by Nils Reid
and Mary Ann Ruhl Thomas are in keeping with Main Street’s professed bias
for grittier material, treating, respectively, a morally lapsed missionary
and a girl contemplating killing her father. However, it is the poetry that
dominates these pages, with some established voices alongside many newer
ones. Aside from a couple of sonnets, the journal favors free verse in a
range of styles, from Louis Daniel Brodsky’s highly imagistic “Conception: A
Recollection,” to Kevin Sweeney’s facetiously trendy “Hopefully.” There are
memorable speakers in these poems. Pamela Garvey’s beggar in “Toward the
Face of Absence” challenges us: “Who assumes responsibility? / Who slips
pennies into a cup clanging / with emptiness.” But the editors also enjoy a
laugh and on the facing page give us Nathan Graziano’s English teacher,
desperate to interest a terminally bored class: “Extended metaphors / sweat
in the sheets, / Payment for sticking around / for the entire poem.”
Graziano closes his poem with an unforgettable deadpan that I won’t give
away here. Intellectually stimulating, accessible, enjoyable—Main Street
Rag is everything you could want from a literary magazine. [Main Street
Rag, Main Street Rag, 4416 Shea Lane, Charlotte, NC, 28227. E-mail:
editor@mainstreetrag.com. Single issue $7.
http://www.mainstreetrag.com/TheHub.html]- DM
African
American Review
Amiri Baraka Issue
Volume 37, Numbers 2-3
Summer/Fall 2003
I remember reading about the controversy over Amiri Baraka’s poem,
“Somebody Blew Up America,” written and performed after 9-11 and after
Baraka’s appointment as poet laureate of New Jersey. One line in the poem—
“Who told 4000 Israeli workers at the Twin Towers / to stay home that
day”—was condemned as anti-Semitic and led, ultimately, to Baraka’s sacking
as poet laureate. In this issue, African American Review explores not
only that incident (and whether it is legitimate to condemn Baraka as
anti-Semitic), but they publish several controversial Baraka poems, an
interview with Baraka, and essays covering the range of Baraka’s career as a
poet and radical. Among the most notable poems, “Somebody Blew Up America”
and “The McVouty Bible,” both showcasing Baraka’s anger and politics. My
favorite essay was “Sometimes Funny, But Most Times Deadly Serious: Amiri
Baraka as Political Satirist” by Jiton Sharmayne Davidson, which explores
the history of Baraka’s satire, from his earliest, humorous attempts to his
latest jabs at former New York Mayor Giuliani. [African American Review,
Saint Louis University, Shannon Hall 119, 220 N. Grand Blvd., St. Louis, MO
63103-2007. E-mail:
keenanam@slu.edu. Single issue $12.
http://aar.slu.edu/] - JP
Blue Mesa
Review
Number 15
2003
I expected something devoted a bit more to Southwestern literature, since
Blue Mesa Review is published at the University of New Mexico, but
this appeared to be a standard literary magazine without regional focus.
This issue is jam packed with great essays, stories, and poems, including
“Weathering the Freeze” by Bonnie Jo Campbell, a visceral description of
sub-zero weather on a farm in Michigan; “Black Box,” by Katherin Nolte, a
short story about a woman having an affair with a man whose wife becomes a
zombie, quite possibly because the philandering woman’s husband knows
voo-doo and has discovered his wife’s affair; and a long section featuring
Gene Frumkin’s poetry, whose work “succeeds above ground and deep in the
mine shaft.” Because I love non-fiction rooted in a sense of place, my
favorite piece in this issue is an essay by Jennifer Brice, entitled “Wild
Music: Reflections on Big Oil and Innocence.” In it, Brice explores the
Alaskan past and present, explaining that yes, the “pipeline” and “oil”
changed Alaska in myriad ways, but the core part of Alaska that “seems
unwilling to compete with or improve upon nature” has remained the same.
[Blue Mesa Review, University of New Mexico, Dept. of English/Hum 217,
Albuquerque, NM 87131. E-mail:
bluemesa@unm.edu. Single issue $12.
http://www.unm.edu/~bluemesa/] - JP
Storie
– All Write
51
2003
I read this literary magazine from cover to cover. (Well, OK, this is a
bilingual publication. I did NOT read the Italian translations of stories,
just the English.) Every story in it was fabulous, every interview with the
author of the published stories interesting. From Joyce Carol Oates’s
exploration of a young girl’s disappearance in a New Jersey town to Massimo
Lolli’s description of a dance hall where strangers meet for a few minutes
for sex and intimacy, the four stories collected in this volume were
stunning. However, my favorite part of Storie is the section near the
end where they include a short paragraph critiquing the stories that they
rejected for this issue. Witty, kind, but also critical, these paragraphs
seem a unique service to the writer: a mention of the story and its merits
but also its shortcomings. [Storie,Via Suor Celestina Donati 13/E, 00167
Rome, ITALY. E-mail:
storie@tiscali.it. Single issue $10.
http://www.storie.it/contenuti/english.HTM] - JP
The
Literary
Review
Volume 47, Number 2
Winter 2004
The Literary Review had a strange, other-worldly feel to it, the
stories and poems a mixture of reality and surrealism. It’s some of the best
damn writing I’ve read in awhile. I’ve rarely encountered a story as
disturbing as “The Child,” by Edgar Brau, which depicts five women who are
jailed shortly after giving birth to children. They must hide themselves
behind hoods when their jailers approach; the punishment for failing to do
so is death. Each woman, one by one, is taken away, presumably for
execution, but not before the jailers send the women dolls as “replacements”
for the babies that were taken from them. No explanation is given as to
context for this story, or why these women and not others, or anything else;
the women themselves have no understanding. This off-world is reality, and
you must accept it on its own terms. Other noteworthy stories and poems
include “The Widow in Her Weeds,” by W.J. Thornton; “Walker Percy in the
Desert,” by William Miller; and “Polar Animal” by James Grinwis. [The
Literary Review, 285 Madison Avenue, Madison, NJ 07940. E-mail:
tlr@fdu.edu. http://www.theliteraryreview.org/] - JP
Red Rock
Review
Issue 14
Summer 2003
To those of us who grew up with Midwestern mothers, Red Rock Review
is a meat-and-potatoes kind of fare—not gourmet, not “the latest and most
stylish,” but comfort food, pure and simple. I enjoyed poems with lines like
“When Grampa made her angry she would tell him / ‘Go soak your head in the
water’” (“Bright Wine” by Shonna Bilyeu), or “You were the first” by Anesa
Miller, simple but devastating in its conclusion, in its forgiveness for a
fallen father. I loved stories like “The Blue Monkey,” by Cary Holladay, in
which a mother tries to come to terms with the death of her only child,
whose husband is falling in love with her daughter’s deaf lover. “Lunch with
Moskowitz” by Andrew Kiraly is a witty look at a hypocritical,
self-righteous New Age specialist, dealing with his dislike of a boorish man
who points out all the incongruities and absurdities of his favorite
spiritualisms. Red Rock Review may not be experimental but because of
that, it avoids being “faddish” and is, instead, an example of strong,
lasting literature. [Red Rock Review, English Dept. J2A, Community College
of Southern Nevada, 3200 East Cheyenne Avenue, North Las Vegas, Nevada,
89030. E-mail:
richard_logsdon@ccsn.nevada.edu. Single issue $5.50.
http://www.ccsn.nevada.edu/english/redrockreview/default.html]
- JP
NewPages Literary Magazine Stand Archives
February 2004
January 2004
December
2003
November
2003
October 2003
September
2003
August 2003
July 2003
June 2003
Cumulative Index of Lit Mags Reviewed
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