Tampa Review :: NewPages Guide to Literary Magazines
About Tampa Review: Tampa Review is a literary gallery space in print, presenting new writing and visual arts from Florida and the world.
The University of Tampa Press
401 West Kennedy Boulevard
Tampa, FL 33606
Phone: (813) 253-6266
Simultaneous submissions: yes Email submissions: no Online submissions: yes (see website) Reading period: 9/1-11/30 Response time: 3-4 months Payment: cash plus copy (see website) Contests: yes (see website) ISSN: 0896-064X Founded: 1988 Issues per year: 2 Copy Price: $14.95 Subscription: $22/year
Publisher’s Description: Tampa Review is published twice a year in a unique and elegant hardcover format by the University of Tampa Press. Each issue includes new stories, poetry, creative nonfiction, and art. The editors strive to produce a physically beautiful magazine that presents words in meaningful aesthetic relationship with world-class visual art.
We believe that contemporary works resonate most powerfully within a great tradition. Thus, the design of the magazine affirms a tradition of excellence in book arts hearkening back to illuminated manuscripts. And as a gallery space in print, Tampa Review promotes awareness of multi-dimensional relationships between outstanding contemporary literature and the contemporary visual arts. We advocate each act of reading as an experience of insight, outreach, and delight.
Our issues feature contemporary writing and art from Florida and our Tampa Bay area — but we emphasize and cultivate this work in dialog with an international literary and cultural community.
Our annual Tampa Review Prize for Poetry awards a $2,000 prize and book publication in hardcover and quality paperback editions to poets new and old. And each year we are one of eight journals publishing the best new writing from the nation’s graduate and undergraduate creative writing programs—winners of the AWP Intro Awards chosen by the Association of Writers and Writing Programs.
This double issue (43/44) is magic and mythic. It includes an epic array of writers and artists—our largest number to date. And in the mysterious ways that myths capture and compress patterns of human behavior and significance into timeless form, the epic contents include numerous contemporary incarnations of mythic patterns associated with classical Greek or Roman cultures—and even more ancient societies.
From its opening “Indian Prayer” by Danahy Fiction Prize winner Heather Sappenfield, to powerful closing poetry by Frank X. Gaspar, including “Late Rapturous,” title poem from his latest book, the new writing and art in Tampa Review 42 offers rich reflections about changing course. With art by Todd Hido, Jane Calvin, Audrey Flack, and others; nine new stories by Debra Brenegan, Kathy Flann, Sharon Hashimoto, Ann Scott Knight, Mark Krieger and more; nonfiction from James McKean and Caroline Sutton; and work from twenty poets, including Frank Giampietro, Red Hawk, and Diane Wakoski, the issue is a splendid way to end one year and begin the new.
Tampa Review 41 is framed by a sampling of art from the Vorticist movement, a lively alliance of literary and visual artists before World War I that included Ezra Pound, T. S. Eliot, Wyndham Lewis, and a famous literary magazine called Blast. The issue includes fiction by Eric Freeze, Cary Groner, Brian Hyer, and William Jablosky; nonfiction from Carolyn Flynn, Priscilla Long, Dana Norris, and Nicole Sheets; and poetry from David Axelrod, Christopher Buckley, Dennis Hinrichsen, Dannye Romine Powell, Peter Meinke, and seven other contemporary poets.
last updated 02/26/2013