Creative Writing Programs :: NewPages Guide
Minnesota State University, Mankato
MFA in Creative Writing
230 Armstrong Hall
Mankato, MN 56001
Website: http://english.mnsu.edu/cw/cwmfa.htm
Program director: Richard Robbins
Program contact: Richard Robbins
Phone: 507.389.1354
Email: richard.robbins@mnsu.edu
Degrees offered: MFA
Genres: Poetry, fiction, creative nonfiction, screenwriting
Type of program: Residency
Length of program: Average is three years
Enrollment: 40
Total credits required: 48
Application deadlines: 2/1 for TA/GA consideration
Scholarships available: Teaching and non-teaching assistantships to some students (process is competitive)
Core faculty: (see below)
Assistantships: Yes
Publishing/editing courses: Yes
Literary magazine: Yes
Reading series: Yes
Recent visiting writers: Alison McGhee, Richard Ford, Debra Magpie Earling, Steve Almond, Bob Hicok, Beth Ann Fennelly
Program description: The M.F.A. program in creative writing meets the needs of students who want to strike a balance between the development of individual creative talent and the close study of literature and language.
The creative writing staff at MSU Mankato is composed entirely of award-winning poets, fiction writers, and creative nonfiction writers. We believe students at all levels of instruction should be guided by individuals steeped in their own creative projects and familiar with the common challenges surrounding bringing imaginative works to completion. The graduate creative writing curriculum assumes writing and reading are complementary activities, and so students read and discuss some of the best literary works of the past and present while exploring issues of craft and genre that will allow them to take their own writing to new levels.
Candidates in the program will find it appropriate training for careers in free-lancing, college-level teaching, editing and publishing, arts administration, and several other areas.
New students will discover the faculty eager to work with them and a community atmosphere extremely supportive of their writing. The core faculty:
Candace Black (poetry, creative nonfiction)—The Volunteer
Geoff Herbach (fiction, screenwriting)—The Miracle Letters of T. Rimberg; Stupid Fast
Diana Joseph (fiction, creative nonfiction)—Happy or Otherwise; I’m Sorry You Feel That Way
Richard Robbins (poetry)—Famous Person We Have Known; The Untested Hand
Roger Sheffer (fiction)—Borrowed Voices; Music of the Inner Lakes
Richard Terrill (creative nonfiction, poetry)—Fakebook: Improvisations on a Journey Back to Jazz; Coming Late to Rachmaninoff

